Zorba il greco

What an exuberant film - not to be missed! It chronicles sadness and joy so beautifully that one can't help but want to weep, laugh, and dance along. There are four wonderful performances, led by Anthony Quinn, whose enthusiam for life almost leaps from the screen, giving rise to an almost sacrilegious thought: How could Rex Harrison's stuffy, embalmed Professor Henry Higgins have won the Best Actor Oscar over Quinn as Zorba? Lila Kedrova is heartbreaking as Madame Hortense, the dying prostitute with a colorful past. The always-enjoyable Alan Bates, and the striking Irene Papas as the Widow. Like Anna Magnani, Papas was an actress who transcended any language barrier, who didn't need dialogue at all - her face and body said everything she needed to.

For the most part the film looks great on DVD, with crisp, clear black-and-white photography. But I have one quibble: the transfer seems to have been made from the same source as the videotape prints in circulation, because there are a couple of instances of obvious post-production looping (possibly for prime-time television broadcasts), changing 'goddam' to 'old damn,' for instance - they even do this in the English subtitles. But read Quinn's lips - there's no mistaking what the original lines were! I'd expected that the original unedited soundtrack would have been restored.

Anthony Quinn's performance is phenomenal. In a world filled with ignorance, lack of vision, hate, and the most shameful examples of human depravity, Zorba provides beautifully imperfect goodness. There is no pretense about who Zorba is. Despite his imperfections (and there are so many), he is genuine love, kindness and passion. The scene where Zorba remains by his dying wife's (Madame Hortense) side is pure and sweet and extremely moving. While the greedy masses, like vultures, swoop in to steal any possible item from this woman's home, Zorba provides profound comfort, while most others would have reacted differently. I can't believe it took me 40 years to see this movie. Gracias, Señor Quinn!

Top-notch picture based on an adaptation of Nikos Kazantzakis's hugely popular novel . It deals with an uptight and poignant English writer called Basil (Alan Bates was Mihalis Kakogiannis's first choice for this part) traveling to Crete on a matter of business finds his life changed forever when he meets the zesty as well as joyful Zorba (in title role Anthony Quinn displays an awesome acting , he is a delight as Alexis) . Gregarious Zorba is an eye-opener to the visiting stranger . At a tiny village the writer meets an old spinster woman named Madame Hortense (Lila Kedrova was a win an Academy Award, though Simone Signoret was the original choice for this role and turned it down and she came to regret that decision) and a beautiful widow (a young Irene Papas) .

Sensitive and thought-provoking film plenty of drama , emotion , Greek social habits and wonderful performances .Interesting and flavorful screenplay by the same filmmaker from Nikos Kazantzakis' novel who also wrote ¨The last temptation of Christ¨. Special mention to Anthony Quinn as an uncomplicated and jolly man , an earthy and humble peasant with a real lust for life , a character he has become identified with . However , in the earlier stages of filming, the filmmaker and Anthony Quinn had frequent disagreements as the director felt that his leading actor was being too over-the-top . Alan Bates as a sensible as well as intellectual writer is also very good and the young beauty Irene Papas is marvelous as a widow who originates a tragedy . Extraordinary Lila Kedrova as an aging and dying courtesan, she ended up receiving an Academy Award for her role. The original Broadway production of "Zorba" opened at the Imperial Theater in New York on November 16, 1968, ran for 305 performances and was nominated for the 1969 Tony Award for the Best Musical. Anthony Quinn and Lila Kedrova who starred together in this movie version appeared in the revival of Zorba in 1982-3 with Lila Kedrova winning the 1984 Tony Award for Best Featured Actress in a Musical .

Gorgeous , enjoyable cinematography in white and black by Walter Lassally that also won deservedly an Oscar. Rousing and immortal soundtrack by Mikis Theodorakis based on Greek traditional music , including breathtaking dances performed by Anthony Quinn. However , Anthony Quinn had a broken foot during filming, and thus couldn't perform the dance on the beach as scripted, which called for much leaping around ; instead, he did a slow shuffle . This brooding motion picture was stunningly directed by Michael Cacoyannis ,though the project was turned down by every major studio . Cacoyannis was an expert on adaptations based upon Classic Greek plays such as ¨Iphigenea¨ , ¨Elektra¨ and ¨The Trojan women¨ . ¨Zorba¨ rating : Better than average , worthwhile watching . Essential and indispensable seeing for Anthony Quinn fans .

Anthony Quinn's Zorba became a point of reference, in fact I'm writing this review 54 years after its first release. He is everything and more. Alan Bates is outstanding walking that very thin line but totally committed to that duality that makes him so human, so real. Lila Kedrova won an Oscar for her performance, deservedly so. Simone Signoret had been offered the part and she was the one who suggested Lila Kedrova to the director, Michael Cacoyanis. I love that story. Zorba has also the power of Irene Papas who makes her silent calling absolutely riveting and the contagious Mikis Theodorakis's score all together in a beautiful, savage, compelling film that doesn't show any signs of aging

OK, I admit I've seen this movie a dozen times. But it never fails to inspire. Was there ever a man who lived life as fully as Alexis Zorba? Was there ever a character who understood so much about living and dying, women and men? Zorba ripping a piece of lamb from the spit and biting into it with joy and verve, dancing in pain or dancing from joy, expressing his wonderment at the sight of a dolphin, gives this character a special place in movie history.

If the rich storytelling and great Quinn performance were not enough, we get the young Alan Bates in a fine part doing a fine piece of acting, and the extraordinary pair of performances by Lila Kedrova and, especially, Irene Pappas, who need not speak a word to convey an entire menu of emotions.

The final scenes are among the best in movies. The music is among the best. Indeed, the MOVIE is among the best.

A GREAT movie.