VALUTAZIONE IMDb
6,7/10
22.880
LA TUA VALUTAZIONE
Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.Quando una malattia trasforma l'intera umanità in morti viventi, l'ultimo uomo sulla terra diventa un riluttante cacciatore di vampiri.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Giacomo Rossi Stuart
- Ben Cortman
- (as Giacomo Rossi-Stuart)
Umberto Raho
- Dr. Mercer
- (as Umberto Rau)
Antonio Corevi
- Governor
- (as Tony Corevi)
Ettore Ribotta
- TV Reporter
- (as Hector Ribotta)
Rolando De Rossi
- TV Reporter
- (non citato nei titoli originali)
Vito Fasano
- Man Chasing Morgan
- (non citato nei titoli originali)
Giuseppe Mattei
- New People Leader
- (non citato nei titoli originali)
Enrico Salvatore
- TV Reporter
- (non citato nei titoli originali)
Alessandro Tedeschi
- Passerby
- (non citato nei titoli originali)
Recensioni in evidenza
My goodness, this movie holds up well. First watched it some 5 years ago, watched it again tonight, and I am beginning to realize how influential it is. As observed by many other posters, many films/directors are in debt to this movie. The list would begin but not end with "Night of the Living Dead", "Omega Man", "28 Days Later", and "Day of the Dead". There is also that very good Australian (?) movie, "This Silent Earth." That is to only mention the good movies. Countless crappy movies also owe their profits to this woefully unknown gem. Sure, as a Vincent Price fan I am biased. But the quality of this movie - from the script to the photography to Price's glorious intonations - is hard to deny.
Richard Matheson's seminal sci-fi horror novel, "I Am Legend", published in 1954, is first and foremost, a character study, and any film producer must come to terms with that, if there is to be a successful adaptation from print to screen. The novel was adapted to screen in 1964 as "The Last Man On Earth"; producer Sidney Salkow, hampered by a tiny budget, intuitively did the best he could and came close to pulling it off! What Salkow did was convey the novel's mood, tone, atmosphere and plot in primitive fashion, crudely capturing the gist of the novel - that of one man, Robert Neville's confrontation with a horrendous existential dilemma - to be, himself, that is; or not to be, a plague- induced vampiric shell. While "TLMOE" was not entirely successful in translation, especially in the ending - co-scripter Matheson ultimately distanced himself from the final product - it nevertheless, clearly outshines a later, technically superior 1971 remake, "The Omega Man" in the aforementioned aspects. "The Omega Man", taken on it's own, is an interesting, entertaining film; but when referenced against the novel, falls flat on it's face. (Matheson himself stated that that film and his novel are two completely different animals.) In contrast, "TLMOE" fares much better when referenced: it shows that Morgan's (Neville's) battle is more with reactions within himself than with the vampires as a physical threat per se, as it becomes obvious that the vampires are slow-moving, dull-minded individually, and disorganized as a group, each instinctively and savagely interested only in HIS blood. Besides the perpetually nightmarish nuisance of the vampires, who have a collectively demoralizing effect on him, Morgan (Neville) must fight against the horror generated by the desolation and doom of a post-apocalyptic world, against the loneliness of being the last human on earth and against the agony of tragically losing his wife and daughter to the plague. In the final analysis, "The Last Man On Earth" could be likened to a series of crude, but brilliant brush-strokes of feeling-tones. As such it fully deserves cult-classic status.
I'm not sure why this film is as underrated as it is. This is an amazing, depressing and in many ways brilliant film based on the Richard Matheson classic novel "I Am Legend". Vincent Price effectively conveys the terror and despair of being the last living man on an Earth that is now overrun with vampires and/or zombies. The depiction of Price's day to day bleak existence is a moving and powerful thing to behold and the continual menace of the hordes of zombies is creepy in the same way as was later depicted in "Night of the Living Dead". In fact, as noted by others here, one can not watch the scenes where the zombies lay siege to Price's boarded up house and attack his car without recognizing how close these scenes would later be copied by George Romero in his classic zombie films. If you are a fan of horror film history or just looking for a classic and unique film with an interesting story, track down this lost gem.
"The Last Man on Earth" is an English language, Italian production of Richard Matheson's classic horror tale "I Am Legend", starring the great Vincent Price in the titular role.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
The vincent price one! Black and white. The title says it all. It's him against the zombie people that keep coming and trying to get into his house. We hear his thoughts, as he goes shopping and plans out his defense against the intruders. This one isn't bad! Price had made so many cheesy, campy horror films in the 1950s and 1960s, where he played the organ and laughed at his own jokes. This one is played quite seriously. It's pretty good. Fifty five minutes in, he walks past a building that looks like a space ship, it's still a working restaurant in rome... ristorante il fungo, and has a web page. Directed by sidney salkow. He had directed a bunch of the lone wolf films with warren williaim, back in the 1940s. Based on the book by richard matheson. He had a bunch of his short stories and novels made into film.
Lo sapevi?
- QuizEstablished by many reviewers (including director George A. Romero himself) as a graphic blueprint for La notte dei morti viventi (1968).
- BlooperThe first station wagon Morgan has (a Chevy) turns into a Ford (look for the 4 headlights) and back to the Chevy (2 headlights). He eventually ends up with the Ford after the zombies wreck the Chevy.
- Citazioni
Robert Morgan: December 1965. Is that all it has been since I inherited the world? Only three years. Seems like 100 million.
- Versioni alternativeMGM's 2005 DVD release does not contain the copyright obstruction found in most prints' opening titles. It reads: "COPYRIGHT 1963 BY ASSOCIATED PRODUCERS INC. ALL RIGHTS RESERVED." It also contains the complete ending sequence, including the dialog with the baby, that is missing from most prints. This release is also digitally cleaned up, presented in wide screen format, features an interview with Richard Matheson, one of the writers, and is paired with the film Panic In Year Zero. It is missing one element common from other prints. The American International Television title card and theme music that starts off most prints is replaced with an inserted sequence of MGM's famous lion roar trademark and the MGM website address. This DVD was initially problematic on its release because of Sony's then recent purchase of MGM. Sony had canceled the entire Midnite Movies line, and, though the DVD was already set to be released, Sony had initial reservations on releasing it at all. Copies managed to accidentally get shipped to some stores, such as Best Buy, in the US and Canada, where they were immediately flagged as "recalled." Most were, either immediately returned by the stores or pulled by cashiers who should have refused the purchases. Some were still sold, regardless, in early May 2005, before they should have been. By September 2005, Sony released the DVD properly into the wide market.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: The Last Man on Earth (1975)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Vento di morte
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 300.000 USD (previsto)
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was L'ultimo uomo della Terra (1964) officially released in India in English?
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