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6,7/10
22.863
LA TUA VALUTAZIONE
Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Giacomo Rossi Stuart
- Ben Cortman
- (as Giacomo Rossi-Stuart)
Umberto Raho
- Dr. Mercer
- (as Umberto Rau)
Antonio Corevi
- Governor
- (as Tony Corevi)
Ettore Ribotta
- TV Reporter
- (as Hector Ribotta)
Rolando De Rossi
- TV Reporter
- (non citato nei titoli originali)
Vito Fasano
- Man Chasing Morgan
- (non citato nei titoli originali)
Giuseppe Mattei
- New People Leader
- (non citato nei titoli originali)
Enrico Salvatore
- TV Reporter
- (non citato nei titoli originali)
Alessandro Tedeschi
- Passerby
- (non citato nei titoli originali)
Recensioni in evidenza
"The Last Man on Earth" is an English language, Italian production of Richard Matheson's classic horror tale "I Am Legend", starring the great Vincent Price in the titular role.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
My goodness, this movie holds up well. First watched it some 5 years ago, watched it again tonight, and I am beginning to realize how influential it is. As observed by many other posters, many films/directors are in debt to this movie. The list would begin but not end with "Night of the Living Dead", "Omega Man", "28 Days Later", and "Day of the Dead". There is also that very good Australian (?) movie, "This Silent Earth." That is to only mention the good movies. Countless crappy movies also owe their profits to this woefully unknown gem. Sure, as a Vincent Price fan I am biased. But the quality of this movie - from the script to the photography to Price's glorious intonations - is hard to deny.
This one seems to be less well known than others in Vincent Price's filmography -- possibly because the title makes it sound more like a romantic comedy.
In this first filmed version of Richard Matheson's superb short novel "I Am Legend", though, Price really shines in one of the best performances of his career. Far superior to its 1971 remake "The Omega Man" -- as if we needed yet another "Charlton Heston vs. the subhuman hordes" outing after "Khartoum" and "55 Days In Peking" -- the script follows Matheson's book almost scene-for-scene, but then, I think the author always wrote with one eye on the movie or TV rights.
Morgan (Vincent Price) is the only survivor of a worldwide plague that kills its victims, only to resurrect them as zombie vampires. (His own immunity was conferred by the bite of a vampire bat infected with a weaker version of the virus, when he was doing research in South America.) By day, he systematically searches out the plague victims and destroys them in the traditional Van Helsing manner, retreating to his fortified house when darkness falls and the vampires come out to play. Worst of all, his best friend Ben -- now a vampire -- is part of the crowd that nightly besieges his house, thirsting for his blood.
Unlike "The Omega Man", very little of this film is devoted to Morgan's one-man war against the vampires, who as others have noted have a kind of "Night Of The Living Dead" ambiance, minus the gore. Instead it focuses on his utter isolation, both physical and spiritual, his mission as an exterminating angel the only purpose now left to his life.
A large part of the movie is taken up by a flashback to three years previous, to the beginning of the plague, as his friend Ben arrives at a birthday party for Morgan's daughter bearing an armful of presents. Against the background of the children's shouts and laughter the adults worriedly discuss the appearance of a new virus. The world then proceeds to fall apart in a quietly terrifying re-enactment of the Black Death, complete with National Guard "bring out your dead" units and a 24/7 immolation pit for the anonymous, canvas-wrapped corpses. Morgan's wife and daughter succumb to the virus in a sequence that is quite stunning in its low-key, almost clinical lack of the standard histrionics.
The black-and-white cinematography is as stark and minimalistic as the story (and, admittedly, the budget). The exterior scenes set in a deserted Los Angeles -- well, actually Rome, shot in the early morning -- are often quite effective in mirroring his internal desolation. Cast and crew alike do an excellent job with the material, despite the monetary constraints. Unlike so many in our current "bash you over the head" school of film-making, the real horror of the situation is allowed to speak eloquently for itself.
If you're expecting the high camp of one of Price's Roger Corman flicks, you'll probably be bored stiff by this movie. If instead you're looking for a surprisingly good adaptation of a great story, you can't do much better than "Last Man On Earth".
In this first filmed version of Richard Matheson's superb short novel "I Am Legend", though, Price really shines in one of the best performances of his career. Far superior to its 1971 remake "The Omega Man" -- as if we needed yet another "Charlton Heston vs. the subhuman hordes" outing after "Khartoum" and "55 Days In Peking" -- the script follows Matheson's book almost scene-for-scene, but then, I think the author always wrote with one eye on the movie or TV rights.
Morgan (Vincent Price) is the only survivor of a worldwide plague that kills its victims, only to resurrect them as zombie vampires. (His own immunity was conferred by the bite of a vampire bat infected with a weaker version of the virus, when he was doing research in South America.) By day, he systematically searches out the plague victims and destroys them in the traditional Van Helsing manner, retreating to his fortified house when darkness falls and the vampires come out to play. Worst of all, his best friend Ben -- now a vampire -- is part of the crowd that nightly besieges his house, thirsting for his blood.
Unlike "The Omega Man", very little of this film is devoted to Morgan's one-man war against the vampires, who as others have noted have a kind of "Night Of The Living Dead" ambiance, minus the gore. Instead it focuses on his utter isolation, both physical and spiritual, his mission as an exterminating angel the only purpose now left to his life.
A large part of the movie is taken up by a flashback to three years previous, to the beginning of the plague, as his friend Ben arrives at a birthday party for Morgan's daughter bearing an armful of presents. Against the background of the children's shouts and laughter the adults worriedly discuss the appearance of a new virus. The world then proceeds to fall apart in a quietly terrifying re-enactment of the Black Death, complete with National Guard "bring out your dead" units and a 24/7 immolation pit for the anonymous, canvas-wrapped corpses. Morgan's wife and daughter succumb to the virus in a sequence that is quite stunning in its low-key, almost clinical lack of the standard histrionics.
The black-and-white cinematography is as stark and minimalistic as the story (and, admittedly, the budget). The exterior scenes set in a deserted Los Angeles -- well, actually Rome, shot in the early morning -- are often quite effective in mirroring his internal desolation. Cast and crew alike do an excellent job with the material, despite the monetary constraints. Unlike so many in our current "bash you over the head" school of film-making, the real horror of the situation is allowed to speak eloquently for itself.
If you're expecting the high camp of one of Price's Roger Corman flicks, you'll probably be bored stiff by this movie. If instead you're looking for a surprisingly good adaptation of a great story, you can't do much better than "Last Man On Earth".
I'm not sure why this film is as underrated as it is. This is an amazing, depressing and in many ways brilliant film based on the Richard Matheson classic novel "I Am Legend". Vincent Price effectively conveys the terror and despair of being the last living man on an Earth that is now overrun with vampires and/or zombies. The depiction of Price's day to day bleak existence is a moving and powerful thing to behold and the continual menace of the hordes of zombies is creepy in the same way as was later depicted in "Night of the Living Dead". In fact, as noted by others here, one can not watch the scenes where the zombies lay siege to Price's boarded up house and attack his car without recognizing how close these scenes would later be copied by George Romero in his classic zombie films. If you are a fan of horror film history or just looking for a classic and unique film with an interesting story, track down this lost gem.
Made four years before Night of the Living Dead, The Last Man on Earth tells a very similar story. Based on Richard Matheson's novel "I Am Legend", the film tells the tale of a terrible plague that has wiped out all of mankind and replaced them with vampire-zombie like creatures. Well, it's almost wiped mankind out - one man, Vincent Price, still remains. Now that he has inherited the Earth, the last surviving human has to hunt these creatures by day and then hole up in his house during the night. Vincent Price says most of dialogue in voice over, which gives this apocalyptic horror film a great element of pessimism, which is essential in order for the film to work. The way that Price reads his lines is done in such a way that it seems he has simply given up all hope, and this helps the tragic element of the movie, which is this film's main backbone. The dreary black and white cinematography helps this element of the film also, as it adds the degree of hopelessness and pessimism, which this story thrives on.
Quite how this film has reached the ripe old age of forty and still not garnered the praise and respect it deserves is beyond me. While Night of the Living Dead deserves the praise for 'really' creating the zombie movie that we all now know and love, this film got the theme first, and thus deserves it's place in the annals of film history. The story, even without the horror of the zombie creatures, still makes for fascinating food for thought. The idea of being left all alone on the Earth is simultaneously fascinating and horrifying, and by showing us the things that the protagonist has do every day to ward off the vampires (mirrors and garlic on the doors, hunting them by day), along with such quotes as "another day to live through" show the true horror of the idea behind the film. Of course, Vincent Price is one of the greatest actors of all time and his presence in the movie is easily one of the highlights. Price's great screen presence helps to offset the obvious low budget of the film and even during the slower moments, The Last Man on Earth still ensures that we are interested in what's going on, just by the fact that Price is there. On the whole, this is an extraordinarily brilliant film and one that deserves your viewing!
Quite how this film has reached the ripe old age of forty and still not garnered the praise and respect it deserves is beyond me. While Night of the Living Dead deserves the praise for 'really' creating the zombie movie that we all now know and love, this film got the theme first, and thus deserves it's place in the annals of film history. The story, even without the horror of the zombie creatures, still makes for fascinating food for thought. The idea of being left all alone on the Earth is simultaneously fascinating and horrifying, and by showing us the things that the protagonist has do every day to ward off the vampires (mirrors and garlic on the doors, hunting them by day), along with such quotes as "another day to live through" show the true horror of the idea behind the film. Of course, Vincent Price is one of the greatest actors of all time and his presence in the movie is easily one of the highlights. Price's great screen presence helps to offset the obvious low budget of the film and even during the slower moments, The Last Man on Earth still ensures that we are interested in what's going on, just by the fact that Price is there. On the whole, this is an extraordinarily brilliant film and one that deserves your viewing!
Lo sapevi?
- QuizEstablished by many reviewers (including director George A. Romero himself) as a graphic blueprint for La notte dei morti viventi (1968).
- BlooperThe first station wagon Morgan has (a Chevy) turns into a Ford (look for the 4 headlights) and back to the Chevy (2 headlights). He eventually ends up with the Ford after the zombies wreck the Chevy.
- Citazioni
Robert Morgan: December 1965. Is that all it has been since I inherited the world? Only three years. Seems like 100 million.
- Versioni alternativeMGM's 2005 DVD release does not contain the copyright obstruction found in most prints' opening titles. It reads: "COPYRIGHT 1963 BY ASSOCIATED PRODUCERS INC. ALL RIGHTS RESERVED." It also contains the complete ending sequence, including the dialog with the baby, that is missing from most prints. This release is also digitally cleaned up, presented in wide screen format, features an interview with Richard Matheson, one of the writers, and is paired with the film Panic In Year Zero. It is missing one element common from other prints. The American International Television title card and theme music that starts off most prints is replaced with an inserted sequence of MGM's famous lion roar trademark and the MGM website address. This DVD was initially problematic on its release because of Sony's then recent purchase of MGM. Sony had canceled the entire Midnite Movies line, and, though the DVD was already set to be released, Sony had initial reservations on releasing it at all. Copies managed to accidentally get shipped to some stores, such as Best Buy, in the US and Canada, where they were immediately flagged as "recalled." Most were, either immediately returned by the stores or pulled by cashiers who should have refused the purchases. Some were still sold, regardless, in early May 2005, before they should have been. By September 2005, Sony released the DVD properly into the wide market.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: The Last Man on Earth (1975)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Vento di morte
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 300.000 USD (previsto)
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was L'ultimo uomo della Terra (1964) officially released in India in English?
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