VALUTAZIONE IMDb
6,7/10
10.358
LA TUA VALUTAZIONE
Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.
- Regia
- Sceneggiatura
- Star
Elizabeth Allen
- Amelia Dedham
- (as Betty Ellen)
Jeffrey Byron
- Luki Dedham
- (as Tim Stafford)
John Alderson
- Officer
- (non citato nei titoli originali)
Frank Baker
- Captain Martin
- (non citato nei titoli originali)
Carmen Clothier
- Sister Gabrielle
- (non citato nei titoli originali)
Clyde Cook
- Australian Officer
- (non citato nei titoli originali)
Recensioni in evidenza
My conceptions about the South Pacific were formed when I saw this movie at the Elm Theatre in Brooklyn growing up. It has an honored place in my collection.
First off that music does get you. Every John Ford film is marked by a great use of music, in his westerns the use of traditional western themes pace the action. Here in Donovan's Reef the music under the credits sets the mood for the story set on this South Seas Paradise.
Secondly this was the last film that John Ford made with John Wayne. I believe this is the most successful actor/director relationship in the history of film by just about any standard you want to use, box office, quality of work, etc. The partnership went out on a high note.
John Wayne's westerns are usually a self contained world that operates on the principles of his universe. This film does also, but here it is more believable. This mixed group of people really do know the secret of living and let living. And the outside world occasionally does intrude and violently as the World War II background of the principal characters demonstrates.
This is also a film about believing stereotypes. John Wayne, Lee Marvin and the rest of the island believe Elizabeth Allen will be a racist. She's hurt by the abandonment of her father (Jack Warden) but she does come to accept her half-siblings. The film is anti-racist, but it also teaches a great moral lesson in not making your mind up about people prematurely.
The comedy as in all Ford films is heavy handed, but I still crack up at Wayne and Marvin and their escapades.
This is what the definition of escapist entertainment is.
First off that music does get you. Every John Ford film is marked by a great use of music, in his westerns the use of traditional western themes pace the action. Here in Donovan's Reef the music under the credits sets the mood for the story set on this South Seas Paradise.
Secondly this was the last film that John Ford made with John Wayne. I believe this is the most successful actor/director relationship in the history of film by just about any standard you want to use, box office, quality of work, etc. The partnership went out on a high note.
John Wayne's westerns are usually a self contained world that operates on the principles of his universe. This film does also, but here it is more believable. This mixed group of people really do know the secret of living and let living. And the outside world occasionally does intrude and violently as the World War II background of the principal characters demonstrates.
This is also a film about believing stereotypes. John Wayne, Lee Marvin and the rest of the island believe Elizabeth Allen will be a racist. She's hurt by the abandonment of her father (Jack Warden) but she does come to accept her half-siblings. The film is anti-racist, but it also teaches a great moral lesson in not making your mind up about people prematurely.
The comedy as in all Ford films is heavy handed, but I still crack up at Wayne and Marvin and their escapades.
This is what the definition of escapist entertainment is.
This film is not one of Johns best but it ranks pretty high. It's good to see John Wayne in something besides a cowboy movie. It has a great supporting cast. Lee Marvin out does his self in his role as the out cast friend who has the same birthday as John Wayne. Cesar Romero plays his part brilliantly as the French Ambassador. And the kids in this film could not have been cast better. Jacqueline Malouf plays her part as the teen age daughter of Jack Warden so convincingly you forget she was 22 at the time. And Cherylene Lee is the cutest little girl who ever played a part in the movies.
The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.
The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.
FYI...the summary of this film identifies Dr. Dedham's daughter as "Elizabeth". "Elizabeth" Allen is the actress who portrays the daughter. The character's name is "Amelia". This film may not be one of John Wayne's best movies, but it provides all the action, fun and adventure typical of all his films. This is a film for the whole family to enjoy.
From the very beginning of this movie you know what you have let yourself in for, when Lee Marvin belts the ship's bosun over the ear with a broom. Followed by, "Permission to leave the ship"; then literally jumps ship and swims for the beach. You realize then that you are in for 150 minutes of a Fordian, boisterous knockabout comedy.
This was the last time that Ford and Wayne would team up together. Maybe this production was a farewell rave-up for both of them. With Lee Marvin thrown in to assist in turning it into a roughhouse just for the hell of it. Added to this pugilistic mixture, you have the jumbo-sized heavyweight, Mike Mazurki, serving as a French Colonial Gendarme. As a welcome opposite to the boisterous muscle we have the smooth, suave Cesar Romero, oozing glossy charm and good manners, serving as the colonial governor of this supposed French Polynesian paradise. Add to that, Dorothy Lamour, back in the sarong after a long absence, as a duskey maiden-type decoration. The three children belonging to Doctor Dedham add a nice child-like innocence to this warring male atmosphere. Here the softer side of Big John comes to the surface when he tries to comfort the eldest of the three children who becomes emotional over her half-cast origins. Elizabeth Allen adds a well bred prim and proper touch of class to this nonsensical tropical South Pacific potion.
This movie then, has a friendly-like approach to bar room brawling with smiles thrown in. Harmless and bruising fun all the way. I always imagine that this kind of rough and tumble movie seems to be "cobbled" together...somehow. Then everything seems to fall into place at the end. The end result being order out of chaos.
It's a sad to think that nearly all the lead characters plus John Ford, have all faded out and gone to the big movie studio in the sky. God help anybody else up there with this lot! That's all.
This was the last time that Ford and Wayne would team up together. Maybe this production was a farewell rave-up for both of them. With Lee Marvin thrown in to assist in turning it into a roughhouse just for the hell of it. Added to this pugilistic mixture, you have the jumbo-sized heavyweight, Mike Mazurki, serving as a French Colonial Gendarme. As a welcome opposite to the boisterous muscle we have the smooth, suave Cesar Romero, oozing glossy charm and good manners, serving as the colonial governor of this supposed French Polynesian paradise. Add to that, Dorothy Lamour, back in the sarong after a long absence, as a duskey maiden-type decoration. The three children belonging to Doctor Dedham add a nice child-like innocence to this warring male atmosphere. Here the softer side of Big John comes to the surface when he tries to comfort the eldest of the three children who becomes emotional over her half-cast origins. Elizabeth Allen adds a well bred prim and proper touch of class to this nonsensical tropical South Pacific potion.
This movie then, has a friendly-like approach to bar room brawling with smiles thrown in. Harmless and bruising fun all the way. I always imagine that this kind of rough and tumble movie seems to be "cobbled" together...somehow. Then everything seems to fall into place at the end. The end result being order out of chaos.
It's a sad to think that nearly all the lead characters plus John Ford, have all faded out and gone to the big movie studio in the sky. God help anybody else up there with this lot! That's all.
Lo sapevi?
- QuizWhen John Ford offered Lee Marvin the role of Gilhooley, he told the actor it didn't matter what the story was as it would be a good excuse for the cast and crew to have a free holiday in Hawaii.
- BlooperFrench Polynesia was 4,000 km (about 2200 nautical miles) east of the farthest Japanese expansion, and there was no fighting there.
- Citazioni
[Gilhooley about to throw bottle during fight]
Michael Patrick 'Guns' Donovan: Not the brandy, you dope!
Thomas Aloysius 'Boats' Gilhooley: [puts bottle carefully down on bar] Sorry!
- ConnessioniFeatured in Hollywood Remembers Lee Marvin (2000)
- Colonne sonoreFrere Jacques
(uncredited)
Traditional
Sung by the children
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Dettagli
Botteghino
- Budget
- 2.686.585 USD (previsto)
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Proporzioni
- 1.85 : 1
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