Tamburi ad ovest

Provoked by gold miners invading their homeland, the Apaches go on the warpath. Audie Murphy's cavalry captain brings about a peace that lasts until the murder of a new Indian agent is blamed on the tribe and the ruthless tactics of commanding officer (John Archer) make matters worse. Murphy turns from hating Indians to helping them and ultimately proposes marriage to Linda Lawson's half-breed.

A thoughtful western featuring a clash of cultures, a powder keg situation brought on by greedy miners whose heinous actions cause the Apaches to break the reservation and go on the warpath. Sounds familiar, but there's some nicely drawn characters, a very good cast ( Michael Dante is excellent as Redhawk and L. Q. Jones is quite nasty as the villain), and a bit more depth and an engaging build-up before the lead and arrows fly.

But it's the Audie's understated performance as an Indian-hating ( actually I wouldn't say he hates them, but is confused and bitter) cavalry captain that carries the briskly-plotted film. The action is sporadic with the narrative in the centre, however, when the action comes, it's stirring. There's a particular scene that is quite fresh: Audie and L. Q fight it out in the desert, then stop and duck as the Apaches rush by, and there's a point when they slip into a crevasse of a rock as they rush by again. Energetic western with a strong narrative that ends on a positive note.

Apache Rifles is directed by William Witney and adapted to screenplay by Charles B. Smith from a story written by Kenneth Gamet and Richard Schayer. It stars Audie Murphy, Michael Dante, Linda Lawson, L.Q. Jones, Ken Lynch, Joseph Vitale and Robert Brubaker. Music is by Richard La Salle and De Luxe cinematography is by Arch R. Dalzell.

Murphy stars as Capt. Jeff Stanton, a cavalry officer in Arizona territory, 1879, who is assigned to bring to the reservation the runaway Apaches who have had enough of the greedy gold miners pillaging from their promised land. Originally driven by his hatred towards Native Americans, Stanton's cause is muddied when he starts to fall for half Indian Dawn Gillis (Lawson), who in turn is courted by Red Hawk (Dante).

By 1964 the conventional B Western was very much on the wane, with the theme of being sympathetic to the Native Americans having already been explored significantly in far better Westerns than Apache Rifles. Though it never hurts to have another one in any day and age, mind! Apache Rifles is pretty standard stuff, it's decently constructed and paced by Witney, who gets to show his talent for action scenes, Murphy is his usual affable self, even getting to put some emotion conflict into the portrayal, and exterior photography out of Mojave and the Bronson and Red Rock Canyons is most pleasing. It never quite hits the dramatic heights it aims for because the simmering love triangle often stops the picture in its tracks, a shame especially as some political shenanigans could have been explored further, while a quick about turn in the finale smacks of audience manipulation and comes off as a cheat. But it's inoffensive stuff for the most part, enjoyable for the right reasons within its low budget, even if it's just one for Murphy fans to tick off their lists, never to be seen again. 6/10

The first of Whitney and Murphy's "Didactic History Trilogy" whereby they seek to re-educate the viewer on the American West. Probably the closest Hollywood ever got to Rossellini's TV and the polar opposite of the cartoon nihilism of Leone. Best scene: Murphy, always tortured by whiskey, uses whiskey to torture the bad. Audie Murphy gives a good performance in his role as Jeff Stanton, the captain who acts like he is in charge and is determined to stop the Apaches from causing trouble.

Elsewhere, Linda Lawson is respectable in her role as Dawn Gillis, the missionary who Jeff adores, while Michael Dante is decent as Red Hawk, one of the men who is captured, and L.

The "War Hero" who is a "War Hero" to War Heroes...Audie Murphy is and was Virtually Neglected by Movie Archeologists and Never Got Much Respect from the Professional "Critics' '.

Truth be Told...His Obvious "Screen Presence" and Acting was Always a "Work in Progress" for the "Medal of Honor" Recipient and the Most Decorated Soldier of WWII.

Audie Said..."Acting was a battle I never won."

His Movies, for the Most Part were B-Westerns, usually in Glorious Technicolor, and the Humble, but Troubled Man, Gave it His All and Delivered Highly Entertaining Movies,

that Always Made Money for Everyone Involved, and were at Least Average, "Bang for the Buck" to His Faithful Fans.

In this One, at the Start of the 3rd Act in His 50 Movie Career, is Not Flawless, it does Contain Irritating and Grainy Stock Footage, but the Remainder of the Film is "Spot-On" Concerning the On-Going Effort of Reversing the Indian Stereotypes,

Starting with "Broken Arrow" (1950), Ushering in a More Nuanced Portrayal, Showing some Respect for the Native American and Their Dealing with the Invaders and Their Evil Deeds, Stealing Their Land, Culture, and Displacement.

Good Performances All Around the Rousing and Engaging Story.

With Michael Dante as the Apache Warrior and Linda Dawson at the Center of a Mild "Love Triangle", as a Missionary Working and Living with the Apaches. L. Q. Jones (a Sam Peckinpah Friendly) is Feisty as a Nasty Villain.

All Audie Murphy Movies are...

Worth a Watch.

This is a serious-minded and sincere effort at presenting some of the difficult aspects of US-Native American relations in the old west, albeit through a Hollywood lens. It delivers above its low budget and features a remarkably lean script in a conventional style.

Massacres anywhere were extremely brutal in the 19th century and one is depicted in this film as is a Custer type of US army blunder. This movie is violent but it is depicted within the context of what actually happened in those days, and isn't gratuitous or exploitative.

Audie Murphy is very watchable with his undeniable screen presence and his strong war hero credentials. You know that he could really lead these soldiers to hell and back if necessary. In fact, he literally could. A love triangle is rather awkwardly shoe-horned into the movie featuring beautiful and soft spoken actress Linda Lawson (who is virtually forgotten nowadays). She is perfect as a compassionate activist endeavoring for progress on the frontier. Her gentle acting style works well against the believable controlled violence personality that Murphy was able to develop for all of his soldier roles.

Acting by the supporting cast is uniformly good and features the ultimate movie rabble-rouser L.Q Jones. Jones rouses a lot of rabble in this one.

This skillfully edited and filmed low budget movie is worth your viewing time.