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The Caretaker

  • 1963
  • 1h 45min
VALUTAZIONE IMDb
7,1/10
1067
LA TUA VALUTAZIONE
The Caretaker (1963)
Drama

Aggiungi una trama nella tua linguaWhile renovating his house in London, Aston, out of pity, lodges a homeless man, but Aston's brother taunts and harasses the cranky old bum.While renovating his house in London, Aston, out of pity, lodges a homeless man, but Aston's brother taunts and harasses the cranky old bum.While renovating his house in London, Aston, out of pity, lodges a homeless man, but Aston's brother taunts and harasses the cranky old bum.

  • Regia
    • Clive Donner
  • Sceneggiatura
    • Harold Pinter
  • Star
    • Alan Bates
    • Donald Pleasence
    • Robert Shaw
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    1067
    LA TUA VALUTAZIONE
    • Regia
      • Clive Donner
    • Sceneggiatura
      • Harold Pinter
    • Star
      • Alan Bates
      • Donald Pleasence
      • Robert Shaw
    • 23Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Foto12

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    Interpreti principali4

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    Alan Bates
    Alan Bates
    • Mick
    Donald Pleasence
    Donald Pleasence
    • Mac Davies…
    Robert Shaw
    Robert Shaw
    • Aston
    Harold Pinter
    Harold Pinter
    • Man
    • (non citato nei titoli originali)
    • Regia
      • Clive Donner
    • Sceneggiatura
      • Harold Pinter
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    7,11K
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    Recensioni in evidenza

    8RodrigAndrisan

    Good!

    A film that would have been very, very boring if it had other actors in the cast. For me, Robert Shaw was the main reason to see it. Then Donald Pleasence and Alan Bates. All three did an excellent job in a confined space, just a room, no action, just dialogue, 1 hour 45 minutes, just talk. Their charm, of all three actors, make this movie easy to watch.
    grunsel

    A biblical epic set in a dingy house

    Apart from the scenery and huge cast, this has all the ingredients of a Cecil B De Mille epic. Three men, (two of which are brothers and a cunning almost invited guest) struggle for power and dominance in their dingy little house. In my opinion it says something about the predicament of human behaviour what ever their surroundings.Its dark, sometimes funny and you can almost smell the decay.
    7Bunuel1976

    THE CARETAKER (Clive Donner, 1963) ***

    This three-hander piece has no plot to speak of and, given author Harold Pinter's (typically) obscure intentions, attention must be paid constantly (not an easy task, having to contend with both the heavy British accents on display and the rather low volume of the audio itself); after having gone through the various supplements on the exemplary BFI DVD, the meaning of it all is still very much open to interpretation!

    The performances, however, are extremely impressive and the fact that all three actors had already appeared in the various stage versions certainly helped: Donald Pleasance and Alan Bates have showy roles that are often broadly comic, but a brooding Robert Shaw is unusually subdued for the most part - though the character's speech about his traumatic spell in hospital, where he suffered at the hands of a sadistic doctor, is as riveting as the actor's celebrated (and similarly quietly-spoken) one about the transportation of the Atom Bomb in JAWS (1975). Though making only minute concessions to cinematic conventions, Donner's handling (abetted by the stark cinematography of Nicolas Roeg and some weird ambient sounds by Ron Grainer in place of a score) ensures that the whole doesn't come across as merely a piece of filmed theatre; it still feels at odds even with the contemporaneous "Kitchen Sink" films of the British New Wave, with which style THE CARETAKER has forever been identified!

    Pinter's dialogue - alternately scathing and compassionate - is remarkably adult for its time, and the project only came through with the intervention of some celebrated admirers of the play: Richard Burton, Leslie Caron, Noel Coward, Peter Hall, Peter Sellers and Elizabeth Taylor, among others! I've watched the following Pinter-scripted films: THE SERVANT (1963), THE PUMPKIN EATER (1964), THE QUILLER MEMORANDUM (1966), ACCIDENT (1967), THE BIRTHDAY PARTY (1968), THE GO-BETWEEN (1970), THE LAST TYCOON (1976) and THE FRENCH LIEUTENANT'S WOMAN (1981); however, only THE BIRTHDAY PARTY was adapted from his own work (also featuring Shaw and largely revolving around three eccentric characters) and it's similarly intractable - if still required - viewing.
    9ragmop12345

    It's not for everybody, but...

    If you like films that focus on characters and superb acting skill, here is one not to be missed. It's hard to imagine any other actors (Robert, Alan, and Donald) playing these parts. Each seems completely suited for the role. Finding the film can be difficult however. I have an old copy on tape but I suspect there may be longer versions out there as I recall once seeing a scene (Alan Bates offers to drive Donald Pleasance to Luten to pick up his papers. The car drives in a circle and immediately returns to the starting point) which is missing from my copy. I've watched this movie many times, but only when I'm home alone. It's important not to be interrupted.
    9pnpete9

    Brilliant

    Worth watching just for Robert Shaw's monologue about his mental health. Spellbinding. Obviously filmed during the harsh winter of 62/63 as the snow and ice stubbornly refuses to budge.

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    Trama

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    Lo sapevi?

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    • Quiz
      Donald Pleasence was nominated for the 1962 Tony Award (New York City) for Actor in a Drama for "The Caretaker" and re-created his role in this movie.
    • Citazioni

      Mick: I could turn this place into a penthouse. For instance this room. This room could have been the kitchen. Right size, nice window, sun comes in. I'd have I'd have teal-blue, copper and parchment linoleum squares. I'd have those colours re-echoed in the walls. I'd offset the kitchen units with charcoal-grey worktops. Plenty of room for cupboards for the crockery. We'd have a small wall cupboard, a large wall cupboard, a corner wall cupboard with revolving shelves. You shouldn't be short of cupboards. You could put the dining-room across the landing, see? Yes. Venetian blinds on the window, cork floor, cork tiles. You could have an off-white pile linen rug, a table in... in afromosia teak veneer, sideboard with matte black drawers, armchairs in oatmeal tweed, a beech frame settee with a woven sea-grass seat... (sits up) it wouldn't be a flat it'd be a palace.

    • Connessioni
      Referenced in This Week in Britain: The Caretaker (1963)

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    Dettagli

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    • Data di uscita
      • 23 aprile 1964 (Danimarca)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • The Guest
    • Luoghi delle riprese
      • 31 Downs Road, Hackney, Londra, Inghilterra, Regno Unito(since demolished)
    • Aziende produttrici
      • Caretaker Films
      • Taylor Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 30.000 £ (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 45 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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