VALUTAZIONE IMDb
6,7/10
2767
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young woman is plagued by nightmares of her asylum-patient mother. Upon returning to her family home, the nightmares become real when she sees a strange woman pacing the halls.A young woman is plagued by nightmares of her asylum-patient mother. Upon returning to her family home, the nightmares become real when she sees a strange woman pacing the halls.A young woman is plagued by nightmares of her asylum-patient mother. Upon returning to her family home, the nightmares become real when she sees a strange woman pacing the halls.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Isla Cameron
- Mother
- (non citato nei titoli originali)
Frank Forsyth
- Waiter
- (non citato nei titoli originali)
Julie Samuel
- Anne--Maid
- (non citato nei titoli originali)
Hedger Wallace
- Sir James Dudley
- (non citato nei titoli originali)
Recensioni in evidenza
One of Hammer Films' best psychological-shockers features a marvellous British cast, great black and white cinematography, and solid direction by veteran horror filmmaker Freddie Francis. Like so many of Hammer's psychological scare flicks, the plot-within-a-plot owes much to the 50's French classic DIABOLIQUE, but this is still a moderately creepy little thriller.
Mysterious puzzle of who or what is behind a young girl, having just returned from a boarding school in the English countryside, becoming increasingly paranoid and psychotic. The girl witnessed her mother killing her father years ago and has nightmares of the event. She believes that she has the same mania and starts seeing her mother, other apparitions, and various things connected with the event that happened on her birthday so long ago. She is heir to the house, but her uncle manages her estate. A nurse is supplied for her and the home is run by an elderly couple of servants that have been with the family for a long time. What starts out as something you keep thinking you have seen before - swiftly and adroitly changes direction and becomes something I had never seen before. This is above all a well-crafted film made with creating suspense and maintaining suspense as its primary objectives. Director Freddie Francis, the Hammer stalwart, directs with his usual keen, meticulous detail for the lens. He paces the film very nicely, and he is aided by very good performances from all concerned. The real credit for the film's success though must go to veteran Hammer writer Jimmy Sangster. Above all this is a script-driven vehicle. Certainly one of the lesser known Hammer horror films but definitely one of the better psycho films I have seen.
During the 1960s, Hammer would sometimes counteract their lavish color Gothic horrors with some effective black & white psychological thrillers; this is one of the latter type.
Moira Redmond plays Grace Maddox, a nurse/companion hired by attorney Henry Baxter (David Knight). Henry is guardian to a very fragile teen aged girl named Janet (Jennie Linden), who as a child witnessed her mother snap and kill her father. Plagued by nightmares, Janet travels home from school and continues to be haunted by visions of a scar faced woman in white (Clytie Jessop).
It would be better for me to not relay too much about the plot, so that potential viewers can experience the twists and plot developments fresh. It manages to avoid being particularly predictable.
Written and produced by famed Hammer scribe Jimmy Sangster, "Nightmare" is good fun, although I don't know if the screenplay would hold up under any intense scrutiny. Still, it is quite entertaining, and slickly directed by ace cinematographer (and sometime director) Freddie Francis. It's got plenty of atmosphere, especially in the opening scene, and Francis works well with the D.P. on this show, John Wilcox. The music by Don Banks is excellent.
The cast is full of solid actors but no major stars. Brenda Bruce as kindly teacher Mary Lewis, George A. Cooper as chauffeur / gardener John, Irene Richmond as housekeeper Mrs. Gibbs, John Welsh as a doctor, Timothy Bateson as a barman, and Elizabeth Dear as the younger incarnation of Janet round out the credited players. The film ultimately belongs to those performers who are required to act out stress and hysteria; they're utterly convincing.
A worthy viewing for any Hammer fan.
Seven out of 10.
Moira Redmond plays Grace Maddox, a nurse/companion hired by attorney Henry Baxter (David Knight). Henry is guardian to a very fragile teen aged girl named Janet (Jennie Linden), who as a child witnessed her mother snap and kill her father. Plagued by nightmares, Janet travels home from school and continues to be haunted by visions of a scar faced woman in white (Clytie Jessop).
It would be better for me to not relay too much about the plot, so that potential viewers can experience the twists and plot developments fresh. It manages to avoid being particularly predictable.
Written and produced by famed Hammer scribe Jimmy Sangster, "Nightmare" is good fun, although I don't know if the screenplay would hold up under any intense scrutiny. Still, it is quite entertaining, and slickly directed by ace cinematographer (and sometime director) Freddie Francis. It's got plenty of atmosphere, especially in the opening scene, and Francis works well with the D.P. on this show, John Wilcox. The music by Don Banks is excellent.
The cast is full of solid actors but no major stars. Brenda Bruce as kindly teacher Mary Lewis, George A. Cooper as chauffeur / gardener John, Irene Richmond as housekeeper Mrs. Gibbs, John Welsh as a doctor, Timothy Bateson as a barman, and Elizabeth Dear as the younger incarnation of Janet round out the credited players. The film ultimately belongs to those performers who are required to act out stress and hysteria; they're utterly convincing.
A worthy viewing for any Hammer fan.
Seven out of 10.
This is a Hammer film- a studio which is most popular for the re-imagined Frankenstein, Dracula and Mummy movies. But, as far as I know, this is a completely original plot line. The first half is truly creepy, the second half isn't quite as good, but it's still worth a watch.
Young Janet (Jennie Linden) saw her insane mother stab her father to death when she was a little girl. Years later she's still traumatized by it and is afraid she'll become insane like her mother. Her guardian Henry (David Knight) and nurse Grace (Moira Redmond) try to help her but she starts going mad...
This turns out to be nothing more than a reworking of the French film "Diabolique"--but it's pretty good. I have to admit I was actually surprised by one or two events that I should have seen coming. The film is shot in moody black & white (and Hammerscope) which helps immensely. Also there are good performances--especially by Knight and Redmond. This was a strange movie for Hammer--it wasn't shot in color and had no monsters. Still it works. Recommended. I give it a 7.
This turns out to be nothing more than a reworking of the French film "Diabolique"--but it's pretty good. I have to admit I was actually surprised by one or two events that I should have seen coming. The film is shot in moody black & white (and Hammerscope) which helps immensely. Also there are good performances--especially by Knight and Redmond. This was a strange movie for Hammer--it wasn't shot in color and had no monsters. Still it works. Recommended. I give it a 7.
Lo sapevi?
- QuizThe BFI has the only 35mm print in the UK.
- ConnessioniFeatured in Deadly Earnest's Nightmare Theatre: Nightmare (1978)
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Dettagli
- Tempo di esecuzione
- 1h 22min(82 min)
- Colore
- Proporzioni
- 2.35 : 1
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