Così bella così sola così morta

Also given the pedestrian title THE MODEL MURDER CASE, this British Neo Noir has a perfectly cast Ian Hendry with Ronald Fraser as cop partners (Inspector and Sergeant) with such terrific chemistry it's a shame there weren't more films, or perhaps a television series where GIRL IN THE HEADLINES would be a merely passable episode albeit filled with fantastic looking sets showcasing pallid wealth... in a mystery thriller that needed not only more thrills but far more action...

A shame too that the titular model, shown all through the opening credits and even the first several minutes (seated dead in someone else's living room), isn't credited anywhere...

Her character is quite something, making this a kind of LAURA where the corpse has a life all its own, albeit not through any flashbacks...

The suspects/her friends though are very similar: a group of big money lowlifes including a flamboyant TV star (James Villiers); a shady nightclub owner (Kieron Moore); a handsome sailor who could be trafficking drugs (Jeremy Brett); the girl's sullen mother (Margaret Johnston); and an even more sullen married couple...

Meanwhile Ian Hendry, who'd wind down his career playing cold-blooded villains, looks square-jawed classy here, befitting the stalwart lead whether in plush interior investigations with his quirky, even snoopier partner, or at home with pretty teenage daughter Jane Asher, whose mom (his wife) is more of a cool older sister...

Again, these primary leads all seem part of something else... bigger, more expanded... and it's too bad they're stuck in one single just-good-enough time-filling thriller...

Everyone... even the dead girl... deserved better: Like in HER case, an actual name!

There were thousands of this kind of topics, especially in the British film industry, and this one remains in the good ones, though there is nothing exceptional. You have to like this atmosphere, I don't, and Ian Hendry is as good as ever in the detective, inspector, role a police officer who has the habit to remove his shoes at home and in his office, behind his desk. The little charm of this kind of production. I would have enjoyed it if there had not been a mystery scheme. It is not 1.66 frame but 2.35. That's the way I saw it on my TV set. The last minute worth the whole suspense. Even less than last minute.

Unfortunately, missed the first half hour due to misguided decision to see first half of Watford v Brentford. (It won't happen again !) Wonderful and riveting film from the golden age of British noir - this must have been one of the first films Hendry did post Avengers. Portrayal of style and seediness very reminiscent of Raymond Chandler. Beautifully understated acting from Hendry - I wonder if Steve McQueen or Peter Yates saw this ? Would give extra star but for slightly annoying Jane Asher as needy middle class daughter !

I think the criticisms of this film are a bit strong. We have to remember that 45 years have elapsed since it was made and our tastes have become more sophisticated with the diet of increasingly slick and clever movies and TV series that we now enjoy. I think Hendry plays the detective role well - sort of laid back and not falling into the cliché characterisations of the time. He is a Jaguar driving opera loving detective (now which more modern detective series does that remind you of?). I had not seen this film before watching it the other day on Movies4Men (UK) and enjoyed it for what it was - a fairly entertaining movie from the early 60's.

A slow and fairly ordinary murder mystery story saved only by the appearance and great acting of Jeremy Brett who later in his career most excellently portrayed, Sherlock Holmes.