Grido di battaglia

This is an action packed drama that occurs during WWII.

The story is a moral dilemma that men in war often have to face. There are always local civilians in about any war.

Van Heflin plays a low life punk who happens to be in the U. S. Navy, and who gets a chance to be more.

James McArthur plays a well to do son of a rich plantation owner, who gets a chance to be less.

It is also a chance for McArthur's character to be "more".

As "Joe", Heflin has every chance to behave as a human towards the people of another country. Instead, he abuses them in every way, but with the motivation of it being for his own pleasure.

Joe is a hedonist, though not a sadist. It's one of the few "evil men" roles Heflin played on film. Joe is a bit like Heflin's villain in "Gunman's Walk", but actually isn't quite as evil as that character, but Joe does more terrible things by virtue of being totally without regard to other people.

There is also probably a prejudice Joe has against Asians, but we never really know if he wouldn't do the exact same thing if given a chance against Europeans.

Unfortunately, Joe is given command and stewardship by an officer who respects his "bravery", a huge mistake.

That's one of the hidden motifs of this story.

The main theme is how other characters react to Joe. As "David", McArthur finds he is the catalyst who is challenged to "do the right thing" in regards to the crimes Joe commits.

David has many chances to turn Joe in for his crimes, but tries to be a "comrade".

In watching this, we think we would "do the right thing" immediately, but in a war, one finds it hard to turn in a comrade for crimes of passion and lack of restraint.

The other characters are depicted quite well. This is an excellent drama, and teaches us to "do the right thing" before too many wrong things happen. David's indecision costs some lives, and he regrets it. It's a movie to learn from.

"Cry of Battle" was released in 1963--the same year that "Spencer's Mountain" hit the big screen. Both star James MacArthur in a coming of age story, but it would be difficult to find two films so different from each other. Where "Spencer's Mountain" is filled to the brim with scenes about the virtues of family bonds and living in harmony with the land, "Cry of Battle" is nearly morally bankrupt. In fact, I am surprised the novel was chosen for filming.

Set during World War II, the film features MacArthur as the son (David McVey) of a wealthy businessman, trapped on a remote island of the Philippines. He is befriended by a creepy opportunist named Joe Trent (Van Heflin)--a man for whom he feels both revulsion and loyalty.

In refreshing contrast to the script, which is distasteful, is the performance of Rita Moreno as Sisa, a Filipina who is caught up in the tragedy of the war and the stormy relationship between the two men.

The final scenes try to resolve the moral ambiguity of the film, but end up being abrupt, unsatisfying and enigmatic.

For some unknown reason, Joe, 3rd mate on a merchant ship, is given a spot promotion to 2nd Lt, and given a squad of Philippinos with orders to attack a Japanese sugar processing plant. This is the last we hear of the plant.

Tagging along, again for unspecified reasons, is the snot-nosed scion of an unseen mogul who falls in love with the heroine. The heroine, alas, is something of an opportunist, and ends up in bed with Joe just because. Naturally, the green-eyed monster makes an appearance.

The only thing this film has to do with war are the 17 or so Japanese soldiers who occasionally make their appearance. Most of this movie deals with the angst felt by the snot-nosed kid in his never-ending attempts to pry the heroine away from Joe.

I found this film to be a grand waste of time.

I'm sure that the title of this film Cry of Battle was no accident and I'm sure many a piece of change was spent on admission to this feature because folks thought they were seeing a re-release of the more well acclaimed Battle Cry. That was a big budget studio effort which had Van Heflin as a Marine Colonel during the Pacific War.

Cry of Battle also starred Van Heflin as a less admirable character and my guess is that the American players who appeared here did this as a boost to the Phillipine movie industry. Heflin shares top billing with Rita Moreno and James MacArthur with a cast of Filipino players.

The premise of this film is borrowed a bit from the ending of Stalag 17. William Holden in that film tells Don Taylor in no uncertain terms that he is helping him escape because of anticipated rewards from Taylor's rich family. James MacArthur is the rich son of an American planter who like many Americans is stranded there after Pearl Harbor and the attack on Clark Field. He meets up with Van Heflin who is a merchant seaman similarly stranded. Heflin figures there might be a big reward in helping MacArthur out.

Teaching him the facts of life involves rape for Heflin, but he's got an instinct for survival and he teaches MacArthur. They join up with a newly formed band of Filipino resistance and meet the captivating Rita Moreno who's a survivor herself. The rival gets good and heated.

I'm sure flush from her Oscar in 1961, Rita Moreno could have gotten parts in bigger pictures than this. But I do believe the Americans were just helping the Phillipines get some American dollars in receipts by appearing here. She's quite the fetching girl temptress in this film.

Van Heflin has never played a more loathsome character in his career. Yet he actually makes this guy likable, not an easy thing to do playing a rapist. But he's that skilled a player, he never gave a bad performance.

Fans of Van Heflin, including myself, would do well to see this film and see just how wide a range of characters that man could play.

I was the producer of "Cry of Battle". The production name, Petramonte,is Stein(stone)berg(mountain) in Spanish. The rape scene was with Van Heflin trying to rape Pinang, played by the Phillipina actress, Marilou Munoz, not Rita Morena. For Trivia: I shot around Rita Morena so that she could fly back to LA for the Acedemy Award. She got an Oscar that year, returned and continued shooting. The working title was "To be a man". The book called for an young adult. Making the David McVey character younger with James MacArthur, it was better contrast as a much younger man. We shot a number of days using jitneys (old cars used as buses) horse drawn carts in crowded streets. This was that start of the Japanese attack. All of that work and footage went into the trash can and we ended up with a simple line about the date.