La valle dei lunghi coltelli

Now I have not checked the timeline, there possibly is at least another movie adaptation of Winnetou before this movie was made. But this is the first one of a trilogy that quite likely changed the landscape - no pun intended. I may also not be entirely correct, but I'm fairly certain that this is a nice and progressive look on native Americans ... something we did not really get from America - the land where you'd think they should have been eager to give us both sides of the story.

I have not read the novels by Karl May (shame on me), but I remember the movies I watched in my childhood fondly. Rewatching them now is really refreshing and while they have aged to a certain degree, the message is still clear! And a good one - giving a moral compass that was really good and helped in creating a mind set. It still has cliches and it certainly is not perfect, but the intentions are more than noble. I really like what they did here and the cast is incredible too. Not sure how this translates and apparently there are english versions that cut out some of the jokes (inappropriate ones if I understand correctly). So many side characters here ... so much fun, but also a lot of action in this one too.

One stunt in particular is quite incredible! Someone hanging of cliff and it seems to be the actor himself - there was no green screen back then, so I can only imagine how tough it was to shoot that ... really great work there. Of course there is the obligatory plastic lances, dolls being thrown from high grounds (though I've seen worse ones than are being used here) ... still these are things that you can easily just overlook ... because of the strong story and bond that gets established here ... I hear and see you brother.

Well, very interesting you found it hilarious. I'm sure all those German, Dutch and Belgian kids at that time just -loved- it. In fact, I know they did, because when I saw them on tv when I was a kid I couldn't wait for the next one. The movie is naive, but it is also timeless. I have kids of my own now and they just love these movies. (Yes, they did a whole series of them!)

"Winnetou 1" is packed with images not only I shall remember forever: the train crashing into the house, Nscho-tschi sitting on the edge of the canyon (shot in Yugoslavia as usual for the Karl May productions), Klekih Petra giving his life to save Winnetou, Old Shatterhand freeing Winnetou secretly, and much later becoming blood brothers. This is a myth larger than life, and it is admirable how well balanced it is with all its ingredients, Ralf Wolter playing the funny Sam Hawkens and Mario Adorf the intense villain Santer, while Marie Versini as Nscho-tschi adds a bit of romance. How often do you find a movie that has nothing to improve and you wish you just could see again and again? Yet I do understand people who think this is a naive or even lame flick - they just weren't at the cinema all those years ago, I suppose.

I first saw this film at the age of 10 in Germany and at that age found it captivating for it's quality of cinematography and sound-track.

The film was one of a series that attempted for the first time to capture the unique and high romantic Western novels of Germany's greatest adventure writer Karl May. Now, more than 30 years later, and with a video copy of the film in my library to look at when in the mood, I find this version of Karl May's novel rather quaint and clumsy in terms of script/screenplay and certainly out of step with the more popularised versions of the Wild West.

However, May's portrayal of late 19th century America was always a mixture of well researched facts mingled with high romantic fantasy adventure in the "Knights of the Round Table" or "Star Wars" vein. In this regard, the film does capture the spirit of Karl May's novels pretty well, if rather geared towards an assumed prior knowledge by the audience of the characters and of May's novels. From today's sophisticated movie audience's perspective this film version of "Winnetou I" is still noteworthy for its magnificent soundtrack rivaling any John Williams score, and for the noble portrayal of the hero by French actor Pierre Brice, who made this role his own in numerous sequels and stage shows.

To my mind, "Winnetou I" is the second from the best movies about Winnetou after "Old Shatterhand" ("Apache's last battle"). These movies are different. "Winnetou I" or "Apache's gold" is very romantic, a nice fairy-tale about noble and human Indian and his blood brother. It's idealized story, far from cruel reality. "Old Shatterhand" has some similar features, but it is more realistic. However, I can see both these movies after 40 or 35 years with pleasure despite of the naiveness of both these films as examples of excellent cinema art reminding me about ideals of childhood and youth. Director Harald Reinl is a great master of romantic cinema. This movie is very beautiful with a great deal of poetic. A beauty of nature (filmed in Croatia) is a background for romantic drama. Two contrasting actors - Pierre Brice (Winnetou) and Lex Barker (Shatterhand) - looks excellent together. To my mind, this is the best Barker's movie: he acts with true passion. Unfortunately, he lost it in last Winnetou's movies.. Pierre Brice is very intelligent actor with a good taste and wit some mystery in his noble face. This mystery makes him very attractive. Marie Versini's Nscho-tschi is the best Indian woman I see in the European westerns. He looks excellent alongside Pierre Brice and his acting is touching. Mario Adorf is very strong as villain Santer, Ralf Wolter's comical characterisation is also very good. And music (Martin Boettcher) is very beautiful. .