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Midareru

  • 1964
  • 1h 38min
VALUTAZIONE IMDb
8,0/10
2300
LA TUA VALUTAZIONE
Midareru (1964)
Guarda Trailer [OV]
Riproduci trailer2:35
1 video
13 foto
DrammaRomanticismo

Aggiungi una trama nella tua linguaAfter a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.

  • Regia
    • Mikio Naruse
  • Sceneggiatura
    • Zenzô Matsuyama
    • Mikio Naruse
  • Star
    • Hideko Takamine
    • Yûzô Kayama
    • Mitsuko Kusabue
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    2300
    LA TUA VALUTAZIONE
    • Regia
      • Mikio Naruse
    • Sceneggiatura
      • Zenzô Matsuyama
      • Mikio Naruse
    • Star
      • Hideko Takamine
      • Yûzô Kayama
      • Mitsuko Kusabue
    • 14Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Video1

    Trailer [OV]
    Trailer 2:35
    Trailer [OV]

    Foto13

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    Interpreti principali26

    Modifica
    Hideko Takamine
    Hideko Takamine
    • Reiko Morita
    Yûzô Kayama
    Yûzô Kayama
    • Koji Morita
    Mitsuko Kusabue
    • Hisako Morizono
    Yumi Shirakawa
    • Takako Morita
    Mie Hama
    Mie Hama
    • Ruriko, Koji's girlfriend
    Aiko Mimasu
    • Shizu Morita
    Yû Fujiki
    • Mr. Nomizo, employee at rival supermarket of Morita's
    Kazuo Kitamura
    • Mr. Morizono, Hisako's husband
    Hisao Toake
    • Mr. Okamoro, drugstore owner
    Kumeko Urabe
    Kumeko Urabe
    • Bar madam at Ginzan hotspring
    Kan Yanagiya
    • Mr. Kaga, foodstore owner
    Yutaka Sada
    Yutaka Sada
    • Mr. Murata, kimono store owner
    Yutaka Nakayama
    Yutaka Nakayama
    Toshiko Yabuki
    Chieko Nakakita
    Chieko Nakakita
    • Mrs. Kaga
    Gen Shimizu
    Gen Shimizu
    Yasuhiko Saijô
    Yasuzô Ogawa
    • Regia
      • Mikio Naruse
    • Sceneggiatura
      • Zenzô Matsuyama
      • Mikio Naruse
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

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    Recensioni in evidenza

    8frankde-jong

    Ozu like film but with a much stronger female lead

    Mikio Naruse is of the same generation as Kurosawa, Ozu and Mitzoguchi, but he is less well known. His films have much in common with those of Yasujiro Ozu. His main themes are family relations and the tension between tradition and modernisation in Japan after World War II. His female characters are on average stronger than the women in Ozu films.

    "Yearning" is one of his latest and highly rated films. It is typical of his whole oeuvre. Tradition versus modernisation is represented by the mom and dad stores threatened by the rise of supermarkets. The strong woman is the young widow who has build up the mom and dad store of her parents in law after her husband died in World War II. Family complications arise when the family (mostly the daughters) plans to sell the premise of the store to a supermarket and wants to get rid of their sister in law. That they rap up this message in the form of concern (isn't it time for their sister in law to remarry?) makes is no less selfish.

    With the widowed sister in law as the only likeable character in the film one almost has has to think of "Tokyo story" (1953, Yasujiro Ozu).
    10orinocowomble

    Excellent film

    I saw this film in French, with the title "Une Femme Dans La Tourmente". A year later I still think about it. Postwar Japan is gearing up for the period of "rapid growth", and many of the small family-owned businesses and the families that run them are being swept away. Reiko has supported her late husband's family with her indefatigable work throughout the war and still cooks, cleans and takes up the slack. The family was quite happy to take advantage of her hard work during the hard days, but now that their remaining son is old enough to marry they find her an embarrassment. The son is a lazy young man, used to going with the flow and frankly not trying very hard at anything. When a modern supermarket chain comes to their area, many small shops are going to the wall. Should they continue to struggle on as they are, or sell out for what they can get? Reiko faces her own decision: stay or go? And if she goes, where?
    10topitimo-829-270459

    Ideal introduction to Naruse

    I've seen most of Naruse's surviving filmography, and out of all those films I would recommend "Midareru" (Yearning, 1964) as an introduction piece for those interested in the director's work. This is because the film features most of the filmmaker's core motifs in a polished, easy-to-follow form, that hooks you in very fast and improves towards the ending.

    Naruse's everyday dramas and tales of women living through hard times resemble each other very much, but vary in quality considerably. "Midareru" is one of the director's collaborations with his most-important post-war actress Takamine Hideko. The film craftily builds upon the characters and storylines played by Takamine in previous Naruse films like "Tsuma no kokoro" (A Wife's Heart, 1956), "Onna no za" (The Wiser Age, 1962) and "Onna no rekishi" (A Woman's Place, 1963). In "Midareru", Takamine is again seen as a widow living with his dead husband's family, trying to keep a small family-owned shop going. She is an invaluable member of the household, though people have started to wonder, if she should remarry while she is still young. Takamine has a difficult relationship with his husband's brother Koji (Kayama Yuzo), who lounges through life aimlessly. After a while thing change, and possible romantic sparks occur between them.

    Like most Naruse films, "Midareru" operates between the emotional world, and the economical one. The shop is struggling, because a supermarket opened nearby, and the entrepreneurs can't meet their prices. Koji's free-wheeling lifestyle does not help, and Takamine's daily routines take place either in melancholy solitude or interacting with a family, that she is not really a member of. The mundane core of Naruse's work is established well, and yet the ambiguity that makes his works harder to classify than those by his contemporaries is absent in this film. "Midareru" does not rely on the viewer interpreting half of the plot, but is instead straight-forward and well spread as a narrative. This is why I call it a great introduction to the director, whose talent is unquestioned, but whose filmography is full of ups and downs, springs and autumns.

    The black and white cinematography is exquisite and captures a detailed vision of everyday life. The narrative carries some worries about the society's state and the rapid westernization, but this is not one of the director's more didactic works. It is very minimalist in the number of important characters, and keeps the bulk of the film close to these individuals. Takamine gives a stunning performance, though it's reserved and classy like her work always is. Kayama manages to turn Koji slowly from a caricature of modernity into a three dimensional individual with a past, a present, and possibly a future. The final act of the film is one of Naruse's best, and the film as whole is that as well.
    8howard.schumann

    Reflects significant social change in Japan

    Mikio Naruse's film Yearning reflects the significant social change occurring in Japan in 1964 when supermarkets began to offer cheaper prices in order to drive out the small shops which had dominated the market. This changing structure particularly affects Reiko (Hideko Takamine), a widow since the last war after only being married for six months. She has remained with her husband's family to run the family grocery store along with her mother-in-law Shizu (Aiko Mamasu) while brother-in-law Koji (Yûzô Kayama), and sister-in-laws Hisako (Mitsuko Kusabue) and Takako (Yumi Shirakawa) live their own private lives. Takamine's remarkable performance as the repressed widow conveys a longing for a freedom that has been elusive.

    The film opens as a van parades the streets advertising the supermarket, driving past Reiko's store in the process. Shot in Naruse's quiet style, the film is a study in contrasts. Reiko is a woman with traditional values who has repressed her own desire for companionship to serve her husband's family, while Koji is a layabout who drinks and gambles and takes no responsibility for the family business. When a group of drunken businessman pressure bar girls to see how many eggs they can stuff into their mouths, Koji intervenes and starts a fight leaving Reiko to bail him out of jail. Koji and his sisters make plans to build their own supermarket, but conspicuously leave Reiko out of their plans, urging her to remarry.

    Reiko is hurt by the family's seeming lack of appreciation for her service. She is accepting of her role, but emotionally unprepared when Koji surprisingly confesses to her that he loves her. Though Reiko initially rejects his advances, she tells him later: "when you said you loved me, I felt glad," and "I've been a different woman since that day." She is unable, however, to accept Koji's telling her that she has wasted her life for his family. Though she hears the words, she is too bound to the past to be able to acknowledge their truth. She tells Koji, "I didn't waste my life. I lived it," but she is not convincing. The entire mood of the film changes with Koji's declaration and the way their relationship unfolds constitutes the emotional core of the film and provides its most dramatic moments and its shattering conclusion.
    8russellagriffith@aol.com

    Maybe My Favorite Naruse

    I have binge watching Naruse films and have liked all but one. Yearning may be the moving both as a love story and as a story of social change. The theme of small businesses being run out by large corporations is as timely today in the US as it was in 1964 Japan. The two leads are terrific and have great chemistry. Highly recommended

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    Dettagli

    Modifica
    • Data di uscita
      • 15 gennaio 1964 (Giappone)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Yearning
    • Azienda produttrice
      • Toho
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 38min(98 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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