Gli Argonauti

Fans of Ray Harryhausen's stop motion animation process will have a field day with JASON AND THE ARGONAUTS, which Harryhausen considered his best work. And certainly Harryhausen's special effects are the highlight of this film, which is generally based on the ancient Greek myth of Jason's search for the golden fleece.

The film as a whole is very much like a superior sword-and-sandal epic of the 1950s and 1960s, very colorful and over-run with manly men and beautiful dancing girls. A bit slow to start, once the story line is established the pace leaps forward--and we are treated to some of Harryhausen's most enjoyable creations, including Talos, the bronze statue; two of the most evil looking harpies you can imagine; a really nasty hydra; and Harryhausen's most famous (and his own personal favorite) bit of work: an attack by skeleton warriors.

In the wake of computer generated graphics, Harryhausen's work may strike some as dated, but this is actually part of its charm, for we will never see its like on screen again; it has a certain visual appeal not found in contemporary films, and Harryhausen's creations always have remarkable personality. On the downside, however, some of the film's other techniques have not aged as well, and the use of rearview projection is extremely noticeable (and often annoying) to the modern eye. Still, even those who aren't overly enthusiastic about these types of special effects will find the film an excellent choice as a "family night" film. As for Harryhausen fans--the film is a must-see, must-own, and must-watch as often as possible! Gary F. Taylor, aka GFT, Amazon Reviewer

Jason and The Argonauts is a great film to watch and escape reality. This is one of those movies that you know is not real but you just enjoy it and have fun watching it. I think this film is underrated because it was not given one Oscar nomination. I think this film should have been nominated for Best Art Direction and Set Decoration, Cinematography, Bernard Herrmann's Original Score and Film Editing. When I first saw this movie on Turner Classic Movies one night, I was only excited to see the Skeleton Fight at the end which took Ray Harryhausen and special effects crew three months to create that entire sequence. This is a Great movie and I encourage all of "The Lord of The Rings" fans to watch this and see a great masterpiece of classic fantasy and old fashioned special effects. **** out of ****!

What do I like about this movie...besides Harryhausin's special effects? Besides the frenetic battle with the skeletons and the seemingly hopeless fight against the statue of Talos? I like the way the people are presented, I suppose...

Heracles is presented, not as a young ripped body builder, but as one would expect a middle-aged strong man to be: Formidable, a little grey and a little swaggering. Argos, the ship builder, is tan and fat, as one would expect the veteran of many sea voyages to be. The crew looks like what one would expect a crew of ancient greeks to look like.

The acting is not spectacular, but sincere. No one looks embarrassed to be in this movie. It is tight with great special effects...wonderful for children...

And, I must mention Hera, normally portrayed as a matronly and vindictive woman, is here presented as a beautiful and helpful goddess by Honor Blackman, no less. Although many of you may be more familiar with her as Pussy Galore from Goldfinger...

It's really rather hard to believe that this picture received mediocre reviews when it first came out.It appears that most now regard it as a classic,and in certain circles,it has achieved cult status.True,Armstrong's Jason is a rather bland character,and could use some foibles and quirks to become more realistic and human,but this could be lodged against the writers.Kovacks as Medea certainly does look marvelous,but shows none of the inner torment of the character of classic mythology.(On the other hand,this movie was made for kids,and we don't need to introduce them to Eurypides' virago just yet.)An outstanding cast of well-trained British actors provides sterling support.Naismith personifies loyalty and good-natured common sense;Troughton is remarkable as a tortured sinner who is brave and hasn't lost his sense of humor;Green is probably the most realistic Hercules ever developed;And Gwilliam is the personification of outraged hospitality and necromantic malevolence.Wilmer has a good time doing a Rathbonesque villain.The special effects are first rate,given the state of the art at the time,and Blackman and MacGinnis develop wonderful portraits of the deities.They have a genuine relationship,and appear to be a man and wife.The plot has more depth than most films of this genre,and is lots of fun,besides.

This was one of those films I always remember seeing as a child and I never forgot those skeletons which I think is Ray Harryhausen's best work.

Greek hero Jason takes a party by ship to search for the Golden Fleece, but have to encounter several dangers on the way. This starts when they drop off at an island with bronze statues to collect food and water. But one of them goes into the tomb of one of these, Talos and steals a gold sword. Talos then comes to life and attacks the crew and during their escape, the ship is destroyed. Talos is destroyed eventually. While on the island, they come across a blind man, who gets attacked by two cheeky Harpies who keep eating his food. They are captured. They continue their journey and encounter Neptune and arrive on the island where the Golden Fleece is. Before getting the Golden Fleece, Jason must fight and kill the Hydra, which he does. The best part of the movie is of course those skeletons near the end. Jason manages to defeat them when they fall off a cliff into the sea.

This has to be one of, if not the best of Harryhausen's movies. Bernard Herrmann was responsible for the excellent music.

Jason is played well by Todd Armstrong and Nancy Kovack plays Medea. These are joined by Bond girl Honor Blackman (Goldfinger), Laurence Naismith (The Valley Of Gwangi), Dr Who actor Patrick Troughton who plays the blind man, Niall MacGinnis (Night of the Demon) and Nigel Green as Hercules.

This is probably my favourite of Ray Harryhausen's fantasy movies.

Rating: 5 stars out of 5.