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Sedotta e abbandonata

  • 1964
  • T
  • 1h 58min
VALUTAZIONE IMDb
7,9/10
4130
LA TUA VALUTAZIONE
Sedotta e abbandonata (1964)
SatireComedyDrama

Un siciliano disperato, la cui figlia di quindici anni è stata sedotta e messa incinta dal fidanzato della figlia maggiore, cerca di trovare un modo per salvare l'onore della famiglia.Un siciliano disperato, la cui figlia di quindici anni è stata sedotta e messa incinta dal fidanzato della figlia maggiore, cerca di trovare un modo per salvare l'onore della famiglia.Un siciliano disperato, la cui figlia di quindici anni è stata sedotta e messa incinta dal fidanzato della figlia maggiore, cerca di trovare un modo per salvare l'onore della famiglia.

  • Regia
    • Pietro Germi
  • Sceneggiatura
    • Pietro Germi
    • Luciano Vincenzoni
    • Agenore Incrocci
  • Star
    • Saro Urzì
    • Stefania Sandrelli
    • Aldo Puglisi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    4130
    LA TUA VALUTAZIONE
    • Regia
      • Pietro Germi
    • Sceneggiatura
      • Pietro Germi
      • Luciano Vincenzoni
      • Agenore Incrocci
    • Star
      • Saro Urzì
      • Stefania Sandrelli
      • Aldo Puglisi
    • 27Recensioni degli utenti
    • 24Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 6 candidature totali

    Foto225

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    Interpreti principali23

    Modifica
    Saro Urzì
    Saro Urzì
    • Don Vincenzo Ascalone
    Stefania Sandrelli
    Stefania Sandrelli
    • Agnese Ascalone
    Aldo Puglisi
    Aldo Puglisi
    • Peppino Califano
    Lando Buzzanca
    Lando Buzzanca
    • Antonio Ascalone
    Lola Braccini
    Lola Braccini
    • Amalia Califano
    Leopoldo Trieste
    Leopoldo Trieste
    • Il barone Rizieri Zappalà
    Umberto Spadaro
    Umberto Spadaro
    • L'avvocato Ascalone
    Paola Biggio
    Paola Biggio
    • Matilde Ascalone
    Rocco D'Assunta
    Rocco D'Assunta
    • Orlando Califano
    Oreste Palella
    Oreste Palella
    • Il maresciallo Polenza
    Lina Lagalla
    Lina Lagalla
    • Francesca Ascalone
    • (as Lina La Galla)
    Gustavo D'Arpe
    Gustavo D'Arpe
    • L'avvocato Ciarpetta
    Rosetta Urzì
    • Consolata - la serva
    Roberta Narbonne
    Roberta Narbonne
    • Rosaura Ascalone
    Vincenzo Licata
    Vincenzo Licata
    • Pasquale Profumo - l'impresario di pompe funebri
    Attilio Martella
    Attilio Martella
    • Il pretore
    Adelino Campardo
    Adelino Campardo
    • Il brigadiere Bisigato
    Salvatore Fazio
    Salvatore Fazio
    • Don Mariano - il prete
    • Regia
      • Pietro Germi
    • Sceneggiatura
      • Pietro Germi
      • Luciano Vincenzoni
      • Agenore Incrocci
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti27

    7,94.1K
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    10

    Recensioni in evidenza

    9gbill-74877

    Brilliant

    In one moment, the father of this Sicilian family is with his buddies and computing the number of times a "real man" will ejaculate in his life (once per day between 18 and 60, so that's 42 years * 365 days, he reasons...), and in the next, he's calling his 16-year-old daughter a whore for even the idea that she's been with a man. The 1964 is a landmark film in calling out the double standard, especially when you consider the attitudes shown by real Italians in Pasolini's documentary from the same year, Love Meetings. It goes much further than that though, setting its sights on the shocking law that absolved a rapist of his crime provided he married his victim. In this case it's statutory and the girl has feelings for the fiance of her sister who aggressively came on to her until she gave in, but it's still very dark stuff.

    Ironically the young girl is the one who feels guilty, not him, and she's berated by her priest and her father. As someone puts it, "It's a man's right to ask, a woman's duty to refuse," and the fact that she's not a virgin now makes her spoiled and unsuitable even in the eyes of the young man. It's a film that will probably make you pretty angry, and more than once. The father is sensitive in the extreme to what this does to his family's honor, and what the gossiping townspeople will say about them. The images that director Pietro Germi puts up on the screen of their leering, ugly faces, often shot in closeup or sullenly staring at a distance, make this a broader critique of Sicilian culture. Through zany action and humorous moments, he manages to make it feel not heavy though, which was a feat in itself. Great film.
    madrig80

    satire of 50's Sicily

    It is so rare to watch a funny masterpiece with so many insights! Sicily in the 50's appears obsessed with a twisted concept of honor, or, better, of an impeccable APPARENT reputation. No other movie I have seen is able to give such a vivid idea of the double morality for men and women that ails the "cultura machista". The character I love most in the movie is the extremely naive sister of the protagonist, who lives in her romantic world and does not realize what kind of tragicomic events are happening around her. In a word, truly a masterpiece.
    8truemythmedia

    Truly Funny (one of my top comedies)

    The best comedies, this film included, do more than simply crack jokes. They highlight the worst qualities of humanity for the ridiculous things they are and reveal the hidden idiosyncrasies in our assumptions.

    The situation presented in the film is the a thing of overwrought dramatic soap operas and reality TV. A 15 year old girl falls for her older sister's finance and gets pregnant. What is unique about the humor in this film is the rest of the family's reactions. The father, Don Vincenzo is incensed, of course and demands that Peppino marry Aganese. To do this however, Vincenzo must chase him down and convince him to marry her and Peppino just doesn't want to marry a girl who might not be faithful since she has already demonstrated that she is susceptible to seduction, even if he was the seducer.

    Convincing him might be easier if it wasn't for he fact that Don Vincenzo, while caring very much whether or not his daughter is wed, cares even more that all of this remain on the hush hush. He simply will not have the family name be dragged through the dirt, even if he has to lie, cheat, steal, or murder, to keep people from thinking the family is a bunch of degenerates.

    This tug of war between people's conflicting desires is what makes this film so delightfully funny. I have no doubt that this film will join films like "Tampopo" and "Death of Stalin" in my regular rotation of films I enjoy showing people when we are all in the mood for a laugh.
    8Manicheus

    Germi's gems!

    Granted, it's not as polished or swanky as "Divorce". No dashing Marcello, no Sophia's curves. Perhaps it dabs in paint too close to that of his more famous predecessor. Yet, what delightful film! The comedy of manners and mores can rarely get any better. And then the cutting, darker, a bit menacing undertones that reveal that fascinating Sicilia of times now lost forever: wow! I love both of Germi's gems but if I could take only one with me it would be "Sedotta e abbandonata". I also marvel at how well Germi, himself un Genovese, understood the very heart and soul of that lovely island off the boot of Italy. Almost perfect: who cares for perfection anyway?
    8claudio_carvalho

    Honor and Family in Sicily

    In Sicily, the fifteen year-old Agnese Ascalone (Stefania Sandrelli) is seduced by the youngster Peppino Califano (Aldo Puglisi), who is the fiancé of her older sister Matilde (Paola Biggio). When her father, Don Vincenzo Ascalone (Saro Urzì), discovers that Agnese is not pure anymore and is pregnant of Peppino, he visits his parents to arrange the marriage between Peppino and Agnese. Further, he makes arrangement with the decadent Baron Rizieri Zappalà (Leopoldo Trieste) to be Matilde's new fiancé. But Peppino refuses to marry Agnese and flees to a hideout in a convent. Don Ascalone seeks out his cousin that is a lawyer and they plot a scheme to kill Peppino. Don Ascalone sends his stupid son Antonio Ascalone (Lando Buzzanca) to gun down Peppino, but Agnese leaves home and tells the Police Chief Polenza (Oreste Palella) that Peppino will be murdered because she had been seduced by him. Now Peppino must marry Agnese otherwise he will go to prison. But Agnese does not want to marry him anymore.

    "Sedotta e Abbandonata", a.k.a. "Seduced and Abandoned", is a tragicomic comedy about honor and family in Sicily. The Sicilians probably do not like this bitter movie since the story shows a hypocrite and retrograde society in the 60's, with gossipers and people interested in keep up appearances despite the feelings of the next of kin. Unfortunately the conclusion is quite disappointing. My vote is eight.

    Title (Brazil): "Seduzida & Abandonada" ("Seduced and Abandoned")

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to the law of the "Matrimonio riparatore" mentioned in the movie, the crimes of kidnapping and rape were automatically cancelled if the perpetrator married the victim. This was abrogated in Italy in 1981.
    • Citazioni

      Il maresciallo Polenza: [looks at a map of Italy, then covers Sicily with his hands] Better! Much better! Or maybe an atomic bomb.

    • Connessioni
      Edited into Lo schermo a tre punte (1995)
    • Colonne sonore
      Guarda come dondolo
      Written by Carlo Rossi & Edoardo Vianello

      Performed by Edoardo Vianello

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    Domande frequenti

    • How long is Seduced and Abandoned?
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    • When Matilde is leaving by bus why is there a man yelling and running after the bus at 1:29:55?
    • Why does the mother check the calendar at 20:30?

    Dettagli

    Modifica
    • Data di uscita
      • 24 luglio 1964 (Francia)
    • Paesi di origine
      • Italia
      • Francia
    • Lingua
      • Italiano
    • Celebre anche come
      • Seduced and Abandoned
    • Luoghi delle riprese
      • Santa Margherita di Belice, Agrigento, Sicily, Italia(Baron's ruined palace on Piazza Giacomo Matteotti)
    • Aziende produttrici
      • Lux Film
      • Ultra Film
      • Vides Cinematografica
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 58 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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