Dog Star Man: Part I

You may be bored silly or you may be mesmerised. You might find yourself slipping into a catatonic state. You might glance away from the screen for a moment, but you'd be advised not too. Stan Brakhage's remarkable mythopoetic epic brought back a rush of 8mm memories for me from my childhood. There are incredible images of beauty and there are bizarre images that will have you rewinding the tape to ask yourself if you just saw what you thought you saw. (You did.) Highest recommendation!

If you like to feel like you are better than other people, see this movie and pretend to like it. This film combines short, chiefly unrelated shots in order to explore the viewing experience. Though there is basic technical skill involved and Brakhage must have certainly spent a long time making Dog Star Man, if the film were cut up and recombined in much any other way, it is doubtful anyone would know the difference. This film comes from the same sort of mentality which created color field painting and other such things which chiefly interest people who don't have anything useful to do with their time. If you haven't seen it yet and aren't on acid, avoid this film at all costs.

Like Wavelength, nothing happens. Skip this movie! The "best" part is the random topless woman. Oh, and there's a mountain climber. Well that's it. Don't see this movie? Have you seen....any other movie? Can you name one? Go see that instead!

If anyone tells you that this movie is boring, you won't enjoy it, you don't get it, then this person doesn't know the first thing about film. For a film to be put in the National Congress Library, and claimed as "The most important film ever made", hands down, you must be missing something.

Dog Star Man, as a whole, is the most amazing experience you could ever sit through. If sitting through "Tears of the Sun" with Bruce Willis was "the best movie ever", then you have never traveled to the avant-garde world of cinema. I would have to say that you should look at "Dog Star Man" and then "Mothlight" if you need to see a good movie. The film itself holds a story in each frame. Seriously, all would love this film. If you have something negative againest this film, please take into consideration what it takes to put something like this together.

Light, picture, sounds. Brakhage is more than a filmmaker.

RIP: SB 1933-2003

With this 'first' part of Dog Star Man (I'd say you should watch the Prelude before this, but I don't buy that there's exactly a strong 'continuity' here, this isn't the Marvel universe or something), we get more of a narrative this time. By 'more' I mean that there is at least a character of a sort - a rugged man (Brakhage himself) climbing up a mountain. Ala that song by Chumbawumba (remember that one, yes I went there), he gets knocked down and then he gets back up again, and his visions won't keep him down. That is, if they are visions.

This time there are more steady shots that last longer than the half a second or less that we got in the Prelude section, and yet in a strange way I wish it was *more* abstract. Because of there being "character" or a person or whatever, there's some expectation set up, at least for me, for more to go on. What we get is the furious, rapid-fire and stream of consciousness approach to imagery, where things go by so far I visage about 100 images in 20 seconds, and then it goes back briefly to slow-motion shots of the man climbing ever so slowly up the mountainside. Sometimes the dog is there and sometimes not.

Maybe it makes the most sense as this section being like some abstract documentary of what it takes to climb up a mountain, and if you're in a mood that is rather infuriating your mind will go at a very fast clip across images and sights and things that may be unspeakable. That's what this series is strongest as it approaching things like red membranes where cells and tiny organs pulsate, and the sun, shot with a lens that makes it look up close and personal, is imposing in some way that is far off but close at the same time.

And yet for all of the strong passages, I think having the man going up the hill, for as long as this movie is (30 minutes), makes it more monotonous. At least with the Prelude you didn't know what to expect, and it's more of a journey through someone's subconscious or unconscious. Here it's a mix of both this less-than-bare-bones scenario of a man on the mountain (albeit personal to Brakhage, who was out of work at the time with kids and one on the way, and this feels like a battle to persevere), and the abstract stream. It works, but not to where it's as outstanding as the Prelude.