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IMDbPro

Bande à part

  • 1964
  • T
  • 1h 35min
VALUTAZIONE IMDb
7,6/10
28.270
LA TUA VALUTAZIONE
Claude Brasseur, Sami Frey, and Anna Karina in Bande à part (1964)
Three Reasons Criterion Trailer for Band of Outsiders
Riproduci trailer1:48
2 video
99+ foto
CommediaCrimineDrammaRapina

Due ladri con la passione per i film di Hollywood di serie B convincono uno studente di lingue ad aiutarli a commettere una rapina.Due ladri con la passione per i film di Hollywood di serie B convincono uno studente di lingue ad aiutarli a commettere una rapina.Due ladri con la passione per i film di Hollywood di serie B convincono uno studente di lingue ad aiutarli a commettere una rapina.

  • Regia
    • Jean-Luc Godard
  • Sceneggiatura
    • Dolores Hitchens
    • Jean-Luc Godard
  • Star
    • Anna Karina
    • Claude Brasseur
    • Danièle Girard
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    28.270
    LA TUA VALUTAZIONE
    • Regia
      • Jean-Luc Godard
    • Sceneggiatura
      • Dolores Hitchens
      • Jean-Luc Godard
    • Star
      • Anna Karina
      • Claude Brasseur
      • Danièle Girard
    • 78Recensioni degli utenti
    • 67Recensioni della critica
    • 93Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Video2

    Band of Outsiders: The Criterion Collection
    Trailer 1:48
    Band of Outsiders: The Criterion Collection
    Band of Outsiders - Rialto Pictures Trailer
    Trailer 2:11
    Band of Outsiders - Rialto Pictures Trailer
    Band of Outsiders - Rialto Pictures Trailer
    Trailer 2:11
    Band of Outsiders - Rialto Pictures Trailer

    Foto109

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    + 103
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    Interpreti principali14

    Modifica
    Anna Karina
    Anna Karina
    • Odile
    Claude Brasseur
    Claude Brasseur
    • Arthur
    Danièle Girard
    • English Teacher
    Louisa Colpeyn
    Louisa Colpeyn
    • Madame Victoria
    Chantal Darget
    • Arthur's Aunt
    Sami Frey
    Sami Frey
    • Franz
    Georges Staquet
    • Legionary
    Ernest Menzer
    Ernest Menzer
    • Arthur's Uncle
    Jean-Claude Rémoleux
    • L'élève buveur d'alcool
    Michel Delahaye
    Michel Delahaye
    • Le portier
    Louis Jojot
      Claude Makovski
      • Pupil
      Michèle Seghers
      • Student in English Class
      Jean-Luc Godard
      Jean-Luc Godard
      • Narrator
      • (voce)
      • (non citato nei titoli originali)
      • Regia
        • Jean-Luc Godard
      • Sceneggiatura
        • Dolores Hitchens
        • Jean-Luc Godard
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti78

      7,628.2K
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      Recensioni in evidenza

      7Xstal

      The Best Laid Plans...

      Odile has made new friends at English lessons, after making a faux pas, an indiscretion, telling them about a stash, of a great big pile of cash, it's become Arthur's and Franz's new obsession. Now they're conjuring a plan to grab the dough, it's unsecured, and in a place Odile can show, but she's having some concerns, struggling to come to terms, so she voices her unease, to let them know. Alas the plans for burglary do not run well, as barriers unknown block and repel, it's a comical affair, leads the combo to despair, the execution was quite poor, I think that's fair.

      It still views well, but you need to digest it with the era in mind, alongside the other material the director produced around then, taking into account the unique style of his presentations.
      7dragon-90

      See the Louvre in 9 minutes 43 seconds!

      Accessible Godard! Between the more famous "Breathless" and "Alphaville.." Godard wrote and directed this gem of French chic. The story is straight out of the tabloids, a love triangle of misfits who band together briefly but end up making a mess of things. But their moments together are oddly fascinating particularly an infectious dance sequence as all three do the Madison. It's worth watching the movie for this scene alone! The leads, including Jean-Luc Godard partner Anna Karina, are young and charming and their quick dialogue keeps things light. Yet the viewer remains detached throughout and ultimately is left with a sense of surrealism. A wonderful example of French "new wave" cinema, "Band a'part" is a delight. Voyez!
      Lechuguilla

      New Wave Triteness

      Apart from perhaps being a satire of gangster movies, the point of this film eludes me. Two guys and a young woman plan a robbery at the Paris house where the young woman lives with her aunt. The young woman is naive and constantly scared. The two young men are seemingly rather ordinary. I didn't find any of these people interesting. We never learn much about them or what motivates them. Yet, given that this is a "New Wave" film I doubt that characterization was all that important to the film's director.

      The plot starts out okay, but then meanders, and then becomes increasingly silly and unbelievable. Maybe that was intentional. Midway through, the three main characters suddenly, and for no reason, burst into a dance called the "Madison", the steps to which are nothing if not annoyingly repetitive. This bouncy little interlude goes on for some time, yet it has absolutely nothing to do with the story. Again, maybe that's the point.

      Other gimmicks are inserted gratuitously, evidently to shock 1964 viewers into the realization, consistent with New Wave doctrine, that the film is not a product of the dreaded classical Hollywood narrative style of film-making.

      But the worst element of this film is the sound. Background, ambient noise is amplified; why, I don't know, except, again, as some counterpoint to standard Hollywood films. Yet, the noise in "Band Of Outsiders" is so distracting, even grating, it takes away from what little value the visuals and narrative may have.

      B&W cinematography is unremarkable. Lighting is low-contrast. Visuals trend toward grayish, pallid tones. Production design, in keeping with low-budget film-making, is plain, even cheap looking.

      As a daring and iconoclastic attempt in 1964 to provide an alternative to stodgy, old-style Hollywood film-making, Godard's "Band Of Outsiders" probably does have some historical value. But what was visionary then seems campy and trite now.
      Infofreak

      Another uneven Godard movie, half inspired, half tedious.

      I must admit I have a bit of a problem with Jean Luc Godard. As he is a major influence on many film makers I love, I'm always curious to watch his movies to see where thay learned their chops. But I usually find Godard's movies a chore to get through and generally disappointing overall. Even his most famous and influential movie 'Breathless' took me a few viewings before I "got" it, and recently rewatching it for the first time on DVD I found it to be a lot less entertaining than I'd remembered. 'Band Of Outsiders' is for many Godard buffs even better than 'Breathless', but I really cannot share their enthusiasm. While in many ways the two movies are similar in approach and subject matter, the major difference for me is that 'Band Of Outsiders' lacks the infectious energy of 'Breathless'. Making a movie about characters who are bored with life there is a great risk that the movie will be boring to watch, and this is too often the case with this film. There are a few inspired sequences I can't deny that, especially the influential dancing scene, the minute of silence, and the race around the Louvre, but these are few and far between. The other main difference is in the actors themselves. Anna Karina is by far the best thing about this movie, but Claude Brasseur and Sami Frey lack the charisma and presence of Jean-Paul Belmondo, and drag the movie to a standstill every time they have a "bit". I'm sorry I just couldn't get into their characters or care for their fate, in the way I could about Belmondo and Seberg in Godard's earlier movie. So there you have it, a movie that buffs will probably want to check out for historical reasons, but apart from that there isn't much reason to sit through it. And yeah, I know it gets a big thumbs up from Quentin Tarantino, but so does 'Days Of Thunder'!
      Camera-Obscura

      Jean-Luc "Cinema" Godard

      With this film Godard returned to the (petty) crime genre and his fascination with American pop culture. Odile (Karina), Arthur (Brasseur) and Franz (Frey) meet in an English language class and become friends. When naive Odile tells them she lives in a house where a large amount of money is cached, their imagination runs wild. Fantasizing and discussing Hollywood B-movies and pulp literature, they decide to rob the house with the help of Odile.

      Godard goes to even further extremes in "violating" traditional storytelling with his voice-over narration, giving the viewer information during the action and letting his characters talk to the camera. It might not be Godard's most innovative release, compared to let's say BREATHLESS, CONTEMPT and TWO OR THREE THINGS I KNOW ABOUT HER, but is probably more entertaining and accessible to modern audiences than almost any other pre-1970 film he made (his later work is difficult to grasp for any audience). In the case of CONTEMPT audiences might have flocked to the cinemas because of Brigitte Bardot's presence, but besides BB-devotees, that's hardly a recommendation now. But this one generally is an entertaining and insightful film, with the dancing sequence in the bar justly memorable, as is the 9-minute tour of the Louvre.

      Still, essential for movie buffs. Godard even credited himself as Jean-Luc "Cinema" Godard. Quentin Tarantino paid tribute to this film naming his production company A Band Apart.

      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        The "minute of silence" lasts 36 seconds.
      • Blooper
        During the first attempt at the robbery, Franz and Arthur are wearing Odile's stockings as masks. When chasing her around the house, the stockings disappear.
      • Citazioni

        Le narrateur: [During the dance sequence] Now is the time for a digression in which to describe our heroes' feelings. Arthur keeps watching his feet, but his mind's on Odile's mouth and her romantic kisses. Odile is wondering if the boys notice her breasts moving under her sweater. Franz thinks of everything and nothing. He wonders if the world is becoming a dream or if the dream is becoming the world.

      • Curiosità sui crediti
        For the last time (?) on the screen Music by Michel Legrand
      • Connessioni
        Edited into Histoire(s) du cinéma: Fatale beauté (1994)
      • Colonne sonore
        J'Entends, j'Entends
        (uncredited)

        Music by Jean Ferrat

        Lyrics by Louis Aragon

        Performed by Anna Karina

      I più visti

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      Dettagli

      Modifica
      • Data di uscita
        • 5 agosto 1964 (Francia)
      • Paese di origine
        • Francia
      • Lingue
        • Francese
        • Inglese
      • Celebre anche come
        • Band of Outsiders
      • Luoghi delle riprese
        • Chateau d'Eau, Porte des Lilas, Le Métro, Parigi, Francia
      • Aziende produttrici
        • Columbia Films
        • Anouchka Films
        • Orsay Films
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

      Modifica
      • Budget
        • 120.000 USD (previsto)
      • Lordo Stati Uniti e Canada
        • 66.660 USD
      • Fine settimana di apertura Stati Uniti e Canada
        • 28.656 USD
        • 19 ago 2001
      • Lordo in tutto il mondo
        • 149.874 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        • 1h 35min(95 min)
      • Colore
        • Black and White
      • Mix di suoni
        • Mono
      • Proporzioni
        • 1.37 : 1

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