VALUTAZIONE IMDb
5,6/10
3824
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed i... Leggi tuttoBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.British archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.
Chris Adcock
- Workman
- (non citato nei titoli originali)
Ray Austin
- Shipboard Thief
- (non citato nei titoli originali)
Maxwell Craig
- Footlights Operator
- (non citato nei titoli originali)
Olga Dickie
- Housekeeper
- (non citato nei titoli originali)
Recensioni in evidenza
Hammer movies have always been a tad hokey and that's forgivable, some sloppy writing however isn't.
This is the second Hammer Horror movie from "The Mummy" franchise and this time the star power has taken quite a dip. No longer did they have the presence of Christopher Lee and Peter Cushing and that really showed.
It tells the story of a rich American who plans on making the opening of a mummy's sarcophagus a tourist event in order to make money but oddly enough things don't go quite as planned.
The film looks great, the performances though spotty are mostly passable and the Hammer Horror brand of musical score is present. It's all very colour by numbers stuff, but that's okay.
Sadly the writing is inconsistent, some is poor and some is baffling especially when it comes to character development.
Passable stuff but again this underlines why though I appreciate Hammer Horror I've never exactly been blown away by it.
The Good:
Looks great
The Bad:
The absence of the likes of Cushing/Lee is very damaging
The bulletproof bandages have returned!
Mummy actually looks worse
No character consistency
Awful cover art
Things I Learnt From This Movie:
Belly dancing is sexy or awkward, never anything inbetween
This is the second Hammer Horror movie from "The Mummy" franchise and this time the star power has taken quite a dip. No longer did they have the presence of Christopher Lee and Peter Cushing and that really showed.
It tells the story of a rich American who plans on making the opening of a mummy's sarcophagus a tourist event in order to make money but oddly enough things don't go quite as planned.
The film looks great, the performances though spotty are mostly passable and the Hammer Horror brand of musical score is present. It's all very colour by numbers stuff, but that's okay.
Sadly the writing is inconsistent, some is poor and some is baffling especially when it comes to character development.
Passable stuff but again this underlines why though I appreciate Hammer Horror I've never exactly been blown away by it.
The Good:
Looks great
The Bad:
The absence of the likes of Cushing/Lee is very damaging
The bulletproof bandages have returned!
Mummy actually looks worse
No character consistency
Awful cover art
Things I Learnt From This Movie:
Belly dancing is sexy or awkward, never anything inbetween
All four Mummy films by Hammer I like. Curse with atmospheric scenes does give a quality to it. You have fog bound London to add atmosphere. Sets on film re Egyptian biz are quite good.Story so-so various characters who crop up. Then we have the Mummy itself which looks quite impressive, with scenes with Mummy in like in fog top of steps near embankment etc, scene in study where curtains are concealing it. Another scene in house where Mummy ascending stairs, menacing and quite gripping. Odd comical relief in film re certain characters. Overall film has some merit to it!
While definitely not as much a first-rate production as Hammer's first Mummy, Curse of the Mummy's Tomb has some great camerawork, nice supporting performances, and an intriguing mummy plot. Archaeologists financed by an American P. T. Barnum type find a lost tomb and open it despite the curse that says whosoever is present at its opening should die. Hammer production values prevail with lush costumes and sets. George Pastell(from the original) is back as yet another Egyptian naysayer out to prove that the British had no right to take and break the sacred nature of treasure and memory of forgotten kings. Michael Ripper, Jack Gwillim, and Fred Clark excel in their supporting roles, clearly out-performing the rather tiresome and boring leads of Terence Morgan, Ronald Howard, and Jeanne Roland. Clark gives an impressive performance(as well as very affable one) as the American out to turn his mummy find into carnival magic, taking the show to the "American Heartland" for a dime a peep. The story is not the fastest paced story around, but once the mummy's casket gets opened....people die. Definitely worth a look for the mummy fan.
Curse of the mummy's tomb certainly is not a best effort from Hammer studios, as many of their true classics outshine it without any serious effort. However, it is not as much a disaster as many comments here in IMDb suggest. The movie doesn't have any Hammer's big stars in the cast, the story doesn't bring anything new into the mummy myth, and at few times the going gets unintentionally hilarious in the film. But on the other hand, the characters are acted quite solidly, even if the performances don't truly shine. Comical reliefs are mostly done with certain style, especially by Fred Clark as a P.T. Barnum replica, and the plot has few interesting twists. We even have here few scenes of surprisingly graphic of it's time, if a bit unrealistic screen violence, if that's your cup of tea. Slow pace and low action rate of the film works more for than against the movie, at least in my books, and the whole package is short enough, so the story can carry it all through till the end.
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
This may not be the best of The Mummy films from Hammer, but it is handsomely filmed and well acted by a fine British cast--especially TERENCE MORGAN, RONALD HOWARD and YVONNE ROLAND as the charming feminine lead. The less you know about the Terence Morgan character (Adam), the more you'll enjoy the plot.
The story requires a lot of exposition at the start which means a lot of talky and static scenes before the real suspense starts. The tale is not exactly original in concept. Again, the mummy has come to life to kill the people who've exploited him. High among his priorities is the fast-talking, rather obnoxious American showman (FRED CLARK) who is anxious to make a profit on exhibiting the mummy in show biz style.
DICKIE OWEN makes a formidable mummy with the help of some fine make-up effects but it is really the convincing performances of the three principals that makes the story credible.
I missed hearing James Bernard's background music, usually a strong point in any Hammer horror film.
Summing up: Easy enough to watch but you have to be patient to get past the slow start.
The story requires a lot of exposition at the start which means a lot of talky and static scenes before the real suspense starts. The tale is not exactly original in concept. Again, the mummy has come to life to kill the people who've exploited him. High among his priorities is the fast-talking, rather obnoxious American showman (FRED CLARK) who is anxious to make a profit on exhibiting the mummy in show biz style.
DICKIE OWEN makes a formidable mummy with the help of some fine make-up effects but it is really the convincing performances of the three principals that makes the story credible.
I missed hearing James Bernard's background music, usually a strong point in any Hammer horror film.
Summing up: Easy enough to watch but you have to be patient to get past the slow start.
Lo sapevi?
- QuizDuring the Egyptian flashback scenes, Franz Reizenstein's theme from "Hammer"'s original "La mummia (1959)" can be heard.
- BlooperDuring one of the 19the century scenes, there is a modern lit exit sign visible over a doorway. Those exit signs had not been invented yet.
- Citazioni
Alexander King: [to a belly dancer] You ever learn to do that to ragtime, give me a call... we'll make a fortune!
- ConnessioniEdited from Titanic: Latitudine 41° Nord (1958)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La maldición de la momia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 18 minuti
- Proporzioni
- 2.35 : 1
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