Un treno è fermo a Berlino

"Delay in Marienborn" was a surprise: an effective 1963 Cold War drama that during its day capitalized on the tense relations between the Soviet Union and the United States in divided German territory. Not surprisingly it won several awards, including best screenplay from the film industry of the Federal Republic of Germany, and the Youth Award at the Berlin Film Festival for the Best Feature Film Suitable for Young People. The film was a call to tolerance and understanding between world powers, but most importantly a reflection on the value of discipline and adherence to codes among the military, in a time when ethics apparently seemed more clearly defined by ideologies. Based on Will Tremper's book "Aufenthalt in Marienborn", that recounts a true incident, the film tells a charged and moving tale: a nurse (Nicole Courcel) helps Banner (Hans-Joachim Schmiedel) to defect from the Democratic Republic of Germany, by allowing him to get on board an American-commanded train crossing the territory under Soviet control. Although most conversations are led between high officers of each side, the final decision of what to do with Banner is left to lieutenant Novak (Sean Flynn) who is in command of the train. Both the lieutenant and the defector are 24- year old men. They are not portrayed as heroes of action films or stereotypes of propaganda movies, but as two humane and vulnerable young men, facing a crisis beyond them, ruled by world politics. Others on board include a journalist (José Ferrer, who received first credit but had a secondary role), a US diplomat, a newlywed couple, a female sport team, and other assorted characters. The best part of the surprise though was Sean Flynn. I did not expect to ever watch him in a dramatic role, to give an effective performance and to hear him in English, after watching several films where he was dubbed in Spanish, Italian and German. Also providing good performances in an international cast, Jess Hahn is featured as Flynn's assistant; Yossi Yadin plays the Soviet officer, while actor-author Edward Meeks plays an American captain with a clear idea of what has to be done. Recommended.

This film starts with some fabulous twilight location shots around 1960's Berlin. - The dim and somber photography of bleak cityscapes shot from the departing train does much to enhance this vehicle to show off Errol Flynn's son, Sean. --And the handsome young actor does pretty good with the second-rate material.

Made in Europe on a shoe-string budget, almost all of the action takes place on a west-bound (from Berlin) train carrying American soldiers, a pair of newlyweds, a nurse and her patient, an all-girl group of performers, and a loud-mouthed reporter (Jose Ferrer).

During the journey, an East German refugee secretly boards the train, and the 'east-west' cold war tensions begin. The train is detained by the Russian military who want the refugee handed over to them.

The dialog is not good, the character assortment is not bad, and Sean Flynn and Jose Ferrer do their best with the material they have.

Ferrer shamelessly over-acts, but what choice did he have with such hammy lines? Sean Flynn has to work hard at it, as well, but Flynn had the added advantage of being so adorably handsome (even prettier than his famous father). Moreover, the grubby location work, as well as the confining train interiors, actually add to this film's appeal and make it easier to get past some of the tired 'cold-war-formula' dialog.

As fate would have it, while working as a war correspondent, Sean Flynn mysteriously disappeared in Viet Nam in 1970-- about 7 years after this film was made.

The cold war got him in real life, too.....

Low-budget but not low-quality Cold War drama about an East German refugee who slips aboard a US military train leaving West Berlin and passing through East Germany. The East German and Soviet authorities discover that he's aboard and stop the train, demanding that he be turned over to them. Sean Flynn, Errol's impossibly good-looking son, does a first-rate job as the young American army officer in charge of the train who finds himself caught in the center of Cold War tensions and Jose Ferrer is good, if a bit showy, as a seen-it-all reporter aboard the train. The film takes place mostly aboard the cramped train and, while the dialog lags in spots and the direction is a bit ragged, overall it's a commendable, very worthy effort.

Stop Train 349 is an engaging, though uneven and largely forgotten, thriller from the hottest peak of the Cold War, a time at which it was easy to imagine a seemingly minor dispute between the U. S. and U. S. S. R. spiraling out of control. The real life premise was an agreement between the superpowers to allow a U. S. military train to operate between West Germany and its enclave of West Berlin, surrounded by Soviet-occupied East Germany and barricaded by the famous Berlin Wall. An East German refugee boards the sealed train, leading the Soviets to stop the train and demand his return.

We spend time getting to know the passengers on the train, an assortment of civilian tourists and military personnel, including the East German soldiers who actually operate the train. José Ferrer provides the film's star power, effectively portraying a cynical journalist who sees professional opportunity in publicizing the refugee's flight. Nicole Courcel turns in the best performance of the film as a reserved nurse who makes the key decision to help the refugee board the train. The key role of Lieutenant Novak, the American officer in charge of the train and tasked with protecting its passengers and military personnel, is highlighted as the situation escalates. Ultimately, the great failing of the film is to miscast Sean Flynn (son of Errol Flynn) in this role, who simply cannot occupy the center of the film's morality play, looking in every scene like he is memorizing his lines for the first time from a cue card.

It's easy to imagine the great film Stop Train 349 could have been, in the hands of a Lumet or Frankenheimer. The tense standoff between the American and Soviet soldiers outside the stopped train is effective as a microcosm of the larger military standoff across the Iron Curtain. Unfortunately director Rolf Hädrich is unable to generate sustained tension through much of the film. The division on the train between passengers sympathetic to the refugee's plight and those who just want to get to West Germany safely is highlighted but not exploited to maximum effect. Instead the film lurches between compelling scenes like the discussions between American military negotiators and Soviet officers, to scenes with Flynn in which the tension and realism dissipate.

Fans of Cold War thrillers may want to check this film out, available on Amazon Prime for rent at the moment, although in a somewhat dilapidated print. On the whole, Stop Train 349 is a film with an intriguing premise that just doesn't have the talent in front of, or behind, the camera to compare favorably with the classics of the genre.

José Ferrer was an exceptional Oscar-winning actor...one of the best of his generation. However, given poor material, even a fine actor like him is hindered from being able to put over the character. In this case, he plays a very one-dimensional and often annoying character thanks to the writing. It's a shame as the basic story is interesting and is a snippet of history we should not forget.

When the story begins, an obnoxious reporter (Ferrer) pushes his way onto a US military train headed from East Germany to West Germany. In other words, moving from a Soviet puppet government to a democratically elected government in the West. The train is secured so that no one can get on or off--all parts of a treaty with the Russians in order to allow this train to pass through East German territory. This sort of trip has already been made many times before but further trains like this are doubtful when a defecting East German somehow climbs aboard the train....and the East Germans and Russians stop the train and demand the return of the defector. As a result, a diplomatic incident occurs.

Most younger people today have little, if any, recollection of the separate Germanies and the government's attempt to prevent East Germans to immigrate to the West. Interesting...yes. But the film has a cheap look to it and Ferrer's character simply isn't necessary...yet there he is making all sorts of idiotic comments almost randomly throughout the film. It's obvious this West German production wanted some famous American actor in the film in order to try to attract more viewers....and Ferrer had won the Best Actor Oscar the decade before for "Cyrano de Bergerac". But he's pretty much wasted in an otherwise compelling picture.