I tre della croce del Sud

This film is not one of Johns best but it ranks pretty high. It's good to see John Wayne in something besides a cowboy movie. It has a great supporting cast. Lee Marvin out does his self in his role as the out cast friend who has the same birthday as John Wayne. Cesar Romero plays his part brilliantly as the French Ambassador. And the kids in this film could not have been cast better. Jacqueline Malouf plays her part as the teen age daughter of Jack Warden so convincingly you forget she was 22 at the time. And Cherylene Lee is the cutest little girl who ever played a part in the movies.

The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.

"Donovan's Reef" is set on an island in the Pacific, which is basically getting by on its own merits without much contact with the modern world. John Wayne and Lee Marvin team up to portray two navy buddies that seem to have two things in common--the same birthday and a desire to punch each others' lights out because of a quarrel that started several years before on that birthday. The rest of the cast occupy themselves trying to keep the two "friends" alive because they genuinely are decent guys.

Into this island bliss comes Elizabeth Allen, portraying a lady from Boston who is attempting to prove that her father, played by Jack Warden, has been living on the island in standards less than acceptable by Boston customs so she can claim his share of a family shipping business. Through one scene after another, the film takes a merry romp through its plot and gives the viewer a very enjoyable time.

"Donovan's Reef" is an accurately made, funny, light-hearted work, with some moments of deep poetry. For the audience it is more a relaxing vacation than an actual movie: we are transferred to a paradisiac South Pacific island, where a bunch of super-nice guys, our friends John Wayne, Lee Marvin, Elizabeth Allen, Dorothy Lamour, Mike Mazurki, Cesar Romero make a funny show to entertain us. From the very beginning we find John Ford's characteristic sense of humour: we see a family meeting of sullen Bostonian shipowners, who all take for granted that their relative Dr. Dedham (Jack Warden) is living in orgiastic promiscuity over there, in the Islands of Sin. And then there is the usual number of (harmless) fist-fights and brawls... and a quarrel-loaded love-story... and many comic misunderstandings...

"Donovan's Reef" is one of the very last cinema appointments of John Ford. Inside this light comedy, the old Master inserts touches of his poetic legacy, his trade-mark messages of peace, brotherhood, anti-racism. An evident instance is the scene of the Christmas Mass and Ceremony, with the islanders in their native costumes. And then there is an extremely poignant short scene, just few seconds. The nice little French priest is walking on a beautiful, sunny lawn, shaded by palm-trees, close to the sea: it's the cemetery. We see tombs with a Celtic cross, a French cross, a David's star; then the priest stops at a native barrow, covered with garlands, and he starts to pray (this is the tomb of the late native princess, the doctor's wife). After the storms of our life on this earth, we become all brothers in a better world. This quiet and dignified, yet full of religious hope acceptance of death is one of the most felt and profound themes of Ford's poetry.

I recommend "Donovan's Reef": enjoy the humour, the funny action, the fine performances of the cast, and don't miss the deep poetic touches of the Master John Ford.

This was a beautiful film, not least because of the warm and lively music, and also because of the cool, sensual presence of Elizabeth, who died only recently. The comedy, as written above, could indeed be a little ham-handed, but there's no substitute for the scene when Amelia, riding the back of a jeep, is vaulted off the rear as it hits a bump and lands flat on her a**. John Wayne looks down at her and asks quietly, "Did you hurt your ---- self?" This is a pleasant, human drama, with a strong anti-racist message built around a great cast of characters. A solid, pleasing John Ford / John Wayne partnership, and Elizabeth Allen was a pure pleasure.

Donovan's Reef is fun. It has a decent story, good characters, and stunning scenery. This is why you go to the movies, isn't it? If compared against Ford's acknowledged masterpieces, Dononvan's Reef does not measure up, but measured against other escapist films, it is a great movie. John Wayne's performance is consistently good, and as always, believable. Wayne was so real in his films, that he is never considered to be a good actor, but if you look at his body of work, you have to admit he could do it all. His Guns Donovan character is certainly up to snuff, and he does well with what he has. His interaction with Lee Marvin as Boats Gilhooley is as good as any of his other brawling, head-butting clashes with legends like Ward Bond or Victor McGlaglen. Lee Marvin is very funny and clever in his scenes, and very rarely over the top. He could always deliver on a character that was supposed to be likable, but mentally ill.

Aside from the fun, we have a significant plot element of prejudice considering the behavior of Guns, Boats, and Andre, where they hide the Doctor's half-caste Polynesian children from the All-White Bostonian daughter, Amelia. Paradoxically, we have Chinese stereotypes in the form of goofy looking morons with toothy grins and heavy accents. Still, in the end reason prevails in that the young Leilani shows wisdom beyond her years. When she sings a prayer of thanks to the goddess of the canyon where Guns chops down their Christmas tree, Amelia asks if she believes in gods and goddesses. Leilani replies, "I believe in one God, as we all do, but I respect the customs and beliefs of my people." Amelia subsequently accepts the cultural differences with a gracious bow to Leilani, who is being honored as the last hereditary princess of the island. That is a nicely done scene.

If you focus on what Donovan's Reef isn't, it will be a disappointing film. If you enjoy it for what it is, you will have a great time.