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IMDbPro

Comizi d'amore

  • 1964
  • VM18
  • 1h 32min
VALUTAZIONE IMDb
7,5/10
2826
LA TUA VALUTAZIONE
Comizi d'amore (1964)
Documentary

Microfono alla mano, Pier Paolo Pasolini chiede agli italiani di parlare di sesso. Nonostante la fiorente economia del dopoguerra, gli atteggiamenti degli italiani verso il sesso sono o rigi... Leggi tuttoMicrofono alla mano, Pier Paolo Pasolini chiede agli italiani di parlare di sesso. Nonostante la fiorente economia del dopoguerra, gli atteggiamenti degli italiani verso il sesso sono o rigidamente medievali o confusi e autocensuranti.Microfono alla mano, Pier Paolo Pasolini chiede agli italiani di parlare di sesso. Nonostante la fiorente economia del dopoguerra, gli atteggiamenti degli italiani verso il sesso sono o rigidamente medievali o confusi e autocensuranti.

  • Regia
    • Pier Paolo Pasolini
  • Star
    • Lello Bersani
    • Alberto Moravia
    • Cesare Musatti
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    2826
    LA TUA VALUTAZIONE
    • Regia
      • Pier Paolo Pasolini
    • Star
      • Lello Bersani
      • Alberto Moravia
      • Cesare Musatti
    • 14Recensioni degli utenti
    • 17Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto34

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    Interpreti principali17

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    Lello Bersani
    • Narrator
    • (voce)
    Alberto Moravia
    Alberto Moravia
    • Self - Writer
    Cesare Musatti
    Cesare Musatti
    • Self - Psychoanalyst
    Peppino Di Capri
    Peppino Di Capri
    • Self - Singer
    Ezio Pascutti
    • Self - Football Player
    William Negri
    • Self - Football Player
    Carlo Furlanis
    • Self - Football Player
    Giuseppe Ungaretti
    Giuseppe Ungaretti
    • Self - Poet
    Camilla Cederna
    • Self - Writer
    Oriana Fallaci
    Oriana Fallaci
    • Self - Journalist
    Adele Cambria
    Adele Cambria
    • Self - Journalist
    Antonella Lualdi
    Antonella Lualdi
    • Self - Actress
    Ignazio Buttitta
    • Self - Poet
    Io Appolloni
    • Self - Girl at Lido with Swimming Cap
    • (non citato nei titoli originali)
    Graziella Chiarcossi
    Graziella Chiarcossi
    • Graziella the Bride
    • (non citato nei titoli originali)
    Graziella Granata
    Graziella Granata
    • Self - Girl at Lido with Long Hair
    • (non citato nei titoli originali)
    Pier Paolo Pasolini
    Pier Paolo Pasolini
    • Self - Interviewer
    • (non citato nei titoli originali)
    • Regia
      • Pier Paolo Pasolini
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

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    Recensioni in evidenza

    6lukacarvalho

    "Would Pasolini be a youtuber today?"

    Pasolini had some topics of interest, and in this documentary he enquires the italian populace about some of them!

    The movie follow some kind of structure, but the overall concept is Pasolini interviewing groups of people in several different places. I find some of the question he does a little vague but for at the time being were quite outrageous!

    There's the general depiction of how people thought about in the 60's Italy and although both Pasolini and the crowd had some outdated use of language for today standards, there are several interesting points of view for further analysis. Even Pasolini had to regulate some of the answers here with an amusing "autocensura"!

    I'm not very fond of documentaries, it drags on a bit after a while , but I found myself engaged at moments.
    8gbill-74877

    An interesting window into the period

    Pasolini's informal interviews with Italians about sexual matters doesn't make for a perfect study or a perfect documentary, but it does provide an interesting window into the time period, and it was pretty unique as well. The people he talks to seem to provide a pretty good sample, including those from many regions in Italy and across various categories - men/women, old/young, city/rural, college educated/blue collar, and conservative/liberal. As most of his interviews are conducted in big groups and what appear to be impromptu meetings I don't think it was all that scientific, and wondered how many things were left unsaid out of social pressure. However, in the end I felt like people hadn't been shy with expressing their opinions, and a picture was painted of a changing country - the deeply conservative aspects gradually facing inevitable progress.

    The questions that Pasolini seemed most concerned with were:

    Is sex important? Are young girls as free as young boys? Should a woman be a virgin when she gets married? Does marriage solve the "sexual issue"? What do you think of sexual "abnormality"? (by this he means, argh, homosexuality) Should divorce be legalized in Italy? (it wasn't possible in the country until 1970)

    It's a little tough to hear some of the answers, e.g. about how women are inferior and shouldn't be allowed to work or even go out to a café alone, how a woman should be killed if she commits adultery instead of divorced (to lots of jokes and smiles!), or how homosexuals are disgusting and should be "cured." It was also a little tough to hear Pasolini push so much for prostitution, asking young women workers why they don't make a lot more money by selling themselves, not thinking to interview a prostitute about the significant dangers of her profession or the emotions involved with selling one's body. Similarly, he doesn't interview someone who is gay, even with their identity concealed. His questions often reflect the patriarchy and conformity, making it a window into Pasolini in addition to the window into Italy, and I say that knowing his orientation.

    I don't fault the film too much for these things because it's reflecting the society in 1964, and I'm happy times have changed. If a documentary was made about values today, I'm certain that when viewed over half a century later we, too, would collectively appear backward (hell, we appear pretty backward even today :). It was also a pleasure to hear answers which were real gems, a lot of times from young women, professing a desire for equality between the sexes, an end to the outmoded double standard, and practicality in allowing divorce. In a couple of places a clear link is formed between poverty and some of the archaic attitudes, which I found fantastic. That included one guy explaining that sexual harassment at work is a problem thusly:

    Man on street: "Freedom is conquered through work. In Germany, they work from when they're 12 to old age. ... In Palermo, if a woman goes to work, her brother grabs her and says, 'Where are you off to?' 'To work.' 'You can't go. The boss will harass you.' Do you understand?" Pasolini: "And so you agree that if economic conditions changed in Palermo..." Man on street: "When employers learn how to behave with girls! Only then! When employers are polite towards women."

    Pasolini then idiotically says "but the boss can't have sex with one hundred workers," which even if he's playing devil's advocate is a flawed argument in several respects and which leads to a response that goes down the rathole, that yes indeed, here in Sicily one or two women a day could be easily done. These are the kinds of things you put up with in Love Meetings.
    8Quinoa1984

    somewhat dated but still very insightful with strong questions and good answers

    Pier Paolo Pasolini always has a streak of the documentary filmmaker somewhere in his body of work, where he usually went for expressing his poetic viewpoint on the lower classes (i.e. Mamma Roma) and, later on, the dark fables and tawdry tales of Oedipus Rex and Arabian Nights. If Love Meetings, his only straight documentary feature, isn't completely impressive it may be because in the little moments when he tries for something poetic, oddly enough, like in the numbered transitions, it doesn't really work as well. Those little bits come off as dated 60s stuff. On the contrary though when Pasolini simply takes to the street with a 16mm and a microphone and asks people directly about sex and women's roles and homosexuality and fidelity and freedoms related to all of the above then it gets really interesting. In fact, for a movie relegated to Italian cities and countrysides, with sound-bytes from across the spectrum from college kids to professors (and author Alberto Moravia early on) to farmers in the fields, and done so on the fly and in classic cinema verite style, it doesn't usually feel very old fashioned.

    Much of what's discussed and dug up by Pasolini (who reveals himself wonderfully here as a solid journalist, something I would have liked to have seen more of in his career after seeing this) can be relatable for today's youth, if only as a cohesive set of opinions and viewpoints and occasional factoids on standards set between men and women and privacy and liberation and so on. To be sure some of it is stuck in its time and place (practically all of the children asked "Where do babies come from?" say the stork, or something involving God or other). But a lot of it is so absorbing because of the generous flow of ideas- it's a wonderfully edited piece, as sometimes crudely constructed as it is, which is part of the point as a true independent production- and Pasolini's determination to get as much as he can at the heart or whatever at sexual relations and societal norms and what's changed over time in Italy and if there can be any more change in the future. It's probably the most obvious example from the director to screen in a sociology class. 8.5/10
    6Ladiloque

    Do men care about anything but living life?

    Amid some unsurprising considerations from major italian popular figures of the time, Pasolini publicly asks questions related to sex, ethics, sociology and politics to those bold and naive enough to attempt an answer. The value of such an endevour - wether it is hundreds or hundreds of thounsands of interviews - is (admittedly by the author) debatable at best except for some - nowadays obvious - sociological observations.

    Fortunately Pasolini closes (and saves) the film with a greatly poetic final 3 minutes section that feels like a wrap up of the "results" of his inquiry:

    "Do men care about anything but living life? A couple getting married. They don't know anything about their love. Life is merciless the most when it is happy and innocent. The knowledge of what's good or evil lies ahead of this forgetfulness of those busy living. And those knowing don't talk in front of such a grace unwilling to learn. But this silence is criminal."

    IMHO the movie is in this aphorism. While never boring the interviews are not really interesting (let alone sociologically relevant) either. The documentary was released rated for 18yo: a side note that again summarizes the point we can make today out of it.
    Kirpianuscus

    slices of life

    At first sigh, social portrait. Pier Paolo Pasolini across Italy , talking with large categories of people about not very comfortable themes. Their answers, the crowd, the familiar names from Antonella Lualdi and Oriana Falacci to Alberto Moravia, Cesare Musatti or Giuseppe Ungaretti interventions and the answers, genuine, innocent, in few cases hypocritics of people and the discover of powerful tradition defining rules of life, the difference, real profound, betwen South and North of Italy, the silence of middle class , the laws and the essence of a special world. Sure, in my case, the name of director/ interwiever was the basic/ fundamental kick for not ignore this documentary. The prize - the high honesty, the humor, smiles, reactions, laugh, shame, reactions, the manner to explore the one front of him by Pasolini, the crumbs of nostalgia, the memories about pasolinian textes. So, a large slice of life, provocative, in same measure, yesterday and today and, in my case, just fascinating.

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    Trama

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    Lo sapevi?

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    • Connessioni
      Edited into Lo schermo a tre punte (1995)

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    Dettagli

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    • Data di uscita
      • 23 luglio 1982 (Germania occidentale)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • Assembly of Love
    • Luoghi delle riprese
      • Matera, Basilicata, Italia
    • Azienda produttrice
      • Arco Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 2789 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 32 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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