Assassinio sul palcoscenico

Jane Marple joins a rather interesting acting troupe in order to find out the real killer of Mrs. McGinty, a woman hanged in her apartment. Marple initially is a member of a jury judging the case of a man who she believes was in the wrong place at the wrong time. Once a part of the acting company, murder follows and Jane's life becomes in great peril. Margaret Rutherford once again dons the role of super-sleuth Jane Marple. She looks like she is having so much fun with the role as she rolls her eyes, makes suggestive facial expressions, and furls her capes. She truly is a joy to watch as she waltzes her way through this rather tame, uninspired material. But what the story lacks in creativity, she adds with her screen persona. Her recitation of the Robert Service poem "The Killing of Dan McGrew" is worth a look at the film alone. Stringer Davis, as her librarian friend(and real-life husband) and Charles Tingwell, as Inspector Craddock, are back once again to aid Miss Marple(not that she really needs their help). Both actors are fun to watch as they interact with the grand dame. Ron Moody plays the head of the acting troupe. He is as ever very eccentric and plays nicely off Rutherford as well. It's a pity this was the last of the Marple/Rutherford films. They are so much fun to watch!

Some lovely bits here, based again on an Agatha Christie novel, not featuring Jane Marple however, but a Hercule Poirot mystery adapted and extremely loosely plotted to enhance the idiosyncratic manner of actress Miss Margaret Rutherford.

Margaret, trying out for a local theatre group in order to expose the real murderer, reciting a Robert Service poem to the disinterest of cast members, director and stagehands has to be seen to be believed. Her clicking knitting needles in the jury box, her one dissenting vote invalidating the whole judicial process, her self righteous oblivion to the glares of the judge, are comedic timing at its best. Her scenes with the company are wonderful and her slow, methodical denouement of the murderer exquisite.

Just curl up with this one. Great old actors from the sixties. A brilliant series. 8 out of 10.

Jane's on jury duty and is the only one to find NOT GUILTY to a murder charge so she is off to find the real killer. She auditions to join the cast of a traveling players group in a get-up with a huge hydrangea blossom plunked in her bosom and recites "The killing of Dan McGrew". It's wonderful. The rest of the film is entertaining and the finale typically ironic and comical. These films are great, easy to watch and very light hearted.

George Pollock's name never gets mentioned among major directors. Yet four of his Miss Marple films as best remembered for Ron Goodwin's music and the wonderful Dame Margaret Rutherford and real life husband Stringer Davis.

The four films of Pollock combined mystery with comedy in a way that it entertains even after 40 years after the films were made. The elements that hold up these four films were great casting, good screenplay, crisp editing, and charming music and sound effects. Pollock is not a David Lean or a philosopher-director. He is merely making cinema that is gripping and entertaining and how well he accomplishes this.

This film is the second only to "Murder Ahoy" among the four. And since "Murder Ahoy" followed "Murder Most Foul", it would be only too clear that Pollock was gaining in confidence and elegance with each film. In each of his "Murder" films Pollock cast a major British actor. In this one it is the talented Ron Moody (Fagin of "Oliver!"). In each of the four films the chosen British actor provides a counterpoint and balance to Dame Rutherford's major role. One tends to remember Miss Marple and not the other meaty roles (Lionel Jeffries, Robert Morley, James Robertson Justice)in each of the "Murder" films. All the four were memorable but Moody and Jeffries were truly remarkable. I found this a major work of Moody though not as memorable as his interpretation of Fagin and Uriah Heep in other films.

The juxtaposition of crime and comedy looks natural thanks to Pollock and imaginative casting. Pollock is probably a quiet achiever deserving more attention by critics and historians of British cinema.

When Agatha Christie created the spinster detective Jane Marple, she could never have pictured Rutherford playing the role on film.

Leaving aside Rutherfords distance from the written charecter, she does bring a wonderful quality to this film and the others in the series.

Playing opposite her real life husband, Stringer Davies, and with great support from Charles Tingwell, she sets out to prove that a miscarriage of justice is being perpetrated.

This brings her into contact with the Cosgood Players, run by Driffield Cosgood (Ron Moody).

Typically with Christie, the plot is not always fathomable, but the denouement is entertaining.

This film is good fun and Rutherford is hilarious as she gurns her way through the story.