I giganti di Roma

In Giants Of Rome Richard Harrison leads a handpicked crew to seek and destroy a legendary secret weapon that the Druids have constructed blocking a pass. Given that this is an ancient world epic, how advanced technologically could the weapon be?

The plot is a homage to The Guns Of Navarone and while it isn't anywhere up to the standard of that film, it's a bit better than some of the peplum films I've been viewing lately. The dialog is a bit much however. When the band of warriors have to kill some Gauls and take a couple of prisoners, one of them is a woman. To which Harrison asks her why she hates the Romans so much. I mean really.

None other than Julius Caesar himself gives Harrison and his band their mission orders. Just what is this terrible secret weapon? All I can say is it's nothing the Roman legions hadn't faced before, just bigger.

Julius Caesar handpicks an army of men, lead by Claudius Marcellus, to fight against the Druids. The Druids are harboring a secret weapon - the Catapult.

Not as good as I was hoping it was going to be. I was hoping for at least a 4 or 5 star out of 10 film but 3/10 is as good as it get for me. It's not a horrible film but it is luster-lacking and a bit drab the way the story is told. With that being said, it is one of the better films from Mill Creek's Warriors 50-pack. It's not the best of the Mill Creek peplum batch but it's not the worst from the pack either. I'll admit I was hoping for a bit more out of this one. I actually preferred the way the story was told and the way Caesar the Conqueror (1962) was filmed. I was hoping this movie would be as good as "the Conqueror".

3/10

This sword and sandal film by Antonio MARGHERITI tells a story from the Gallic War. In 52 BC, the decisive Battle of Alesia is imminent. Gaius Julius Caesar (Alessandro SPERLI) puts together a suicide squad to scout out a feared secret weapon of the Druids behind the Gallic lines and, if possible, destroy it. Under the leadership of Claudius Marcellus (Richard HARRISON), several experienced warriors (Ralph HUDSON, Ettore MANNI and Goffredo UNGER) set off and end up in the dungeon of Vercingetorix (Renato BALDINI). There they meet the beautiful patrician Livilla (the hair is perfect as always: Wandisa GUIDA) and her injured and broken bodyguard Drusus (Philippe HERSENT). Thanks to the young runaway Valerius (the exceptional acrobatic actor Alberto DellACQUA in his first role), the squad manages to escape. Now the heroes still have numerous battles ahead of them, and there will be painful losses to mourn...

The classic sword and sandal film borrows from upcoming war films such as THE DIRTY DOZEN and ATTENTATO AI TRE GRANDI by Umberto LENZI, in which battle-ready gallows birds are used as a suicide mission. This offers solid genre entertainment, but also leaves a bitter aftertaste.

"Giants of Rome" is in some aspects a strangely premised sword and sandal movie. The main reason for that is that the central characters - the men on a mission - are Romans working for Caesar and the Roman Empire, fighting the inhabitants of what is now modern day France. If you ask me, that is almost akin to a movie about Nazis on a mission to penetrate and destroy some part of Allied forces, given that the Romans were conquerors and enslavers of foreign empires. But even if you can stomach that premise, chances are you'll still not find the movie to be very good. The action sequences all seem to be directed in a way to both be identical to each other and not particularly exciting. Actually, much of the movie (particularly the central third of the movie) is rather slow- moving and not very exciting. In fact, it makes the disappointment of the revelation of the "secret weapon" even more than you might expect. The movie could have been a lot worse, I admit, but even sword and sandal movie fans might find this a bit of an ordeal to watch.

Playing almost like a Roman-era version of THE GUNS OF NAVARONE (1961) – with an elite group of specially-skilled soldiers handpicked by Julius Caesar to go on a suicide mission and destroy the Druids' secret weapon – this is an agreeable time waster which is moved along at a brisk and efficient pace by prolific director Margheriti. He was perhaps the most erratic of the three Italian genre specialists (the others being, obviously, Riccardo Freda and Mario Bava) who basically set the foundation of what today is referred to as "Euro-Cult"; I've now watched some 9 of his films and the most satisfying have been his 2 horror outings starring Barbara Steele – THE LONG HAIR OF DEATH (1964) and CASTLE OF BLOOD (1964).

Sensibly, THE GIANTS OF ROME does not opt to make its heroes invincible (as was usually the case in films of this type) and despite a happy ending, all but one member of the group lose their life in accomplishing the all-important mission. The "secret weapon", however, turns out to be a major let-down: though one of the Romans expresses great surprise at never having seen anything like it, a little while later the leader of the group refers to it by name as if he had been around such devices all his life! Still, the most hilarious moment of the film came when the leading lady solemnly tells our hero her life-story which includes the fate of her father, one Fulvius Lucisanus (Fulvio Lucisano being a leading Italian producer of the time, though he doesn't seem to have had anything to do with this particular title!!)