Dogora il mostro della grande palude

In space, a big jellyfish destroys a satellite. The thing then comes to Earth and uses its twisting tentacles to get everything in its path. Buildings, trucks, and even a bridge get lifted up from the ground by the thing. The thing also has a craving for diamonds. Also involved in this mishmash are some diamond thieves who only want a truck of diamonds and a day to the beach without getting stung. Pretty interesting with imaginative special effects. The American print is terrible,dark, and scratched up. The dubbing is also bad.

This Film Feels like two movies in one.One part focus on the monster Dogora, a jellyfish like space monster and the other on a bunch of criminals stealing diamonds that Dogora has an interest for.This film does has some lesser moments from dogora being a uninteresting monster but is saved by the cast of characters,solid acting and has humor to keep this film being good.

The film starts off with a gang of diamond thieves stealing diamonds but eventually they start noticing weird things from floating in the air and seeing a weird object at the diamond place.Meanwhile detective Komai is investigating on a suspicious character name Mark Jackson who has something to do with the diamond heist that went wrong and Mark Jackson has his own motives of his own when he visits the gang boss of diamond thieves.

Later, The Gang tries to come with another heist to steal the diamonds but are interrupted by Mark Jackson.But notice that one of the trucks starts floating in the air though the diamond gang got away with the diamonds but really it was candy as they were tricked.Komai Evenutally finds Mark Jackson and realize that he's a special agent looking for the diamonds and to make sure the gang doesn't get it.

Envenutally strange things start happening around the world from diamond shops to anywhere with diamond sunnedly disappear and Dr. Munakata a professor on carbon dioxide know that the space creature Dogora is taking the diamond soon enough Dogora is in Kyushu and is attacking can It be stop? Overall, Dogora is very uninteresting by the time he appears on screen which is the middle of the film.His appearance somewhat hurts the pacing of the film as you could care less about the monster and really focus and pay more attention to the cast of characters who really steals the show from the title monster.Plus the humor that is brought into the film.From Mark Jackson Shrugging his shoulders,to Komai's naive attitude that make him look dumb and Gangster Sabu who cowardly attitude that has at least you grinning.

as for the Acting, Everyone gives a solid job with their roles, despite what little there given.Robort Dunham gives the most memorable and enjoyable performance of the cast.It's his Fluent Japanese that has his performance praised and deserves Props for his performance.Yosuke Natsuki is another Detective-Deadpan lead for this film.since his character is so flat, he gives a flat performance as well.Nabuo Nakamura as Dr. Munakata is well done.He really fits into his role as the curious bland doctor as he he wants Dogora to be studied not killed.Yoko Fujiyama brings a charm, innocent look to her role as Masayo Kirino as she is the doctor's assistant and also it's funny and cute when she flirts with Komai a.And last there Akiko Wakabayshi as Hamako.Her seductive flare and sly energetic-ness make her role interesting and great.

Overall, Dogora is not bad It's worth watching one or twice when your not doing anything at all but it's not worth watching 60 times though.

I remember watching this film when I was a kid and I thought it was a pretty decent film. However, when I read some of the comments I couldn't understand how a lot of people hated it. This might have something to do with the fact that due to the stupid re-editing job that was done to the film after it arrived in America. Ishiro Honda originally wanted this film to be a comedy that brought together two of the genres that he was famous for, gangster films and, of course, kaiju eigas. Unfortunately, the persons in charge of editing and dubbing the film when it reached our fair shores decided that it would be better to make this film into a typical kaiju and make the monster the most prominent element of the film, unlike the Japanese version where the monster takes a secondary role in the film. Thank God for Media Blasters. Because of them the film is now on DVD and it is finally being seen as Mr. Honda had originally envisioned it.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Ishiro Honda; Produced by Yasuyoshi Tajitsu, for Toho; released to American TV as "Dagora, The Space Monster" by American-International TV. Screenplay by Shinichi Sekizawa; Photography by Hajime Koizumi; Edited by Ryohei Fujii; Music by Akira Ifukube; Special Effects by Eiji Tsuburaya. Starring: Yosuke Natsuki, Yoko Fujiyama, Nobuo Nakamura and Robert Dunham.

Japanese horror flick combines monster and gangster genres, with not only the physical plant of Tokyo in danger (as usual) from a giant gooey jellyfish from space, but also the loot and lives of some cheap criminals.

In the US, this is probably the least well known of the classic kaiju eiga. Sure, "Dogora" may not be a very good movie overall, but in my opinion it has one of the very best monsters in film history. Dogora is an enormous space jellyfish, vast, mindless, and cosmically terrifying. It floats through the atmosphere, draining the Earth of life-giving carbon. The full-grown Dogora is only on screen for five minutes (!!), but it's still an awe-inspiring sight as this huge, transparent creature, the size of a small town, sucks up buildings, vehicles, bridges and minerals.

The remainder of the movie is mostly an uninspired detective spoof, with two inept policemen and an enigmatic American agent hot on the trail of a gang of jewel thieves. It seems the monster has been getting to the diamonds first... With such an incredible monster, and such well-executed effects, it's a real shame the rest of the film is so mundane.

It's SUPPOSED to be a comedy. Unfortunately, the US television version dubbed the movie as a serious monster film, with disastrous results. Worse, though, is the Toho "international" version -- it may be more accurately translated, but it's performed by the most inept readers you'll hear outside of a Sandy Frank production. Anyway, even if you don't know Japanese, watching "Dogora" in the original language with no subtitles is still probably more enjoyable than suffering through the English versions.