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IMDbPro

La casa degli amori particolari

Titolo originale: Manji
  • 1964
  • VM18
  • 1h 31min
VALUTAZIONE IMDb
6,8/10
1241
LA TUA VALUTAZIONE
La casa degli amori particolari (1964)
DrammaRomanticismo

Una casalinga senza figli si innamora di una bellissima modella.Una casalinga senza figli si innamora di una bellissima modella.Una casalinga senza figli si innamora di una bellissima modella.

  • Regia
    • Yasuzô Masumura
  • Sceneggiatura
    • Jun'ichirô Tanizaki
    • Kaneto Shindô
  • Star
    • Ayako Wakao
    • Kyôko Kishida
    • Eiji Funakoshi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    1241
    LA TUA VALUTAZIONE
    • Regia
      • Yasuzô Masumura
    • Sceneggiatura
      • Jun'ichirô Tanizaki
      • Kaneto Shindô
    • Star
      • Ayako Wakao
      • Kyôko Kishida
      • Eiji Funakoshi
    • 17Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto9

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    Interpreti principali11

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    Ayako Wakao
    Ayako Wakao
    • Mitsuko Tokumitsu
    Kyôko Kishida
    Kyôko Kishida
    • Sonoko Kakiuchi
    Eiji Funakoshi
    Eiji Funakoshi
    • Kôtarô Kakiuchi
    Yûsuke Kawazu
    Yûsuke Kawazu
    • Eijirô Watanuki
    Kyû Sazanka
    Kyû Sazanka
    • Principal
    Ken Mitsuda
    Ken Mitsuda
    • Novelist
    Yûzô Hayakawa
    Yûzô Hayakawa
    Fumiko Murata
    • Ume, Tokumitsu's maid
    Reiko Hibiki
    • Haru, Izutsuya's maid
    Kyoko Nagumo
    • Kiyo, Kakiuchi's maid
    Kuniko Tomita
    • Regia
      • Yasuzô Masumura
    • Sceneggiatura
      • Jun'ichirô Tanizaki
      • Kaneto Shindô
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    6,81.2K
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    Recensioni in evidenza

    10NeelyO

    Deliciously overripe

    What do you get when you combine early-60's hairdo's and makeup, histrionic Japanese love triangles and forbidden lesbian passion? In this case, a wonderfully bonkers movie that deserves a larger cult audience.

    Any movie that features blood oaths, suicide pacts, taboo love affairs and a wife screaming "You don't love me enough! I need more love!" is one I'll want to see again and again. (Too bad it's so hard to come by in the U.S. -- the film screened recently at the American Cinematheque and Outfest in L.A., and at the San Francisco Gay/Lesbian Film Festival, but apparently only after much paperwork with Japan. Still, if you actually get a chance to see it, DO NOT MISS IT!
    frankgaipa

    Sonoko Kakiuchi

    Lurid. Hysterical. Gaping improbabilities and plot holes. I thought this might be a must-see because of the presence of Kyoko Kishida, long-faced, thick-lipped, huge-eyed woman in Suna no onna made the same year as Manji and the bizarre nurse in Tanin no kao made two years later. Turns out her other-worldliness was Teshigahara's invention. She's had a much varied 44 year career, mostly away from us here. See Manji for Teshigahara's woman and nurse.

    The other woman, despite a long, somewhat distinguished career, looks and acts like an Elizabeth Taylor stand-in tumbled out of Tennessee Williams land. But surely this is director Masmura's invention.

    (Manji, by the way, is the Buddhist cross on the DVD box.)
    athena-no-sainto

    Piece of art

    Wonderful film based on the novel "Quicksand" by Juinichiro Tanizaki and directed by the great Japanese director Yasuzô Masumura, the film tells the story of a married woman who begins a sick and obsessive love relationship with a beautiful and ruthless young girl (played by a marvelous Ayako Wakao), that insane relationship will lead to a tragic ending ...

    The movie tells a story about passion, love and betrayal, displaying tons of sensuality stylishly without need of being explicit...

    The are too many other versions of this movie made years later but I highly doubt that they can come any closer to this piece of art...

    MASTERPIECE
    7Jeremy_Urquhart

    "We told you this was melodrama"

    By 1964 standards, this film really doesn't mess around, nor does it take any prisoners. It's fairly blatant about the story centering on two women who fall in love, but also don't entirely cut their husbands/male partners out of their lives, which leads to complications and some drastic things that feel a little extreme, but I'd chalk it up to Japan being a different culture at a different time... or just the film trying to make a point, and not necessarily be a reflection of how this situation would play out in real life. Have to accept it's one or the other; I think you just have to admit defeat, in a way, by saying you don't always know for sure when it comes to foreign films.

    The dark and emotionally intense places Manji goes also make it feel a bit melodramatic, but again, I can't assume. And even then, if it is melodrama, I think it's mostly well-done melodrama; that kind of thing isn't automatically bad. Maybe there's some repetition and characters saying things in such a blatant way that can feel forced, but it could be partly intended. Perhaps it's wrong to assume it either is or isn't clunky dialogue. The truth could be somewhere in between.

    Waffling here. It's not well-paced, but the film is well-acted and I admire how it handled such a story 60 years ago. If some of the melodrama was intended, then I think the writing was acceptably blunt and the performances were effectively heightened. The grimmer parts of the story don't quite devastate the way I thought they would, but that might be owing to the film's structure, with one character narrating a series of events from her perspective. It creates some intrigue, but also some sense of inevitability; a bit of a double-edged sword. And then it also ends pretty suddenly.

    But I have to keep coming back to it being good for its time. I wasn't expecting this film to take the approach it did, and I imagine it would've caused at least some controversy in Japan at the time.
    8Musicianmagic

    Outstanding except the ending

    First, The title in English is Swastika & does not in any way relate to Nazis. Second there are many reviews that call this a Pink Eiga film. It is not at all. There is no nudity or sex scenes at all. Reviews that probably never actually watched this film. There is a gay element.

    This is the original film based on the novel Quicksand. A melodrama we never learn much about the characters. We do learn and follow the relationship between them which contains a lot of complexity. We learn more about the relationships as the story progresses. In other words it gets better along the way. But the ending was a bit of a let down. I won't spoil it but it's the weakest part of the movie.

    The acting is exceptional. Kyoko Kishida is amazing as Sonoko. Ayako Wakao was a huge star when this film was made. Direction is first-rate.

    This film has been remade numerous times including most recently "Quicksand -reverse-." I won't call them better or worse but mostly different. This version is a classic and highly recommended.

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    • Connessioni
      Edited into Twisted Sex Vol. 17 (1998)

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    Dettagli

    Modifica
    • Data di uscita
      • febbraio 1969 (Italia)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Swastika
    • Azienda produttrice
      • Daiei Studios
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 31min(91 min)
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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