Limonádový Joe aneb Konská opera

This is an amazingly broad comedy--very silly and cartoon-like. In many ways it's like a Czechoslovakian version of "The Villain".

This western is set in a lawless town in Arizona. A local saloon owner, Doug Badman, is thrilled that the entire town is evil--spending all their time getting drunk and availing themselves of the services of 'professional girls'. However, when Lemonade Joe shows up, he's out to clean up the town and introduce them to the invigorating effects of a lemonade drink, 'Kolaloka'. In fact, he's the regional rep for the product and shows everyone its benefits by shooting baddies right and left and restoring justice. Joe is a clever amalgam of various B-western heroes like Gene Autry and Roy Rogers, though he's even more virtuous--and looks a lot like Gene Raymond.

Doug's brother, the even more evil Horace Badman (also known as 'Hogofogo'), arrives in town and is upset to see that order and sobriety are the rule of the day. He's determined to destroy Lemonade Joe and steal his pure girlfriend. Horace is a LOT like the cartoon character Snidely Whiplash (from the "Dudley Dooright" cartoons). He's very cartoony and silly. I could say more about the plot but don't want to spoil it.

The film doesn't even try to be subtle in any way. The humor is very much the sort kids would like. But, despite being VERY cheesy and silly, it is fun and I had a few good laughs (I loved the cliff scene). The ending is pure chaos and silliness...but works. All in all, a super-silly but enjoyable romp.

Oldrich Lipsky was a Czech director who was well known in his country for unique bizarre comedies. Silly, wacky and crazy are just a couple words to describe his films. "Lemonade Joe" is a musical western comedy. It's a fun parody that pays homage to the old west, and is filmed in awesome sepia tones. The movie makes many jokes and references to western culture, such as the town name of Stenson City. I love how over the top the film is. Great music, bar fights, slapstick and cartoonish gunfights. Lemonade Joe knows that alcohol will ruin his ability to shoot, so that's why he enjoys Kola-Loka Lemonade. Did I mention the film has hot and voluptuous Czech actresses. Eastern Europe women rock!(dobre) You must Czech out Lemonade Joe. For more Lipsky madness also watch "Dinner for Adele".

The concept of this film (an affectionate send-up of old-fashioned American cowboy films) is one that seems to have been kicked around in the movie business, both here and abroad, for quite a few years. The first realization of it that I'm familiar with is the 1949 stop-motion puppet animation short "Arie Prerie," or "Song of the Prairie," by the Czech animator Jiri Trnka. With no more dialog than some snickers and shouts, along with an operatic-style song performed by the singing cowboy hero and his heroine, it does a nice job of satirizing the old conventions of the singing cowboy movie. It's a charming film, well worth seeing.

"Lemonade Joe," done in 1964 by yet another Czech filmmaker, Oldrich Lipsky, seems to be expanding greatly on the subject in order to extend it to feature length, and aside from the basic concept the plot bears no relation to "Song of the Prairie." Yet, anyone who's seen "Song of the Prairie" will immediately see the connection. In fact the soaring, operatic song belted out by a tenor over the opening title turns out to be the very same song that the puppet protagonists of "Song of the Prairie" sang. To an English-speaking person like myself, the lyrics sound tantalizingly like English, even finishing up with the repeated phrase "goodbye, goodbye." Yet, if you look at the lyrics spelled out (as they are in the Czech DVD that I watched), you can see that they mean nothing at all in English. Are they in fact Czech, or some gibberish concocted to sound like English? Not understanding Czech, I can't really say.

Laurie Edwards' sourpuss review (see "External Reviews" and "CultureDose.net") demonstrates that not everyone will appreciate this film's style, which is certainly foreign in comparison to typical Hollywood fare. While the film's basic concept appeals to me greatly and I enjoyed its bizarre, surreal, and anarchic qualities, I can see how it might rub people the wrong way, particularly those with more conventional tastes. One user comment suggests that its humor is quintessentially Czech and cannot be fully appreciated by outsiders, and as one of those outsiders I'm not in a position to dispute that. I wouldn't argue that it's a paragon of good taste, perfect form, and artistic refinement, but I did get a kick out of it and wasn't bored or irritated, as Ms. Edwards was. Besides being a satire of the American singing cowboy genre, there seems to be some jabs at American commercialism, and perhaps even racism. This film was made in a communist country during the height of the cold war, after all. On the other hand, far harsher criticisms were made by American filmmakers in American films during the same era, so I wouldn't dream of taking any offense at it at this point in time.

The most recent attempt to satirize the singing cowboy genre that I'm aware of is Hugh Wilson's 1985 film "Rustlers' Rhapsody," starring Tom Berenger as the western hero. It seems to me more subtle and complex than "Lemonade Joe," but not nearly as stylish or entertaining.

I enjoy seeing all three of the above films, but I think perhaps the cartoon format is the best for this concept after all. "Song of the Prairie" is my favorite, being an actual animated film, followed by "Lemonade Joe" which is a live-action film that is decidedly cartoon-like, followed by "Rustlers' Rhapsody," which to my taste seems a bit tame and conventional in execution.

"Lemonade Joe" is one of the funniest movies ever made. Certainly it is the funnest western. It is also a triumph of expressionism.

The sequences are dazzling. The opening sequence catches you by surprise; you're watching the funniest western fight in a saloon without warning. Throughout, the film just explodes with these sequences that are hysterically funny and reflect a world gone mad.

The last third of the film begins to slow down. It also becomes very expressionistic, which annoys people who do not allow themselves to appreciate disruptions to how they process their cinema.

However, the film finishes very strongly. "Lemonade Joe" is a wildly adventurous and pleasurable experience.

"Limonadovy Joe" is part of the golden fund of Czech cinema; it is broadcast every year on TV and you find it in most Czech households on VHS. The fact that this movie was made in the Communist times and that it is a parody to Wild West pictures, does not mean that "Limonadovy Joe" is an ideological trash; I am sure Wild West lovers would not feel offended by this movie. It is a skeptical and self-ironic piece, but in my view, still rather homage to western. 60-ies were the best time for Czech cinema. `Limonadovy Joe' fits into those liberal years of good movies. It is a family comedy with cheerful, but still intelligent humor. Joe remained the only important role for Karel Fiala, but guaranteed him a life-long popularity in his country. Please note excellent performance of actors in episode roles, like e. g. Vladimír Mensik in the role of barman. Also the graphical aspect of the movie is worth mentioning; it is stylized in retro black and white, whereas each scene is colored to another color.