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IMDbPro

Colpo grosso al Casinò

Titolo originale: Mélodie en sous-sol
  • 1963
  • 1h 58min
VALUTAZIONE IMDb
7,3/10
4962
LA TUA VALUTAZIONE
Alain Delon and Jean Gabin in Colpo grosso al Casinò (1963)
Guarda Bande-annonce [OV]
Riproduci trailer3:29
1 video
57 foto
CapperoCrimineDrammaRomanticismo

Aggiungi una trama nella tua linguaA career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.

  • Regia
    • Henri Verneuil
  • Sceneggiatura
    • Michel Audiard
    • Albert Simonin
    • Zekial Marko
  • Star
    • Jean Gabin
    • Alain Delon
    • Claude Cerval
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    4962
    LA TUA VALUTAZIONE
    • Regia
      • Henri Verneuil
    • Sceneggiatura
      • Michel Audiard
      • Albert Simonin
      • Zekial Marko
    • Star
      • Jean Gabin
      • Alain Delon
      • Claude Cerval
    • 20Recensioni degli utenti
    • 19Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie totali

    Video1

    Bande-annonce [OV]
    Trailer 3:29
    Bande-annonce [OV]

    Foto57

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 51
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    Interpreti principali44

    Modifica
    Jean Gabin
    Jean Gabin
    • Charles
    Alain Delon
    Alain Delon
    • Francis Verlot
    Claude Cerval
    Claude Cerval
    • Le commissaire de police
    Viviane Romance
    Viviane Romance
    • Ginette
    Henri Virlojeux
    Henri Virlojeux
    • Mario
    • (as Henri Virlogeux)
    Jean Carmet
    Jean Carmet
    • Le barman
    José Luis de Vilallonga
    José Luis de Vilallonga
    • M. Grimp
    • (as José-Luis de Vilallonga)
    Rita Cadillac
    Rita Cadillac
    • Liliane
    Jimmy Davis
    • Sam
    Dominique Davray
    Dominique Davray
    • Léone
    Dora Doll
    Dora Doll
    • Countess Doublianoff
    Germaine Montero
    Germaine Montero
    • Mme Verlot
    • (as Germaine Montéro)
    Maurice Biraud
    Maurice Biraud
    • Louis Naudin
    Carla Marlier
    Carla Marlier
    • Brigitte
    Marc Arian
    • L'autre comptable
    • (non citato nei titoli originali)
    Henri Attal
    Henri Attal
    • Le copain de Francis
    • (non citato nei titoli originali)
    Jacques Bertrand
    • Le comptable de Grimp
    • (non citato nei titoli originali)
    Georges Billy
    • Un passager du train
    • (non citato nei titoli originali)
    • Regia
      • Henri Verneuil
    • Sceneggiatura
      • Michel Audiard
      • Albert Simonin
      • Zekial Marko
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti20

    7,34.9K
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    10

    Recensioni in evidenza

    7brogmiller

    The final caper?

    It is well nigh impossible to imagine any other French actor of that time with box office clout who could have played Charles, the ageing, hard-bitten crook nearly as well as Jean Gabin. There is also Alain Delon, the new kid on the block, who was very keen to play the part of Gabin's partner in crime as it would hopefully increase his profile in the United States.

    This is Gabin's third collaboration with director Henri Verneuil and has all the hallmarks of Verneuil's style: very little camera movement, good composition of shots and an eye for detail. Louis Page who worked a great deal with Gabin contributes stunning cinematography. I found the score to be rather intrusive but I am probably in the minority. Adapted by Albert Simonin from 'The Big Grab' this has tremendous dialogue by Michel Audiard which is a gift to any actor. Rita Cadillac is rather insipid as the love interest but there is a lovely cameo from Dora Doll as a high class hooker. On a nostalgic level it is great to see Viviane Romance as she and Gabin had first appeared on film together in 1936. The highlight of course is the casino heist which is filmed brilliantly. Slick, professional but rather 'cold' this film will always have an audience because of its subject matter and the two charismatic leads. The final sequence is beautifully edited and absolutely priceless.
    ryan-277

    great heist film!

    This film deserves more credit than it gets. All the actors are top notch (Jean Gabin as the ageing theif, Alain Delon as the playboy) and the story is very well crafted and has all the great tough guy dialogue of great caper's like RIFIFI, BOB LE FLAMBEUR etc however the overall tone of the film is a bit lighter and not as serious as those films. the heist itself is pretty short and sweet but this movie is more about the planning and the aftermath.

    Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)
    7claudio_carvalho

    Another Great French Heist Movie

    After a long period in jail, Charles (Jean Gabin) returns home and does not accept the plan of his wife Ginette (Viviane Romance) of moving to the countryside for a quieter life. He plots the heist of a casino and invites his young cell mate Francis (Alain Delon) and his brother-in-law to participate. The check-in two different hotels posing of millionaire and Charles' plan works perfectly. But when Charles finds that Francis has compromised his plan with a silly attitude, things go wrong.

    "Mélodie en sous-sol" is another great French heist movie with Jean Gabin and Alain Delon. The story is well-developed and the ironic conclusion is very tense. My vote is seven.

    Title (Brazil): "Os Gangsters da Casaca" ("The Gentlemen Gangsters")
    9franzgehl

    Nervous and full of tension

    An old gangster (Jean Gabin) wants to plan a last robbery before retiring. He asks a young man (Alain Demon) met in jail for a partner. The story may look classical but it's played very fine. The most interesting thing in this movie is the dialogue by Michel Audiard. It's amazing ! As good as ever, so watch this film in french language.

    It's also the farewell to an old world which disappears little by little because the time of old gangsters is over. It's also funny to hear the characters talk in french postwar slang language.
    7johnpierrepatrick

    Verneuil delivers a classic 60's heist movie

    Verneuil is quite well-known for his crime / heist movies and delivers again a classic with 'Mélodie en sous-sol'. Gabin is as solid as ever in his role as a tough heist master and Delon bring its youth and freshness to the movie, linking also the 'old' french movies (including Verneuil and Gabin) with the new generation. (For the anecdote, one year before, Verneuil has also associated Gabin this time with Belmondo, the actor most associated with the New wave movement.)

    We definitely have an old time vs current time theme in the movie, illustrated by its first parts. We discover the new Sarcelles with Gabin. The criticism is not formulated by words but is obvious - the more when you know what these dormitory-towns will become. Thus, we follow Delon in his carefree life and I can only smile at the "good old time" referral and the irony behind it. Irony deliberate, already at that time. Irony even better now, that this current time shown in the movie has become a referred "good old time" of our period.

    Not to forget Audiard dialogs and punchlines, that brings you smile each time you hear his so characteristic style.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Charles' house appears to be the last single one left between the new high-rise buildings. His wife was offered 15 Mill. Frs. to tear it down and make room for a new skyscraper. In fact the house is still standing with no more high-rise buildings around but those that are in shown in the film.
    • Blooper
      When Charles is entering the vault, M. Grimp is standing with his face against the wall, so he can't see neither Charles nor the bags. But he gives a very detailed description to the police later.
    • Citazioni

      Charles: I need to pull one last caper.

      Ginette: The great caper, the fabulour business. I already heard that twice since our wedding. The first time, you came back after three years. The second time, I had to wait five years to see you again.

      Charles: So what? Two unlucky capers in a 30 year career.

    • Curiosità sui crediti
      The film opens with MGM's 1956-57 logo.
    • Versioni alternative
      The colored version is shorter than the original black & white film: 13 minutes are missing in this version (original cut: 116 min, colored cut: 103 min). No complete scenes are cut, but many scenes are shortened.
    • Connessioni
      Featured in MGM Is on the Move! (1964)

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    Dettagli

    Modifica
    • Data di uscita
      • 11 agosto 1963 (Italia)
    • Paesi di origine
      • Francia
      • Italia
    • Sito ufficiale
      • Gaumont (France)
    • Lingue
      • Francese
      • Inglese
    • Celebre anche come
      • Any Number Can Win
    • Luoghi delle riprese
      • Cannes, Francia
    • Aziende produttrici
      • Compagnie Internationale de Productions Cinématographiques (CIPRA)
      • Cité Films
      • Compagnia Cinematografica Mondiale (CCM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 1.000.000 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 58min(118 min)
    • Colore
      • Black and White
    • Proporzioni
      • 2.35 : 1

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