Saturday Night Out

I was in the Merchant Navy at this time and much of the film rings true. I only visited a clip joint once but you never forget. This was not the part of London that swung but further East. Some scenes are embarrassing but it is entertaining.

Think of Godard, Rivette and Varda, all taking the camera into the streets and making masterpieces, and then look at how the English did the same and made a formless mess like this. Without style it shows the vulgarity of London in the early 1960's and its clubs, drunk people and violence. Heather Sears after being in ' Room at the Top ' is watchable, and so was Colin Campbell. Both of them could act, but the rest are stereotypes with hopeless dialogue, badly constructed scenes and confusion of motivation. Basically a hotchpotch of ' stories ' it does not convince, and I give it a two for those actors coping with terrible direction. Oh, I forgot the premise of the film; sailors on leave and this is no ' On the Town. '

Although strictly a 'quota quickie', this British picture is lively and passably entertaining in it's episodic telling of the adventures of five sailor's spending a night in London. The two youngest go looking for girls but only find prostitutes ( discussed in a surprisingly frank manner) although photogenic Francesca Annis and naive Colin Campbell do find common ground. David Lodge heads for bed with floozy Margaret Nolan ( a popular glamor model of the time--she was also in 'Goldfinger') for a saucily comic diversion. Bernard Lee takes the acting honors as a quiet, mature gentleman who is almost caught in a badger game. Add to this an appearance by Merseybeat group, The Searchers, and you do have a fairly peppy Saturday Night Out!

If ever a DVD should be prosecuted under the Trades Description Act this is it. To actually be released under the banner of 'The Best Of British' defies logic as it is mind blowingly awful from start to finish. There are few saving graces apart from a chance to revisit a London now long gone in the mists of time and see the blossoming beauty of the lovely Francesca Annis who shares her screen time mainly with the likable Colin Campbell. Bernard Lee has the best line after turning the tables on the smarmy Derek Bond and Erika Remberg's failed blackmail attempt, but the appearance of Nigel Green who spent the whole of his role drinking and stereotyping a drunken Irishman seemed utterly pointless. To have David Lodge as a lothario was another case of miscasting and I spent a lot of the time watching the film to see if Inigo Jackson was wearing a syrup or as they say in the States, a rug. I know times change and one shouldn't be too harsh on a film made nearly 50 years ago, but this was probably a film just as boring in 1964 as it is today. The less said about the Heather Sears role as a kind of forerunner hippy the better; her scenes seemed to go on forever and anyone who watched this on a Saturday night out would have wished they's spent a Saturday night in rather than going to see this codswallop. This was also the last film appearance of Freddie Mills who died a year later in mysterious circumstances. Rumours that his demise came after a disgruntled patron had seen this film were apparently unfounded.

There is no mistaking which decade this film was made in.It is clearly London and the swinging sixties.Mind you it is difficult to believe that this was 50 years ago and got an X certificate.Nowdays more like PG.The film has a very catchy title number which has stayed with me all the years since I first saw the film.The film is one of the portmanteau type,covering the adventures of 5 merchant seamen on leave.Some stories better than others.Bernard Lee in a rather different part,played partly for comic effect is quite good.The sailor going to the clip joint is quite interesting as it features one of the last performances of former boxer \Freddie \mills before he died in unexplained circumstances.The love story with the Australian sailor and the one with the electrician who spends the night alone in a room with a girl he has picked up and sleeps in a chair,are less satisfactory.This film captures London's Dockland in its last throes before it was transformed into offices and homes.In one instance they refer to a bomb site and this is nearly 20 years after the end of the war.