Aggiungi una trama nella tua linguaExperimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memo... Leggi tuttoExperimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyra... Leggi tuttoExperimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they fin... Leggi tutto
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- Sceneggiatura
- Star
- Woman in Apartment
- (filmato d'archivio)
- (as Landa Varle)
- The Mummified Werewolf
- (filmato d'archivio)
- (as Lon Chaney)
- Henchman
- (filmato d'archivio)
- (as Donald Barron)
- Dr. Edmund Redding
- (filmato d'archivio)
- (as Raymond Gaylord)
- Elderly Scientist
- (filmato d'archivio)
- (as Jorge Mondragon)
- Dr. Frederick Munson
- (filmato d'archivio)
- (as George Mitchell)
- Redding's Bespectacled Aide
- (filmato d'archivio)
- (non citato nei titoli originali)
- Ann Taylor
- (filmato d'archivio)
- (non citato nei titoli originali)
- Prof. Janning
- (filmato d'archivio)
- (non citato nei titoli originali)
- Henchman
- (filmato d'archivio)
- (non citato nei titoli originali)
- Man Who Sleeps in Wax Museum and Saves Woman in Apartment
- (filmato d'archivio)
- (non citato nei titoli originali)
Recensioni in evidenza
A bunch of scientists using mental regression hypnotise a woman and she describes a pyramid. When they take her to visit the pyramid, she has a flashback to a song-and-dance tribal ritual. And the ritual scene goes on. And it goes on. And it goes on. Just when you're beginning to wonder if Warren can't get more than THIS out of two whole movies, they finally venture inside the pyramid. And they venture. And they venture. Oh sweet Jesus, when is this movie going to start? Then they're attacked by stock footage of a mummy. Eek! And from here on, it only becomes even more of a big, stinking mess.
What is there to say about this movie? The script is unbearable. The acting is amateur (don't be surprised if you see them glancing right at the camera). The soundtrack is ludicrous and intrusive. While the production values of the original Mexican movies hold up, Warren's sets are far from convincing. The way the various scenes are edited together is often hilariously bad. There is no narrative flow whatsoever. Scenes drag on and on, while the viewer has no idea what's supposed to be happening. They say if something's worth doing it's worth doing well, but this movie was never worth doing. It's a bad idea, badly executed, and I feel sorry for the innocent cinema-goers back in 1964 who must have wondered what the hell they were being subjected to.
"Face of the Screaming Werewolf" stands among the worst movies ever made. If you want to see Lon Chaney's final big-screen performance as a werewolf, try and find the original "La Casa del Terror". And if you're looking for anything resembling quality, ignore this piece of trash. If you like bad movies, however, by all means check it out ... but keep your finger on the 'fast forward' button.
Lo sapevi?
- QuizEdited footage from La Momia Azteca (1957) and La Casa Del Terror (1960)
- ConnessioniEdited from Il risveglio della mummia (1957)
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