2000 Maniaci

Writer/director/cinematographer Hershell Gordon Lewis is considered by bad movie fans to be one of the few "autors" in film history to have equaled or at least come close to equaling the abysmal work of Ed Wood, Jr.. While it's debatable which was worse or if another small-time film maker (such as Ray Dennis Steckler or Al Adamson) was the worst, no one in the know would argue that Lewis was a brilliant film maker! However, even the most inept can occasionally get lucky and TWO THOUSAND MANIACS is Lewis' moment in the sun. Unlike previous films such as BLOOD FEAST (which were all amazingly bad), there was enough good about TWO THOUSAND MANIACS that I actually recommend you watch it--particularly because it proves substantial budgets or consistently good acting aren't necessary to make a decent film!

The film begins with two very stereotypical hillbilly idiots tricking two cars full of Yankees off the highway and into their town. There the locals declare that these outsiders are their guests of honor for a centennial celebration and they are convinced to stay. Now the audience knows this is a very bad idea, but the six folks don't yet suspect that these hicks mean to do them great bodily harm. Of course, that might also be because they didn't see the folks running around town with nooses in preparation for their arrival! One by one the Yanks are brutally killed and the ways they did it were pretty clever and the gore was amazingly realistic for 1964. It's amazing to think that with a budget of $46.28 that they were able to achieve these effects, as the blood actually looked like blood and the killing was quite shocking for the mid-1960s.

Two of the six are reasonably bright and guess what is in store, so the last part of the film consists of showing their efforts to leave this deathtrap. Oddly, despite the budget, the acting of these two was pretty good (particularly William Kerwin) and the last 15 minutes of the film turned out to be by far the best. There were several wonderful twists and turns that showed Lewis could actually write a clever script and despite the stupid hillbilly acting earlier in the film, the film was surprisingly good. I won't ruin it, but it sure was nice to see that things only improved as the film progressed. Plus, every time I thought that the movie SHOULD have ended sooner, the additional portions kept building on an excellent "Twilight Zone" style script.

By the way, the film offended many when it debuted--though it also became a cult favorite. The gore and offensive portrayal of Southerners as crazy morons must have made many at the drive-ins have heart attacks! I sure wish I could have been there to see it!

"Two Thousand Maniacs" is a wonderful Brigadoon-esque film about two groups of Yankees who become guests of honors for the southern town of Pleasant Valley's centennial. What these "guests" don't realize, though, is that they are going to be murdered in bizarre (and I mean, BIZARRE) fashions because of a war lost by the south 100 years ago.

The festivities include a woman being dismembered and barbecued, a man being quartered with four horses, and the infamous "barrel roll" sequence where a man is pushed down a hill in a barrel that has nails driven into its sides.

The movie altogether has a wacky, feel-good charm (despite its gruesome nature) that keeps you smiling, and you'll surely be singing its theme song after the movie's over! I sure as hell was.

Two carloads of travellers are diverted to the quirky town of Pleasant Valley where they become guests of honour at the centennial Civil War celebrations. But these are far from ordinary commemorations, and as the title suggests, the town's population aren't fond of Yankees as their sinister brand of southern hospitality is gradually revealed.

Early hicksploitation horror no doubt inspired 'The Cars that Ate Paris' and does a good job at depicting the isolation and increasing discomfort experienced by the reluctant guests as they begin to suspect something more unsavoury than bootleg might be brewing.

Notwithstanding the outrageous plot, there's one or two moments of genuine terror, and despite being occasionally absurd HGL's sadistic shocker has a bigger budget than his previous attempts and shows more technical polish (save for some looping issues and stilted dialogue delivery) as a result potentially making it more accessible.

Coherent, imaginative, chilling and ultimately worthy of celebrated cult status.

This was a frustrating, hilarious and an inventive watch. The audio was horrific, the camera work shoddy and the edits were hilarious in their ineptitude. The kills and the story were inventive and worth the watch if you can get past the horrendous dialogue (everyone is a walking, talking exposition machine). I recommend this if you are a purveyor of absolute schlock and in need of a good laugh. I had originally marked this as 3/10 but theres a certain quicksand scene that made me guffaw to the point of having tears in my eyes, so i had to mark it up!

After his successful début, Blood Feast (1963), which introduced cinema audiences to splatter horror, Herschell Gordon Lewis made his redneck horror movie, Two Thousand Manics!. Just a few years later, horror movies set in America's Deep South were all the rage, and are still a popular location for some gruesome slicing and dicing (Tucker and Dale Vs. Evil (2010) made fun of the racial stereotyping), so perhaps we have this film to thank for the likes of The Texas Chain Saw Massacre (1974) and Deliverance (1972). And Lewis goes all out, with Dixie flags aplenty and thick-accented inbred simpletons in dungarees, in what is a noticeable improvement on his ropey début.

Celebrating their centennial, the town of Pleasant Valley welcome six Yankee visitors who unwittingly drive into their celebrations. The town's mayor, Buckman (Jeffrey Allen - who went on to star in a few of Lewis's films), promises them some of that famous Southern hospitality, but with his two retarded henchman, plans to butcher them all to gain vengeance for a massacre committed a hundred years previously in the midst of the American Civil War. Terry Adams (Connie Mason), who has picked up hitch-hiker Tom (William Kerwin) on his way to a 'teacher's conference', notice their fellow Yankees disappearing under strange circumstances and attempt to flee the increasingly bizarre town.

Everything about this film looks more professional than Blood Feast, with a more patient approach taken with the moments of gore, and less atrocious editing and camera-work. Don't get me wrong though, the Lewis tropes are there - mannequin limbs, dodgy sound editing, paint-red gore, but it just seems that little bit better. It's still a dreadful film, with Feast's block-headed cheeseball William Kerwin - who actually had a pretty successful acting career - returning for more ham-fisted dialogue delivery, and elongated moments of tedium, but it's still quite fun. The gore is certainly better handled, with everything from dismemberment-by- horse and being pushed down a hill in a barrel full of nails being use to satisfy the blood lust. Which makes it all the more strange that Lewis seemed to retreat back into complete ineptitude after this, with his next film, Color Me Blood Red (1965) being the worst of his 'Blood Trilogy', and the long line of nudie cuties and Z-grade horror films that followed. Still, it's a must-see for horror fans.

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