Live It Up!

Since I was only four in 1963 the actor who's presence in this film is for me most evocative of the early sixties is dear old Peter Glaze from 'Crackerjack'. But there's someone for everyone to watch out for in this agreeable time waster by veteran director Lance Comfort; including Kenny Ball and Patsy Ann Noble (stars of Pinetree Studio's 'Don't Give Me That Jazz').

And of course there's the 21 year-old David Hemmings, already capable of carrying a feature film on his young shoulders while convincingly playing a teenager.

Forget the plot. Forget the acting (which isn't that bad). I finally found a remastered DVD of this film in excellent quality. I acquired the title track "Live it Up" on a 45 by Heinz, which made me want to see this movie. I love Joe Meek's music anyway, but to have clips of some of his stars (I don't care that they're miming) plus Gene Vincent!! well it makes this short film well worth having a look at.

It's short enough that you won't get bored if you're not really keen on the trivial amateurish story lines they had in these types of movies. The music interupts it regularly anyway.

Search out the DVD as the commentary is also worth listening to. A wonderful period piece, no doubt!! I gave it a 9 just because of its wonderful feel as well as the great music and the rarity of seeing any footage of these early 60's singers & groups.

Sit back & enjoy!!

I saw this movie in 1964 at the local theatre when I was 14 years old. Its about a bunch of young British teens who want to form a rock band. No doubt the Beatles were an inspiration for this movie and one of the players mentions the Beatles by name in one scene. Nobody in America had heard of the Beatles when this film was made. The plot is pretty forgettable. What I really enjoyed most was the musical numbers that would come up every few minutes. The two groups I remember most were The Outlaws and Sounds incorporated. They were instrumental bands and the two numbers performed made an impression on me as the sound was so very indicative of British pop music of this time.I was always big on pop music from England and there are many fans out there who would really get a charge out of the musical sequences. As a matter of fact Sounds Incorporated opened up for the Beatles during the 1965 Shea Stadium concert.For fans of this specialized kind of pop this movie is a must. I wish I could remember the other acts in this movie. The musical numbers are well staged and the movie has a good professional feel about it. At last check this film is not available in video. Too bad. Its all but forgotten really.

I've been watching some of the US (dating before Hard Day's Night) rock and roll movies over the last few months, and this UK effort from 1963 is much better than virtually all of them. First, it's very well acted and the script is full of little details that make the characters seem real--the Dad who works the night shift and rides on his son, but privately hopes that the son proves him wrong and stands up to him; the Mom who once had been an entertainer of some sort and understands her son's need to perform, but is also grounded in the real world; the hilarious American TV and film producer who is a tasteless and boorish man (kind of like Jack Palance's character in CONTEMPT but funnier) yet incredibly creative in his own strange way (a shame he didn't arrive on the scene 30 years later, he could have worked for the Fox Network!). David Hemmings does a fantastic job as the young messenger-service worker who buys all the music magazines, practices the guitar, listens to records all the time, and has the burning desire to play rock and roll. UK singing sensation and Joe Meek protégé Heinz Burt, whose records I always enjoyed (and who sings a few songs here), handles the acting well also as a member of Hemmings' band (as is a young Steve Marriott). As for the music, well, how much do you like Joe Meek's patented other-worldly production sound? I played my fiancée a few of the songs, and she asked "is that sea of echo and all the distortion intentional?" Yes is the answer. Meek also wrote virtually all the music in the film, including one number sung by Gene Vincent (I thought I had most of Vincent's records, but I sure as heck do not have this Meek-produced song, which Vincent sings while polishing some huge steam-powered locomotive or something, and while flirting with a young lady). Some of the female Meek vocalists are a little imprecise in the intonation department, and on the whole the rockers work better than the ballads, which tend to be of the moon/June variety. But the rockers are incredible, including the title track, LIVE IT UP, which is performed a few times in the film. Some of Meek's fine instrumental units perform too, and it's fascinating to see a world depicted where the musical backdrop is produced by Joe Meek. It's like some kind of alternate universe. My copy is a few generations removed from a UHF TV broadcast in the early 80's (probably the last period when one could see something like this on TV), and it also sports the much less interesting US release title SING AND SWING. For any fan of Joe Meek or of David Hemmings, this is an amazing film, and as an American I find the depiction of the up and coming British rocker quite convincing. I wish that I had seen this film as a child back in the 60s--I didn't see it at all until the late 1980's. It is crying out for a DVD release. Fans of 1960's rock and roll films should track this one down...

David Hemmings and three other GPO Express riders form. Band and try to make a go of it, despite the doubts of his father, Ed Devereaux.

Lance Comfort directs the first of two movies he did, with a thin plot eked out to length by many musical acts. The story, such as it is, takes up perhaps 40 minutes, while a pop music piece by various 'guest artists' range from a fine blues number "Hand Me Down My Walking Shoes" to a Dixieland version of Mozart, with stops in between at bubblegum pop. Cameraman Basil Emmot shoots the musical numbers in a wide variety of looks to lend them some individuality.

Comfort, Hemmings and Emmot would team up again a couple of years later for a similar movie, BE MY GUEST.