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There are many movies directed by John Frenkenheimer which simply evolve over time into great works of art. In their own way, they exemplify his innate sense of mystery, suspense, and dark drama. Too many to list, one example would be "Seconds." In this film, "Seven Days in May" we have what will surely become one of the finest examples of his craft. In the story, we have Gen. James Mattoon Scott, (Burt Lancaster) (in what certainly became a custom tailored role for him) who firmly believes that the president of the United States has criminally endangered the country by agreeing to a nuclear disarmament treaty. So concerned for the safety of the U.S. that he and several Joint Chiefs of Staff, decide to remove President Jordan Lyman ( Fredric March) with a cleverly designed military alert, or Coup d'etat. Unable to confide in his own aid, Col. Martin 'Jiggs' Casey, (Kirk Douglas), Scott, arranges to keep Casey out of the loop, until the overthrow is complete. Unfornatuately for the Generals, Casey suspects their innocent "secret wagers" are more menacing than they appear and hopes the president will believe him when he shares his suspicions about the man he work's for and admires. Edmond O'Brien is Sen. Raymond Clark, one of the few men the president can trust. The late Rod Serling wrote the script and like his twilight Zone episodes, this classic film has one wondering who the real traitors are? *****

The novel and the movie Seven Days in May were based on a very potential reality. See James Bamford's 2002 book, Body of Secrets, which is about the National Security Agency. General Edwin Walker, mentioned in another review, was only the least of what was going on in the higher echelons of the U.S. military near the end of the Eisenhower Administration and the beginning of the Kennedy-Johnson Administration.

At military bases, and even at the National War College in Washington, the most rabid preachings took place about the real threat of communism coming not from Russia or Cuba, but from high-ups in the domestic power structure, including the government. The entire Joint Chiefs of Staff (JCS), led by Chairman Lyman Lemnitzer, was very right wing and rabidly obsessed with the idea that American civilization could not endure unless Cuba was militarily conquered and occupied in the long-term. They repeatedly threw suggestions for this at Eisenhower, who never took the bit. When Ike left the Oval Office and Kennedy, who had never been a military higher-up, replaced him, Lemnitzer felt adrift and became very paranoid. There were all sorts of JCS contingency plans, never implemented, for creating an incident that could be blamed falsely on the Russians and/or the Cubans to justify an invasion - a sort of second sinking of the battleship Maine. The more far-fetched of these ideas included terrorism at home to be blamed on Cuba and an attack on a friendly Central American country that could be falsely blamed on Cuba, all without the President's approval. Lemnitzer, according to Bamford, had little use for the concept of civilian control of the military. In fact,enough of this atmosphere within the U.S. military was in the wind that there was a secret Congressional inquiry into the potential for a military takeover of the government, which was based on more than idle wonder. Senator Albert Gore of Tennessee (the father of the recent Vice President), a member of the investigating committee, called for Lemnitzer's firing. Kennedy did not fire him, but did not re-appoint him to a second term as Chairman, preferring the more rational Maxwell Taylor.

When the book came out, I stayed awake for 24 hours to finish it. I could not put it down. Mercifully, the film is shorter, but it is superbly acted and very well scripted. You won't be disappointed.

A splendid ensemble cast brought together in a fun, tight political thriller. John Frankenheimer's direction is first rate. I can't imagine Alfred Hitchcock doing a better job. The novel by Fletcher Knebel and Charles W. Bailey II was first published in 1962 and takes place in the early 1970s. The film, made in 1964, is more of period piece, shot in black and white by Ellsworth Fredericks. Some of the dark tones in the film are inspired by the mood of the nation since the assassination of President Kennedy. The novel, by contrast, writes of a two-term Kennedy administration. The script by Rod Serling improves on the novel by creating a sharper climax as the president overcomes the brewing plot by panicking high-ranking military officers to overthrow the Executive Branch of the US government. The film is otherwise fairly faithful to the book. Burt Lancaster plays General James Mattoon Scott, Chairman of the Joint Chiefs of Staff and universally idolized military hero. The man, it seems, would make an ideal president--and that just might happen on the seventh day in May. Kirk Douglass portrays the efficient Colonel "Jiggs" Casey, who is Scott's subordinent and reluctant hero of the film. Frederick March is credible as an aging, weary president who has recently won a hard-fought battle to ratify a treaty with the Soviet Union to eliminate atomic weapons. There is a vociferous backlash against the treaty, led by right-wing television personalities. Soon it is apparent that certain elements in the military, congress, and media are all in league to usurp power from the president and, as they would reason, save the nation from the worthless treaty. The film plays on traditional political labels, both pro and con. Even though it was made 28 years ago, one can identify with many of the characters and situations in the film. In the later 1980s, President Ronald Reagan was criticized by right wing conservatives for signing a treaty with the Soviet Union to downsize nuclear stockpiles. The film has some great editing as well, most notably the scene where some of the recent mysterious occurances are beginning to make sense to Jiggs as he watches Gen. Scott address a conservative political rally. Good camerawork as well, particularly when a nervous Jiggs finally sums up to the president the fantastic plot he believes he's stumbled upon. Another great shot occurs when General Scott presents a speech he is going to make against the president to his team of co-conspirators, only the back of his head is seen. The characters are human, the story is spellbinding, the film is a classic on all levels.

Somewhat forgotten political thriller about a military plot to take over the government. Great performances by all in this film, but mostly by Burt Lancaster and Fredric March who toward the end of the movie have a great scene with excellent dialog that sum up the true essence of the story. Ava Gardner is beautiful (literally) in this film. Edmund O'Brien is not to be overlooked as the bourbon loving southern senator. The first time I heard of this picture was when Gen Alexander Haig was being interviewed a number of years ago about the final days of the Nixon administration and was asked if he was thinking about the movie "Seven Days in May" Eventually I saw it late one night on cable and was glad I did.

Seeing that 'Seven Days in May' is as highly regarded as it is immediately grabbed my attention. John Frankenheimer was a truly fine director who directed some truly fine films such as 'The Manchurian Candidate' and 'The Train'. His several collaborations of Burt Lancaster (of which this is one), which include 'The Train' and 'Birdman of Alcatraz', are all worth watching at least and there are some talented actors here. As well as an intriguing premise.

Which luckily is wholly lived up to in 'Seven Days in May'. If the subject doesn't appeal to you, the film may not be to your taste. If it does appeal and you like the genre, it is very likely to be the opposite. It is not one of Frankenheimer's best (quite) and not one of his very best collaborations with Lancaster (do prefer personally 'The Train' and 'Birdman of Alcatraz'). 'Seven Days in May' is still a very, very good film in my opinion, with many brilliant assets.

It does meander in pace in the third act, where it gets too talk-heavy, and gets a little heavy handed at times.

There is so much to love in 'Seven Days in May' otherwise though. It looks great, with the very atmospheric cinematography being especially good. Frankenheimer's direction is taut and accomplished, if not as visually innovative as a couple of his other films. He makes great use of the setting which has a sense of foreboding throughout, while the editing is pretty amazing. Jerry Goldsmith's, a personal favourite for years when it comes to film composers, music score is not too over-scored or bombastic while having great presence and ominous atmosphere.

Although the script has a lot of talk, with reliance on monologues, it is intelligent and thought-provoking talk that has a good deal of intrigue. Lancaster and Fredric March's big scene is exceptionally well written. The story did engage me and has tension, thanks to the chilling omnipresence of the surveillance mechanics, and didn't strike me as hard to follow. Some of the middle act is outlandish but in an entertaining way rather than a lacking in cohesion one. The film starts off incredibly well, with a stark documentary-like style to the filming

Found the characters to be well written and interesting, though Ava Gardner's was a bit too thin for my liking. The best thing about 'Seven Days in May' though is the acting which is nothing short of brilliant, even Gardner brings all she's got in a tricky part to make interesting considering the thin writing of it. Two of the trickier roles are for Kirk Douglas, which is reaction-heavy and not with a massive amount of talk, and Edmund O'Brien in a part that is so easy to play too broadly. Douglas tells so much with his eyes and his expressions and O'Brien enjoys himself hugely and makes his role a lot more interesting than it really is. Lancaster brings his usual intensity and nuance and March gives one of his best late-career performances.

In summary, very good even if not everything works. 7.5/10