VALUTAZIONE IMDb
5,6/10
3834
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed i... Leggi tuttoBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.British archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.
Chris Adcock
- Workman
- (non citato nei titoli originali)
Ray Austin
- Shipboard Thief
- (non citato nei titoli originali)
Maxwell Craig
- Footlights Operator
- (non citato nei titoli originali)
Olga Dickie
- Housekeeper
- (non citato nei titoli originali)
Recensioni in evidenza
Curse of the mummy's tomb certainly is not a best effort from Hammer studios, as many of their true classics outshine it without any serious effort. However, it is not as much a disaster as many comments here in IMDb suggest. The movie doesn't have any Hammer's big stars in the cast, the story doesn't bring anything new into the mummy myth, and at few times the going gets unintentionally hilarious in the film. But on the other hand, the characters are acted quite solidly, even if the performances don't truly shine. Comical reliefs are mostly done with certain style, especially by Fred Clark as a P.T. Barnum replica, and the plot has few interesting twists. We even have here few scenes of surprisingly graphic of it's time, if a bit unrealistic screen violence, if that's your cup of tea. Slow pace and low action rate of the film works more for than against the movie, at least in my books, and the whole package is short enough, so the story can carry it all through till the end.
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
All four Mummy films by Hammer I like. Curse with atmospheric scenes does give a quality to it. You have fog bound London to add atmosphere. Sets on film re Egyptian biz are quite good.Story so-so various characters who crop up. Then we have the Mummy itself which looks quite impressive, with scenes with Mummy in like in fog top of steps near embankment etc, scene in study where curtains are concealing it. Another scene in house where Mummy ascending stairs, menacing and quite gripping. Odd comical relief in film re certain characters. Overall film has some merit to it!
When the discovery of a strange coffin in the Egyptian desert leads to a mysterious rash of murders as the recovery party arrives in London, it's eventually found to be the work of an ancient spell that reanimated the body of the pharaoh within leading them on a race to stop the creature's rampage.
This was a below-average and pretty forgettable entry in the series. The biggest issue with the film is the fact that there's hardly any action at all within this, focusing way too much on extraneous plot-points the keep the film running along at a dreadfully boring pace. For all the talk here of curses that are mentioned in the first half, hardly any of it makes the film go along any faster while it tends to focus on issues relating to everything but the curse. Instead, we get a rather pointless love triangle that eats up absurd amounts of time only to have it be taken away by the fact the third wheel steals her away for a secondary purpose his involvement didn't need to still get the same effect and causing her to back anyway, a massively confusing and curious chain of events that comes off very badly. Likewise, the dealings with the artifacts and their importance in solving the mystery of the brutal attacks makes the film go on for far too long and really becomes all the more flaccid by not doing anything. All in all, these tend to drag on together throughout the first half succeed so well in dragging the pace of the film out so much that it causes the actual attack to occur just shy of an hour into the movie, which is highly disconcerting. Only the back-story flashback of the origins of the mummy's identity within this section breaks up that monotony by showing the reasoning for his mummification, and after that there's a few shambling attacks spread out to really help the second half to have better pacing and more excitement. The finale chase does make for quite a fun time as the sewer battle does make up for some of the extreme boredom and the situation involving the cliché attraction does help this out by generating the kind of uplifting arc needed here. Along with the fine make-up on the creature, these good points do help out somewhat here though there's still a lot of problems within this one.
Today's Rating/PG: Violence.
This was a below-average and pretty forgettable entry in the series. The biggest issue with the film is the fact that there's hardly any action at all within this, focusing way too much on extraneous plot-points the keep the film running along at a dreadfully boring pace. For all the talk here of curses that are mentioned in the first half, hardly any of it makes the film go along any faster while it tends to focus on issues relating to everything but the curse. Instead, we get a rather pointless love triangle that eats up absurd amounts of time only to have it be taken away by the fact the third wheel steals her away for a secondary purpose his involvement didn't need to still get the same effect and causing her to back anyway, a massively confusing and curious chain of events that comes off very badly. Likewise, the dealings with the artifacts and their importance in solving the mystery of the brutal attacks makes the film go on for far too long and really becomes all the more flaccid by not doing anything. All in all, these tend to drag on together throughout the first half succeed so well in dragging the pace of the film out so much that it causes the actual attack to occur just shy of an hour into the movie, which is highly disconcerting. Only the back-story flashback of the origins of the mummy's identity within this section breaks up that monotony by showing the reasoning for his mummification, and after that there's a few shambling attacks spread out to really help the second half to have better pacing and more excitement. The finale chase does make for quite a fun time as the sewer battle does make up for some of the extreme boredom and the situation involving the cliché attraction does help this out by generating the kind of uplifting arc needed here. Along with the fine make-up on the creature, these good points do help out somewhat here though there's still a lot of problems within this one.
Today's Rating/PG: Violence.
Hammer Films which took over the famous Universal horror icons did a mummy's tale with The Curse Of The Mummy's Tomb. A little bit of Oscar Wilde's Dorian Gray story was weaved into the plot of this movie.
Set at the turn of the last century, three archaeologists unearth the tomb of a crown prince of Egypt who legend has it was slain by his brother a few thousand years BC. But someone with reasons of his own to finance the expedition has used some ancient spells to revive the dead and the prince is out settling a few scores against those who've violated his sleep.
Terrance Morgan stars in this film and he's the fellow with the Dorian Gray situation. He's got an agenda himself working here at it involves putting an end to his Dorian Gray like existence and being reunited in eternity with his true love. In that sense a leaf is borrowed from the classic original Mummy film that starred Boris Karloff.
Which happens to be my favorite horror film of all time so every other mummy film just pales in comparison. Still The Curse Of The Mummy's Tomb has enough on its own merits to rate some comparison and Terrence Morgan who is best remembered on the big screen for playing Laertes to Laurence Olivier's Hamlet does a fine job here as a most tortured soul.
Set at the turn of the last century, three archaeologists unearth the tomb of a crown prince of Egypt who legend has it was slain by his brother a few thousand years BC. But someone with reasons of his own to finance the expedition has used some ancient spells to revive the dead and the prince is out settling a few scores against those who've violated his sleep.
Terrance Morgan stars in this film and he's the fellow with the Dorian Gray situation. He's got an agenda himself working here at it involves putting an end to his Dorian Gray like existence and being reunited in eternity with his true love. In that sense a leaf is borrowed from the classic original Mummy film that starred Boris Karloff.
Which happens to be my favorite horror film of all time so every other mummy film just pales in comparison. Still The Curse Of The Mummy's Tomb has enough on its own merits to rate some comparison and Terrence Morgan who is best remembered on the big screen for playing Laertes to Laurence Olivier's Hamlet does a fine job here as a most tortured soul.
After a cripplingly slow start, the second-half of this low-budget (even by Hammer standards) tale is quite lively and gruesome. Devotees may miss Cushing and Lee but Hammer alumnus Michael Ripper IS on hand, as an unlikely Cockney-accented Egyptian called Ahmed. Director Michael Carreras liked to shoot all his films in widescreen and the film is probably best seen in its original Hammerscope format.
Lo sapevi?
- QuizDuring the Egyptian flashback scenes, Franz Reizenstein's theme from "Hammer"'s original "La mummia (1959)" can be heard.
- BlooperDuring one of the 19the century scenes, there is a modern lit exit sign visible over a doorway. Those exit signs had not been invented yet.
- Citazioni
Alexander King: [to a belly dancer] You ever learn to do that to ragtime, give me a call... we'll make a fortune!
- ConnessioniEdited from Titanic: Latitudine 41° Nord (1958)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La maldición de la momia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 18min(78 min)
- Proporzioni
- 2.35 : 1
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