Base Luna chiama Terra

This is movie number ten for the great Ray Harryhausen, who provides his usual stunning animation, although the plot is a bit cynical for some taste, lacking the cheerful charm of such movies as "Journey to the Center of the Earth". In this one we get animated Selenites, giant caterpillar-like "Moon Cows", and a big-brained Grand Lunar on his regal throne. The special effects in the scenes of Professor Cavor's spherical spaceship en route to the Moon are beautiful.

The opening scene is clever: the "first" astronauts to land on the moon (an international group) is stunned by the discovery of a tiny British flag on the lunar surface. A message attached to the flag identifies the real first Moon landers, and the authorities on Earth get in touch with one of them, an aging Edward Judd, who tells the strange tale of his turn-of-the century expedition with Professor Cavor (Jeffries) and Judd's fiance' (Hyer).

Wow! I'm pretty surprised. Well, I shouldn't be, good old H.G. never lets you down. Fact is, this really should be higher on the list of the most iconic science fiction of the early years. The effects are marvelous, and it's some of Harryhausen's best work in my opinion. Awesome concept, an alien race eager to learn about the humans, what their planet is like, only to become paranoid at the idea of violent humans coming to the moon. It's a bit different from most films of its time in the fact that the alien race isn't exactly the enemy of the humans. They are more so concerned and ready to defend themselves from an oncoming invasion...to the moon, from earth. Overall I could totally watch this film again, which is something I don't usually do. I would highly recommend it to anyone who truly loves science fiction.

Five years before the Neil Armstrong and Buzz Aldrin touch down on the moon, this film adaption of the H.G. Wells story First Men in the Moon came to the screen. A moon expedition has finally landed and to the amazement of all a perfectly preserved union jack is found and presumably claiming this large piece of real estate for the United Kingdom.

And a diary with three names in it gives the names of those people who were on this first lunar expedition. One of them is still alive and in a nursing home in Great Britain. It's Edward Judd, now in his eighties or nineties as you'd have it and he has an amazing adventure to tell.

I use the phrase deliberately because such an amazing adventure is the kind of stuff Stephen Spielberg would find ideal. And if he reads this, maybe he'll think on it as a future project. But if he does it, it will have to be without the special special effects of Ray Harryhausen who created an enchanting, but very dangerous world on the moon.

Judd's story is how he and his fiancé Martha Hyer got involved with an eccentric scientist Lionel Jeffries. Jeffries may look eccentric as he usually does in his roles, but he's developed nothing less than a totally unique form of propulsion and he knows what he wants to do with it. Nothing less than a trip to the moon.

Like Jeanette Macdonald in Maytime or Gloria Stuart in Titanic, Judd from the man's point of view tells the story of his lost love Hyer and that unique trip to the moon. As to what happens there and what happens to Jeffries, Judd, and Hyer you have to see the film for that.

Since it's a Ray Harryhausen film you kind of know what to expect and Harryhausen delivers in grand style.

It almost makes you believe that it was Judd, Jeffries, and Hyer who took that one small step for man first.

When retro sci-fi became all the rage due to the fifties craze for Jules Verne it was only a question of time before H. G. Wells got the same treatment.

Embellished by special effects by Ray Harryhausen for whom 'The First Men in the Moon' marked a rare excursion into science fiction - although the Selenites recall his mythical creatures - Kennedy having only recently made his pledge to set a man on the moon by the end of the decade; the fulfilment of which then seemed just within reach.

When Wells published his original book in 1901 even George Melies hadn't yet launched his rocket to the moon, and the idea seemed really cutting edge; although Cavor's spaceships and spacesuits are more like a bathysphere and diving suits.

NOTE FOR PEDANTS: The film has replaced the book's bleak original ending with the famous twist that concluded 'The War of the Worlds'.

The heart and spirit of H. G. Wells's novel remains intact in this Ray Harryhausen/Nathan Juran vehicle. A 20th century frame story about American led international crew landing on moon and finding an old Union Jack flag and a letter giving rights to the moon to Queen Victoria in 1899 add a brilliant touch to this story about a professor and his two neighbors exploring space and landing on the moon. The scientific explanation for space travel is absurd as are many other plot contrivances, but the story is a fun, entertaining romp about what exploration use to be like when man relied less on machines and more on brains. Director Juran and Harrysausen have created a film with many funny moments, beautiful moon landscapes, and even some thought-provoking questions about human nature and what humans are all about. Although this is not like any other Harryhausen picture - really only one large, cumbersome, rather mundane creature, Harryhausen really evokes awe as he creates a total vision of what a society might look like underneath the surface of the moon. The moon is a startling set and impressive. Laurie Johnson(Avenger's Theme) adds her brilliant touch and creates some beautiful music for the film. But when is all said and done - for me - the brightest star in this galactic romp is Lionel Jeffries as Professor Cavour. Jeffries lights up every scene he is in. His ability to use humor in every reflex and word make him a joy to behold. Does he overact? Perhaps. But in the same way that Vincent Price did. He steal his scenes and this picture. Edward Judd does nicely in his role as does Martha Hyer, who is beautiful as well.