VALUTAZIONE IMDb
6,7/10
10.358
LA TUA VALUTAZIONE
Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.Commedia che analizza in maniera sottile importanti questioni morali come il bigottismo razziale, l'avidità delle imprese, la convinzione americana della superiorità sociale e l'ipocrisia.
- Regia
- Sceneggiatura
- Star
Elizabeth Allen
- Amelia Dedham
- (as Betty Ellen)
Jeffrey Byron
- Luki Dedham
- (as Tim Stafford)
John Alderson
- Officer
- (non citato nei titoli originali)
Frank Baker
- Captain Martin
- (non citato nei titoli originali)
Carmen Clothier
- Sister Gabrielle
- (non citato nei titoli originali)
Clyde Cook
- Australian Officer
- (non citato nei titoli originali)
Recensioni in evidenza
"Donovan's Reef" is an accurately made, funny, light-hearted work, with some moments of deep poetry. For the audience it is more a relaxing vacation than an actual movie: we are transferred to a paradisiac South Pacific island, where a bunch of super-nice guys, our friends John Wayne, Lee Marvin, Elizabeth Allen, Dorothy Lamour, Mike Mazurki, Cesar Romero make a funny show to entertain us. From the very beginning we find John Ford's characteristic sense of humour: we see a family meeting of sullen Bostonian shipowners, who all take for granted that their relative Dr. Dedham (Jack Warden) is living in orgiastic promiscuity over there, in the Islands of Sin. And then there is the usual number of (harmless) fist-fights and brawls... and a quarrel-loaded love-story... and many comic misunderstandings...
"Donovan's Reef" is one of the very last cinema appointments of John Ford. Inside this light comedy, the old Master inserts touches of his poetic legacy, his trade-mark messages of peace, brotherhood, anti-racism. An evident instance is the scene of the Christmas Mass and Ceremony, with the islanders in their native costumes. And then there is an extremely poignant short scene, just few seconds. The nice little French priest is walking on a beautiful, sunny lawn, shaded by palm-trees, close to the sea: it's the cemetery. We see tombs with a Celtic cross, a French cross, a David's star; then the priest stops at a native barrow, covered with garlands, and he starts to pray (this is the tomb of the late native princess, the doctor's wife). After the storms of our life on this earth, we become all brothers in a better world. This quiet and dignified, yet full of religious hope acceptance of death is one of the most felt and profound themes of Ford's poetry.
I recommend "Donovan's Reef": enjoy the humour, the funny action, the fine performances of the cast, and don't miss the deep poetic touches of the Master John Ford.
"Donovan's Reef" is one of the very last cinema appointments of John Ford. Inside this light comedy, the old Master inserts touches of his poetic legacy, his trade-mark messages of peace, brotherhood, anti-racism. An evident instance is the scene of the Christmas Mass and Ceremony, with the islanders in their native costumes. And then there is an extremely poignant short scene, just few seconds. The nice little French priest is walking on a beautiful, sunny lawn, shaded by palm-trees, close to the sea: it's the cemetery. We see tombs with a Celtic cross, a French cross, a David's star; then the priest stops at a native barrow, covered with garlands, and he starts to pray (this is the tomb of the late native princess, the doctor's wife). After the storms of our life on this earth, we become all brothers in a better world. This quiet and dignified, yet full of religious hope acceptance of death is one of the most felt and profound themes of Ford's poetry.
I recommend "Donovan's Reef": enjoy the humour, the funny action, the fine performances of the cast, and don't miss the deep poetic touches of the Master John Ford.
This film is not one of Johns best but it ranks pretty high. It's good to see John Wayne in something besides a cowboy movie. It has a great supporting cast. Lee Marvin out does his self in his role as the out cast friend who has the same birthday as John Wayne. Cesar Romero plays his part brilliantly as the French Ambassador. And the kids in this film could not have been cast better. Jacqueline Malouf plays her part as the teen age daughter of Jack Warden so convincingly you forget she was 22 at the time. And Cherylene Lee is the cutest little girl who ever played a part in the movies.
The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.
The plot is a little lame and Elizabeth Allen is a little young to be playing John Wayne's love interest. John Wayne appears to look the oldest of the three Americans who stayed on the island to help the inhabitants during WWII. But the movie comes off pretty good if you can over look the age difference. Besides, Wayne and Allen do work well together. I like to watch this movie from time to time. It's a feel good movie were everything comes out good in the end.
Not John Wayne's best movie, but one of my favourites. I love the locations, which I believe was Hawaii. It is just a fun movie to watch. The type of movie you don't have to think to hard about.
This was a beautiful film, not least because of the warm and lively music, and also because of the cool, sensual presence of Elizabeth, who died only recently. The comedy, as written above, could indeed be a little ham-handed, but there's no substitute for the scene when Amelia, riding the back of a jeep, is vaulted off the rear as it hits a bump and lands flat on her a**. John Wayne looks down at her and asks quietly, "Did you hurt your ---- self?" This is a pleasant, human drama, with a strong anti-racist message built around a great cast of characters. A solid, pleasing John Ford / John Wayne partnership, and Elizabeth Allen was a pure pleasure.
This was a fun outing for John Wayne in the spirit of McClintock (including the spanking). I always enjoy seeing actors that have worked well together re-teamed, and here you get the Duke back with his nemesis from a year before, Lee "Liberty Valance" Marvin. And they do a great job of delivering an hour and fifty minutes' worth of entertainment, aided and abetted by a great supporting cast, Cesar Romero especially standing out.
I was a little frustrated by the underutilization of Jack Warden and Mike Mazurki. In fact, the scenes with Jack Warden almost seemed to be from another movie (such as Woody Allen's INTERIORS), with a humorlessness at odds with the rest of the picture.
My personal disappointment as a fan of singing cowboy Dick Foran was having to wait and wait for his appearance and then have it over way too quickly. Though he did sing!
I was a little frustrated by the underutilization of Jack Warden and Mike Mazurki. In fact, the scenes with Jack Warden almost seemed to be from another movie (such as Woody Allen's INTERIORS), with a humorlessness at odds with the rest of the picture.
My personal disappointment as a fan of singing cowboy Dick Foran was having to wait and wait for his appearance and then have it over way too quickly. Though he did sing!
Lo sapevi?
- QuizWhen John Ford offered Lee Marvin the role of Gilhooley, he told the actor it didn't matter what the story was as it would be a good excuse for the cast and crew to have a free holiday in Hawaii.
- BlooperFrench Polynesia was 4,000 km (about 2200 nautical miles) east of the farthest Japanese expansion, and there was no fighting there.
- Citazioni
[Gilhooley about to throw bottle during fight]
Michael Patrick 'Guns' Donovan: Not the brandy, you dope!
Thomas Aloysius 'Boats' Gilhooley: [puts bottle carefully down on bar] Sorry!
- ConnessioniFeatured in Hollywood Remembers Lee Marvin (2000)
- Colonne sonoreFrere Jacques
(uncredited)
Traditional
Sung by the children
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Dettagli
Botteghino
- Budget
- 2.686.585 USD (previsto)
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Proporzioni
- 1.85 : 1
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