I 4 di Chicago

Take the Rat Pack (an expression Sinatra hated, by the way), add some great songs, a decent story, AND Bing Crosby, and what do you get?

Well, less than you might expect-I've rated this a "7", because despite the above, Sinatra much of the time looks like he'd rather be someplace else, and Peter Falk's performance is cliche'-ridden.

The reason to see this one is Bing Crosby. He has several great songs, delivered in his inimitable style, such as "Mr. Booze". And his comedy bits, especially as a preacher to a Salvation Army-like meeting, are hilarious.

Robin and the 7 Hoods (1964)

** 1/2 (out of 4)

The Rat Pack take on gangsters in the 1920's Chicago in this spoof of the genre, which is also mixed with the Robin Hood story. After the top gangster is killed at his birthday party, Guy Gisborne (Peter Falk) takes over the mob with the help of a corrupt cop but this doesn't sit well with Robbo (Frank Sinatra). Instead of joining up with the other mobs, Robbo decides to team up with some buddies (Dean Martin, Sammy Davis, Jr., Bing Crosby) and take the city over with charity work. This movie starts off very well but slowly runs out of gas and in the end it becomes a rather drag, which is a shame since the movie started off so well. I think the biggest problem is the running time, which just keeps the moving going and going when it should have probably ran only 90 or 100 minutes. The first half of the film is extremely fast, loose and fun and it offers up plenty of nice laughs including a hilarious cameo by Edward G. Robinson. Sinatra, rumored to have had mob connections, fits his role extremely well and delivers a fine performance of "My Kind of Town". Sammy Davis, Jr. is also very good in the film and gives one of the highlights in his performance of "Bang, Bang" and he also does a great impression of James Cagney. Martin is also very funny as is Crosby but Falk really steals the show as the rival gangster. For the most part the music is good, although I think the song "Mr. Booze" runs too long and really brings the film to a standstill. The history behind the making of this film is rather interesting since Kennedy was assassinated during production and Sinatra's own son was kidnapped and held for ransom, which also had the filmmakers cut a kidnapping scene from the film. There's a joke early in the film about the Lincoln assassination and I'm shocked this was left in the film after what happened to Kennedy. At any point, this is a fairly entertaining comedy that has a lot going for it but an editor really would have helped things.

Of all the five films they did together, the legendary Rat Pack never had a better cinematic vehicle for their talents than right here! You get the feeling, right from the start, that Frankie, Dino, Sammy, Bing, and Peter Falk weren't really acting. They were cutting loose, having a ball, and loving every minute of it. And you will, too! Not only are there the great Cahn - Van Heusen songs, including the Oscar-nominated "My Kind of Town," but there's the legendary William Daniels' excellent color photography, and Don Feld's period costumes. And, in addition to the aforementioned Rats, the performances of Barbara Rush as Marian (The script implies that her maidenly status was long since spoken for!), the underrated Robert Foulk as the corrupt Sheriff Glick, the always-funny Victor Buono as his even more nefarious Deputy, Alvin Potts, and the always funny veterans Hank Henry, Richard Bakalyan, and Phil Arnold as various lovable lowlifes.

A couple of sad footnotes connected with this film, though: The funeral scene for Edward G. Robinson's character was filmed in an actual cemetery. While there, Sinatra, whose tumultuous relations with the Kennedys were well known, came across an actual gravestone for a "John F. Kennedy, 1800 - 1878." They joked about it the rest of the day, and drew a lot of disapproving looks, until someone turned on a car radio on the afternoon of November 22, 1963! Another scene, which was never used in the finished film, was a kidnapping scene, filmed the same day as Frank Jr. was kidnapped. For a film to be entertaining and funny under these circumstances is nothing short of amazing, but "Robin and the Seven Hoods" manages to be, in the last of the Rat Pack films, and the best one of all of them!

ROBIN AND THE 7 HOODS, last of the 'official' Rat Pack trilogy, was undeniably the best of the series (OCEAN'S ELEVEN, a glossy but ultimately standard 'B' movie about a Las Vegas casino heist had been filmed, between the Pack's nightclub appearances, in 1960, and SERGEANTS 3, a so-so comic Western cavalry remake of GUNGA DIN, appeared in 1963), and with tunes by the legendary Jimmy Van Heusen, it was the only film that gave it's legendary stars a chance to perform in the format best suited to them...an old-fashioned movie musical.

Set in Prohibition Chicago, the spoof of the Robin Hood legends offered Frank Sinatra as Robbo, favorite 'lieutenant' of murdered crime boss 'Big Jim' (unbilled Edward G. Robinson), who 'takes on' successor Guy Gisborne (a very funny Peter Falk) and his 'right-hand' man, Sheriff Alvin Potts (Victor Buono, also excellent), for control of the city. A likable gangster with a code of ethics, Robbo, and his pal, Will (Sammy Davis, Jr), are soon joined by 'new-in-town' grifter, Little John (Dean Martin), who easily beats Robbo in a game of pool (while harmonizing about being faithful to one's mother!). Meanwhile, a beautiful, mysterious woman (Barbara Rush) appears, introducing herself as Marian Stevens, with links to Big Jim, and an agenda of her own...

The arrival of milquetoast accountant Allen A. Dale (Bing Crosby, having a ball playing 'against type') with a scheme to turn public sentiment against Guy Gisborne and the Sheriff, through charity and 'good works', quickly brands Robbo as a hero who would steal from the rich to give to the poor, and Chicago adores him, driving Gisborne NUTS! As plots are hatched to discredit Robbo, body counts rise, and Marian proves the most duplicitous of all, in her quest to gain power.

While the plot summary doesn't sound particularly amusing, the film, with it's 'tongue-in-cheek' tone, is much closer in spirit to GUYS AND DOLLS than GOODFELLAS. With Sinatra, Crosby, Martin, and Davis crooning a rousing "Sit Down You're Rocking the Boat"-style mission number, "Mr. Booze", Davis singing and dancing to machine-gun volleys, and Sinatra performing what would become one of his 'signature' tunes, "Chicago (My Kind of Town)", the music is all first-rate, with the dramatic elements all played for laughs.

As Marian ends up with a surprising new 'mob boss', and Frank, Dino, and Sammy are reduced to pan-handling (but happy) "Santa Clauses", ROBIN AND THE 7 HOODS leaves viewers with a smile, and the Rat Pack with a film finally worthy of their considerable talents.

Not a bad legacy, at all!

To begin with, I recall catching the opening sequence of this one as a kid on a now-defunct Sicilian TV channel Considered the best of the Rat Pack films, this is a slick, likable and witty transposition of the Robin Hood legend to gangland Chicago. A generally bright outing, it loses steam towards the end, emerging as being decidedly overlong.

The stars are in their element – Frank Sinatra is Robin (called Robbo and clearly relishing the role, it’s hard not to be reminded of the star’s real-life mob connections), Dean Martin is Little John (their famous initial confrontation takes place over a game of pool!), Sammy Davis Jr. (who does a fair imitation of James Cagney) is Will Scarlett and Bing Crosby turns up half-way through as Allen A. Dale (this proved to be his last musical role). As for the villains, Peter Falk is wonderful as Guy Gisbourne (though he seemed stuck in gangster types during this time in his career) and heavy-set cocoa-drinking Victor Buono is the new Sheriff. However, I think it was a mistake to present Marian (Barbara Rush) as a femme fatale; appropriately, then, Edward G. Robinson (an icon of the gangster genre) cameos as Big Jim – the Richard the Lionheart figure. There are also notable bits by Hans Conried (as Robbo’s put-upon architect), Allen Jenkins (as a disgruntled partner of Falk’s) and Sig Ruman (as a leading citizen).

Though OCEAN’S 11 (1960) did provide a title tune sung by Davis, this is the only Rat Pack musical of the lot. Sinatra’s “My Kind Of Town” was nominated for an Oscar – but other songs are actually more memorably presented: Davis’ own energetic destruction (at the rhythm of a tap dance) of Falk’s gambling joint; “Style”, a momentous collaboration between Sinatra, Martin and Crosby (three of the best-loved crooners ever); and Crosby’s show-stopping “Mr. Booze” (at one point, to divert a police raid organized by rival Falk, Robin’s gang turns the joint into an impromptu temperance meeting!). With this in mind, the film has definite black comedy touches – particularly in the cornerstone-laying motif. However, the Christmasy finale in which the tables are once again turned in favor of Robbo and Rush is reformed (off-screen) by Crosby feels rushed.

Some trivia connected to the film: a kidnapping scene was dropped for hitting too close to home – Sinatra’s own kid had just been abducted and eventually ransomed for $250,000!; on the day JFK was shot dead, the scene of Robinson’s funeral was being filmed!; apparently, Sinatra’s old musical pal Gene Kelly was originally involved in the production as a dance director but left during its early stages after disagreeing with Sinatra (who also served here as producer) over the number of dance routines to be incorporated into the film.