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When Gwenda Milton is murdered in London, her brother returns from Australia to find the killers. His nickname is "Hexer" ("wizard") because he wears many masks and can disappear without a trace. The police have a love/hate relationship with him, because he takes justice into his own hands, but justice it undeniably is. The success of this movie is owed to an excellent marketing strategy. The production company locked the final pages of the screenplay away, so that even the actors didn't know before the day of shooting who would be the Hexer in disguise. Neither will I tell you now. The whole movie builds up tension until this final revelation.

Of course there are the popular actors of the Edgar Wallace series (Fuchsberger, Drache, Lowitz, Aren't, Schürenberg), plus an excellent Margot Trooger - calm, yet charming -, but it's the story in the first place which makes "Der Hexer" memorable.

The best Krimi films are based on a novel by English crime writer Edgar Wallace and directed by prolific German director Alfred Vohrer; and Der Hexer boasts the inclusion of both. Thanks to a thrilling narrative and some interesting lead characters - this film is clearly one of the best of the genre. Der Hexer roughly translates into English as 'The Magician' and the title alludes to the central character - a highly cunning criminal with the ability to baffle police through the use of trickery and disguises. The film begins with the murder of a young girl; whom we later discover is the sister of the aforementioned master criminal. When this comes to the attention of the police, naturally they expect 'The Magician' to return to London for revenge and so begin an investigation in order to catch the criminal. The Magician is indeed plotting to kill off those responsible for the death of his sister and comes to London with this agenda; facing the murderers themselves and the best detectives of Scotland Yard.

What really makes this film great is the plot line; which is as cunning and clever as the lead character. Alfred Vohrer deftly handles the story, which is streamlined and features no filler, and ensures that the film is exciting and interesting at all times. There are several twists and turns throughout the plot (the mostly unseen lead character providing most of the entertainment) and the film never dries up or becomes boring. As is usually the case, the story takes place in London and the director does well at establishing the atmosphere of the city, which bodes well with the plot line. The plot works in such a way that eventually everyone comes under suspicion of being the murderer and this helps a lot when it comes to generating the suspense. Naturally all these twists and turns need a good twisted ending to wrap everything up; and Der Hexer certainly does not disappoint in that respect. The ending is very well done and provides some surprises. Overall, this is an excellent entry in the Krimi genre and comes recommended.

The first series of replays of the German Edgar Wallace i did see as a child and i have loved it ever since (at least the top items, where this one and "Der Zinker" are top notch. Very much German style British made, this is always still suspense, thrill, charming ladies and light entertainment perfectly combined. And we all know things will end well as they must in 60s movies in Germany of this Wirtschaftswunder era. It is reliably replayed in Germany in series by the multiple stations, where the reels seem to be rotate around, don't miss it if you can get it (forgo the latter, especially the colored ones. What was won in color was more then lost in suspense and coolness).

Who is the Witch (a male individual is also called a Witch right?)? Well maybe you can tell ... but then again, the movie is quite mean and I'd say it isn't that easy to figure out ... but the end reveal is quite crazy too. And then you get another twist thrown in for good measure.

But let's go back to the beginning: With some known players from other Edgar Wallace adaptations. I remember loving these movies when I was a kid ... I did like crime movies ... I actually still do. So while this has somewhat aged ... it still is fine entertainment to say the least ... there are many more of movies like this ... but this was one of the movies that even nowadays fans will remember ... because of the twists and turns and because a comedian made a somewhat "remake" of it - Wixxer it is called and it is more like a spoof ... just in case you want to check that (and its sequel) out.

It's obvious that this movie was supposed to be the German answer to the popular James Bond franchise. In the '60's, actually quite an handful of these sort of spy/detective movies got made but most of them are forgotten now days, including the British and American ones, while in fact they actually were some quite amusing movies to watch. And this movie is also definitely an enjoyable one but not really the best to be based off Edgar Wallace's work.

It remains a bit weird to see all of these German movies, based on Edgar Wallace his novels, which are set in London and features some all-British characters, with all-British names. But no, this all seems to matter very little when watching this movie, since it's quite hard to take it all very seriously. It's a movie made purely for entertainment and it's being a quite silly one with its story and somewhat quirky characters (just like a James Bond movie).

But the series of movies based on the Edgar Wallace novels definitely have some better movies to offer than this one. This isn't really the most exciting watch and at times I wished more would be happening in the story. It all remains quite simplistic, which does certainly go at the expense of its entertainment value at times.

Other than that, it still remains a well made movie. It obviously didn't cost an awful lot of money to make but they did a more than decent job with its resources. It's actually also being a quite creative movie to watch at times, with it directing and cinematography. Perhaps you could say that the movie also benefits from the fact that it's shot in black & white, since somehow I think the movie would had been a far more silly one to watch had it been done in full color.

Not the greatest but still a enjoyable enough, short watch.

6/10

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The sister of a famous, uncaught criminal named The Hexer is murdered. Inspector Higgins believes that The Hexer will surface to take revenge on the killers, and sets a trap to finally capture him. However, soon bodies start piling up...

An odd mixture of twisty turny cat and mouse game and tongue in cheek humour, which feature In many Wallace Krimis. It can be hard to keep up, and there's times you're scratching your head, but it has light touch, has some good gadgets, a very clever villain, and some good underwater sequences. Everything leads to the climax in neat fashion, and before the unraveling of the villain there's a William Castle-style gimmick - asking the viewers who they think is the ringer.

Many of the German Krimi movies in the Edgar Wallace collection that I've seen thus far are enjoyable, for sure, but also excessively complex and featuring a climax that is both too grotesque and made less impactful by the many plot-twists that came before already. With that in mind, I can honestly state that "Der Hexer" is the best and most effective Krimi of the whole collection! The plot is simple, relatively straightforward, and steadily builds up to a fantastic climax. And the climax truly is fantastic, I assure you, with a dazzling revelation and an even more dazzling surprise ending.

Following the murder of his sister, a wanted criminal known as The Magician is expected by Scotland Yard to pop up in London and extract vengeance on the murderers. Inspector Higgens must even accept the help of the now retired but former Scotland Yard top-agent Warren, and meanwhile also uncover the reason by who and why The Magician's sister got murdered in the first place. The lame humor (as usual provided by Siegfried Schürenberg and Eddi Arent) is luckily kept to a minimum and replaced by good red herrings and feminine beauty. As the tense climax approaches, there's a joyous gimmick where the screen turns black and displays the question: "do YOU already know who The Magician is?". I loved it. Reminded me of William Castle, in fact.

I did enjoy this watch: to me, clearly a humorous take onto crime solving. The characters are vividly displayed (even if the femal leads remain rather dull and dump... by intention) and the storyline is a huge quest of "who is the actual murderer" as we don't know the face of the perpetrator as an audience.

Personally, I was especially drawn in by the set design with various historically accurate (and inaccurate) gadgets, such as secret doors, car telephones, underground pipelines, miniature submarines and (my highlight) a security system hidden in a taxidermied bear mounted to the wall with blinking eyes and switches pulled inside the bear's ear.

The movie is well paced, with many entertaining highlights, dialogues, chase scenes and those strange incidents that make you question who might be the 'bad man' in disguise.

Fun to watch! For me as film history student it was a must, but I'd recommend it to anyone who is in for a retro detective fun ride based on old stories transported to the 60s.

During the sixties and early seventies dozens of Edgar Wallace films were made in Germany, all of them highly popular. Most of them black and white, most of them with Eddi Aren't and Siegfried Schürenberg two of the unknown geniuses of German cinema. This one is the best of the lot. The sister of a famous retired criminal, Arthur Milton, aka der Hexer, (literally the Magician but I think called the Ringer in the Wallace book) is murdered. Scottland Yard thinks that Milton will return to revenge her. Inspector Higgins (Joachim Fuchsberger in typical role) with the help of Warren (Siefried Löwitz) is trying to get him. There is also a mysterious Australian writer called Wesby (Heinz Drache). Is he the Hexer? One by one of the murderers is killed by the Hexer. Very questionable ethics, of course. But our sympathies are with him. You never see him until the very end, but you see his wife, played by the most elegant of German actresses, Margot Trooger. And a man with a wife like that cannot be really bad. There is wonderful innocent sixties charm all the way through, suspense and humour which make this film a true highlite. Siegfried Schürenberg as Sir John has one of the best running gags in movie history there. "Das hätten Sie doch berücksichtigen müssen." (You should have thought of that). Nice twist ending. The only post war German movie that ranks among the best films ever made.

When the Edgar Wallace horror thrillers from the 1960s were shown repeatedly on German-language television in the 1980s, THE RINGER was certainly the most popular villain in the series. As a man of 1000 masks who prefers to take the law into his own murderous hands, THE RINGER could be anywhere and nowhere.

In London, THE RINGER's sister is murdered by a gang of criminals without knowing her origins. This crime electrifies the London criminal world and Scotland Yard alike. Inspector Higgins (Joachim FUCHSBERGER) and Sir John (Siegfried SCHÜRENBERG) rightly fear that THE RINGER will not leave the murder of his sister unpunished for long. And indeed, THE RINGER's elegant wife (Margot TROOGER) soon turns up in London. Inspector Higgins' fiancée (Sophie HARDY) has every reason to be jealous. After all, she has a hard time keeping her "Higgi" away from the well-proportioned Yard secretary (Ann SAVO). Fortunately, retired Inspector Warren (Siegfried LOWITZ) turns up, the only policeman to ever see the RINGER's true face.

A classic of the popular film series that attracted millions of moviegoers to the cinemas between 1959 and 1973. The cast was big: alongside FUCHSBERGER, Heinz DRACHE also plays one of the main roles. And there is also a reunion with Carl LANGE, Karl JOHN and Eddi ARENT.

Director Alfred VOHRER had the right approach when it came to Wallace: scary moments in dark black and white alternate with humorous interludes. It is not for nothing that this film is still repeated every year on various television programs in German-speaking countries.