Le ultime 36 ore

36 Hours is a film that finds James Garner as a major attached to Allied intelligence and to the Supreme Headquarters Allied Expeditionary Force in London. The best kept secret of World War II was the exact date and location of the cross channel invasion into western Europe. As things get closer to D-Day, the Allies want to make sure the Nazis stay fooled right up to the end.

Which is why Garner goes to Lisbon to check out a source at the German Embassy in neutral Portugal. But the Nazis have been watching him too. While in Lisbon, he meets up with a Mr. Michael Finn at a hotel bar rendezvous which renders him unconscious and Garner is secretly flown to Germany.

The nice things about 36 Hours is that some of the facts about the landings at Normandy are woven very nicely into an intricate espionage story. Incidentally some of the same facts that were used in another Garner classic film, The Americanization of Emily, but in a far more comic vein.

What the Nazis have decided to do is trick Garner into revealing the plans for the imminent invasion. They've set up an elaborate facade of a US. Army Hospital in an occupied Germany in 1950 and when Garner wakes up, they're going to convince him that the war is over and the allies have been victorious. They've even cooked up a love interest in Eva Marie Saint who is formerly a concentration camp inmate and like all of them will do anything to avoid going back.

All this is the brainchild of German doctor Rod Taylor who is convinced that without the usual Nazi like methods Garner can be tricked into revealing vital information. Skeptical about the plan, but willing to go along with it if it succeeds is SS major Werner Peters who played a lovely variety of Nazis in the Sixties.

Of course when Garner does realize this is all a charade it becomes quite a three cornered cat and mouse game between him and Taylor and Peters. The SS has a tried and true motto, they're skeptical in general about information not obtained under torture.

36 Hours is a finely executed espionage and escape drama. The cast is at they're combined very best. But as good as the ones I've mentioned, there is one stunningly droll performance by John Banner, soon to become Sergeant Schultz on Hogan's Heroes. He plays a German version of Dad's Army and he's one of the older generation that hasn't bought into the Nazi way. He's the best in this fine film.

This is one of my favorite WW II movies. It's tag line was GIVE ME THIRTY SIX HOURS and I'll give you a traitor. D-Day is upon the Germans defending The Atlantic Wall. The US is about to launch a colossal invasion force on the European continent, but where will the blow strike? To be sure German agents kidnap American Major Pike (James Garner) from neutral Spain and send him deep into Germany where they've set up a Ptomekin village, a US post in an occupied Germany sometime five years hence. The psychologist an American born German serving in the Wehrmacht is to persuade captured Pike that Pike has been suffering from amnesia for five years and has now recovered his long term memory at the cost of losing his recent memory. The setting is idyllic and the gilted cage is cozy, replete with a faux-wife.

Will Pike see through the German plot? A must see unusually well done spy story.

This B&W movie "36 Hours" is now being repeated on digital TV quite regularly, and I never tire of watching it. The WW II storyline, written by Roald Dahl & Carl Hittleman, is an odd one. It has to be one of the most implausible, yet somehow believable tales ever to be thought up.

A US "hospital" run by Nazi Intelligence has been set up in Germany to enable secrets to be winkled out from it's "patients" (i.e. prisoners). The gimmick is that the inmates are led to believe that the war has been over for a number of years in favour of the Allies.

The new arrival a certain Maj. Jefferson Pike (James Garner) is an Overlorder (i.e. someone who is "au fait" with the plans of the forthcoming Normandy landings). After being kidnapped in Lisbon he is brought unconscious to the hospital and given necessary ageing treatment. On regaining consciousness he is told that he is suffering from amnesia, and has been a hospital patient for years, but he must now start remembering.

A disguised Wehrmacht psychiatrist Maj. Walter Gerber (an American born German, but a good guy at heart) (Rod Taylor) is given the task of unlocking the valuable knowledge. If he fails, he and his hospital are for the chop. (And the Allies will succeed in their invasion etc. etc.) Anna Hedler, his nurse, and supposedly Pike's wife, is an ex-concentration camp internee (Eve Marie Saint) who will do anything not to be sent back. End of stage one, but will the secrets come out in stage two?...watch the movie to find out.

"36 Hours", ably directed by George Seaton, is an intriguing movie that holds the attention right to the last. It's an intelligent script, complemented by intelligent acting, with suspenseful music holding it all together. Not exactly a classic, but I certainly think it will last the test of time (and on reflection...I suppose it already has done). Personally I love it.

It wasn't a blockbuster, but is haunting. I still remember the first time I saw it, and remember it every time I ... well, I don't want to reveal any plot points. But it is probably one of the films that triggered my love of mysteries.

George Seaton had already written and directed the very impressive The Counterfeit Traitor when he turned his attention to this absorbing and cleverly-plotted thriller. Once again the film is set during WWII and once again Seaton weaves an exciting story against the backcloth of that intriguing and terrifying period of history.

Major Jefferson Pike (James Garner) is an American intelligence officer who is kidnapped and drugged en route to Lisbon during the days approaching the D-Day Landings. Pike's original mission before his capture was to pass on misleading information to the Germans, intended to trick them into expecting the Allies to storm ashore at Calais rather than the actual intended target area of the Normandy beaches. When Pike awakens, he is unknowingly in a secret compound in Bavaria, and the D-Day attack is still 36 hours away from actually taking place. He is told by disguised Nazi spy, Major Walter Gerber (Rod Taylor), that the war is over and that he has been suffering from amnesiac lapses for the past six years. Gerber's plan is to convince Pike that the war ended years previously with Allied victory and that it is safe to reveal details about the D-Day Landings.... details which would, in fact, be very useful to the German forces in the hours approaching the top-secret Allied attack.

It is a very interesting plot, and is well-handled. Rod Taylor's performance as the slippery Nazi trickster is exceptionally good, while Garner handles his slightly dull role (as the hero with sensitive information which he is unsure about revealing) with efficiency. The crisp black and white photography - unusual for a film made in the Technicolour-obsessed '60s - adds to the film's verisimilitude and sense of period, giving it a documentary-like feel. While the proceedings are stretched out to a rather lengthy 115 minutes, the film doesn't become significantly tedious and manages to keep the viewer excited (even though we know, because of the real-life success of the D-Day invasion, that the audacious Nazi plot is doomed to fail). 36 Hours is a solid, suspenseful yarn which should satisfy anyone who enjoys stories about wartime intrigue and audacious masquerades.