Carry on Spying

I cannot believe at the time of writing this review this film has an average of 6.2, this is a 9 surely. Over 50 years on this remains a hilarious James Bond spoof. Banned from using characters from the James Bond franchise, Gerald Thomas creates Agent Charlie bind, 00-0. Kenneth Williams leads a team of British spies who must take on the STENCH criminals and capture the stolen formula of Professor Stark, who was blown up by the Milk man at the start. Spying stands out from the other early Carry on films by being very camp, Kenneth Williams and Charles Hawtrey are on fine form. Barbara Windsor has just finished playing Gloria in the Rag Trade, she makes a great start to her legendary Carry on career, by playing Daphne Honeybutt, although it would be 3 years before she'd return as Sandra May in Carry on Doctor. Dilys Laye is gorgeous in this film and is uncredited for singing The Magic of love, but it was actually her voice. A real feel good film, and one that will make all the family smile.

This is one of the funnier efforts by the team. Its obviously a send up of other movies of the genre and is shot in glorious black and white which sometimes I prefer. Black and white seems to suit the carry on movies. Life may indeed be in colour but these movies were never a depiction of life. The campery of Kenneth Williams and Charles Hawtrey is as funny as ever. There are those two wonderfully reliable old British actors Eric Barker and the fabulous Richard Wattis as his assistant. It would be hard to find better actors to play the chief and his off sider. I loved the performance of Judith Furse.. hilariously butch.Bernard Cribbins is a great talent and he brings so much more to the series than the annoying Kenneth Connor did. This might have been the first with the great Barbara Windsor and what a spectacular career she had. She actually steals the film and I found myself roaring with laughter. Its a very good carry on but above all the introduction of one of Britains finest stars Magnificent Barbara Windsor. Barbara Windsor was much more than the sexy little bomb shell that added so much to these films and many others. She was a brilliant comedienne and I hope she gets the recognition she richly deserved. Her timing is brilliant.

Yes its all very corny but all great comedy is corny. Its rather fun seeing their idea of modern technology,those mobile phones are fun. Wonder what they would think of what we use today. I love the cheap effects of the movie such as the car wash, rather not explain but its hilarious. Its great fun seeing one of Australias most loved exports, John Bluthall in the early stages of a great career.

Although not "Carry On" at it's best, this is a very entertaining addition to the series. Although touted as a Bond spoof this has much more in common with British spy movies of the 40's - "The Third Man" is often referenced. Only at the end do we get the Bond-esque action, and this is where it all goes wrong. The climatic sequence is not only very silly (even by Carry On standards) but also lazy. Barbara Windsor makes her series debut here and is a joy to watch. Williams does his "silly man" character from the Hancock shows rather than the usual "Snide" persona, and Bernard Cribbins is as loveable as always. If you want a James Bond spoof or a classic Carry On, don't come here. If you want a silly comedy in the Ealing Studios vein then this might well be your cup of tea.

This is yet another popular (and good) entry in the "Carry On" series. Like JACK, CLEO and SCREAMING, it's a parody of a current film or fad – in its case the box-office sensation that were the James Bond extravaganzas (in fact, it was the first of innumerable spoofs/imitations of that long-running franchise). Kenneth Williams (complete with funny accent) is more or less at his best here; accompanying him are Barbara Windsor (this proved to be her series debut), Bernard Cribbins, Charles Hawtrey, Dilys Laye (as a femme fatale), Jim Dale (playing the gang's long-suffering contact man) and Eric Barker (as, what else, their superior).

While it cleverly features an androgynous villain (played by Judith Furse and voiced by John Bluthal), the film also lampoons earlier classic British thrillers – such as Hitchcock's 1930s efforts and THE THIRD MAN (1949). The action takes place in a variety of locales from a Viennese café to an Algerian harem; typical espionage elements are the gang's donning of various disguises to follow or elude enemy agents and the perilous train journey. By the way, the villains' headquarters are amusingly accessed via a public convenience – which also pays off with an inspired surreal ending. In a direct nod to the Bond model, we get silly acronyms for the various organizations involved (such as S.T.E.N.C.H., S.M.U.T., S.N.O.G., etc).

When the evil forces of STENCH strike at a British research laboratory they get away with a top secret chemical formula. With the British agents spread thin across the world, The Chief has very few options open to him to follow up the lead into the mysterious Milchmann who led the attack. The Chief scraps the bottom of the barrel and comes up with Simkins – probably one of his worst agents. Assigning Simkins with a handful of trainee agents – Crump, Honeybutt and Bind – the ragtag band set off to meet up with Agent Carstairs in Vienna.

Despite being made in the mid-sixties this Carry On film has more in common with those made early in the series (Teacher and Sergeant) more than it does with those made around the same time as it (Jack, Cruising, Cowboy). It is not just the black and white that made me think this but also the fact that the humour seems fresher and slicker than the heavy innuendo and crudity of the later films. Others have said this has more in common with Ealing than Carry On – they are wrong, but I can see what they mean because the light spy spoof is very much an early Carry On. The material isn't great though but it does produce easy and obvious comedy and those looking to just to fill a wet Sunday afternoon.

The cast make a big difference even though not all the regulars are present. Williams and Hawtrey are the most fun as both play up their camp characters to good effect – they both get the best lines as well. Windsor is pretty good as she isn't just used as an object. Cribbins was pretty dull I thought but Dale was good value in a small role. Additional support from Barker, Laye and a few others all helps. Overall a Carry On like they first made them; not brilliant but light fun.