Insieme a Parigi

This movie isn't everyone's cup of tea. Hepburn called it her least favorite film. Audiences shunned it. At the time of writing, IMDb gives it a measly 6.0 rating. Nevertheless, it is one of my all-time favorite movies.

The problem with this film is that it isn't what everyone seems to be expecting it to be: a mindless romantic comedy. Quite on the contrary: this is a work that I can only compare with "Adaptation". It is a story about how stories actually get written: non-linearly, spasmodically, through much self-doubt and simultaneously excessive (narcissistic, really) introspection. (Although, to be fair, in Hollywood the practice has mostly been to call in a whole bunch of writers to fix up the messes left by writers of earlier drafts, so this is least true of how Hollywood movie scripts get written, but it is true just about everywhere else.) Like "Adaptation", this is a movie that takes the plunge into the mind of the writer as he creates a miniature, constantly shifting and bubbling world for us to visit, only to find a second world inside that first, and probably more where that came from. I don't think that you can appreciate it without having written something yourself, but if you have, then you know the feeling: life mimicking art, mimicking life, mimicking art. Personally, for me, the greatest cameo in this movie isn't the appearance of Tony Curtis or Frank Sinatra, but the fact that in mid-shooting William Holden had to be checked into a rehab clinic. How's that for life and art? Again, like in "Adaptation", the story makes no sense, and, in fact, cannot make any sense. Its what the movie is about. To let us watch and keep our sanity, humor is used abundantly. It is well written wit and quite funny, but it isn't what this movie is about, and taking it to be what the movie is about is perhaps what led to its being so underrated.

"Pay no attention to the man behind the curtain" says the Wizard of Oz, and as far as box office success goes, he's right. Audiences don't like it when the magician shows how the trick is performed. This movie is a prime example. Another is Schwarzenegger's "Last Action Hero". If you like romantic comedies, you should probably avoid this movie. If you want to see a smart film about the madness of writing, this is a soft introduction to the topic.

A screenwriter and his secretary fail in love while working on a film in París, confusing themselves with the script's roles. As Willian Holden is the jaded screenwriter, the cowboy, the international thief, the trenchcoated spy. While Audrey Hepburn is the secretary, the fiery siren, the incredible batwoman, the girl who stole the Eiffel Tower. As the writer and his secretary acting out the wonderful and weird ideas they dream up for a movie script . Relax.. It's all right to laugh at this tender love story!. Go absolutely in Paris when it sizzles!. You can expect to see the most unexpected people as these two lead you to danger and adventure !.

Attractive but uneven comedy with star-studded cast , silly incidents , entertainment and amusement . Shot on location in París , showing marvellous monuments , noisy streets, museum, luxurious locations, and gorgeous sightseeing . William Holden and Audrey Hepburn Hepburn give sympathetic, charming acting, and Hepburn is especially frankly delightful . It displays some very diverting and funny moments , with a lot of diversions into spy stories , thrilling pursuits , Dracula , and jungle epics on the way . Some unresolved romantic tension between him and Hepburn affected shooting. The film based on an original story by writer/director Julien Duvivier was written by George Axelrod who previously wrote "Seven Years Itch" tends to be disjointed , an unadulterated fun, and too long . Several cameos and brief interpretations from Marlene Dietrich, Fred Astaire , Frank Sinatra , Mel Ferrer who married Hepburn , and Tony Curtis , all of them showing up for a party on the set .

The motion picture was was well directed by Richard Quine , though it has some flaws . Richard Quine was an expert on comedies , such as : "How to murder your wife" , "Oh Dad Poor Dad" , "Sex and single girl" , "Bell book and candle" , "Prisoner of Zenda" ,"Solid gold Cadillac" , "Strangers when we meet" , "Full of life", "My sister Eileen" , among others .Rating :6.5/10. Acceptable, decent romantic comedy. The film will appeal to William Holden and Audrey Hepburn fans.

In Paris, the successful alcoholic forty-two years old screenplay writer Richard Benson (William Holden) has three days to write a script to his producer that has paid in advance. The typist Gabrielle Simpson (Audrey Hepburn) arrives to his hotel to type the screenplay. Along the three days, she helps him to develop the story and they fall in love for each other.

"Paris – When It Sizzles" is absolutely silly and naive, but also charming and delightful and only works because of the chemistry between the gorgeous Audrey Hepburn and the ironic William Holden. There are many jokes with the cinema, with many stories within the lead story, and the most hilarious scenes have the uncredited participation of Tony Curtis. Marlene Dietrich and Mel Ferrer have also uncredited participation. My vote is seven.

Title (Brazil): "Quando Paris Alucina" ("When Paris Gets Crazy")

If you are a wannabe writer, a writer or simply a fan of movie making or the art of writing, this film is a must see. It's not a perfect film. One wonders at times whether some of the rare serious moments in the movie, or the sugary sweet romance, were poorly written on purpose - but it doesn't matter because it all fits together wonderfully with the parody of bad movie writing, which is what this movie is about. Don't watch this film with anyone who is uncomfortable with unconventional movies, or who is an impatient nitpicker - they won't be happy. The biggest mistake in making this movie was probably the title, which is too misleading and not punchy enough for this genre. Interestingly, Orsen Wells wanted to direct this film but didn't get the job. It would have become a classic under his direction, but as it is now, it's just a silly, lighthearted (mostly), fun, risque, self-indulgent, and even didactic, film about the movie business.

This hilarious and romantic movie is full of inside jokes. See if you can find the several places where Audrey Hepburn recites lines from her previous films. Also check for cameos by Mel Ferrer (Hepburn's husband at the time) and Marlene Dietrich. Besides all of the cool cameos and inside jokes, this movie is utterly funny in the way that it makes fun of itself. A must see