Appuntamento fra le nuvole

Just a pleasant, solid film with a breezy theme song and some attractive young performers, (and Karl Malden, too), in a film that goes down easy. There are a lot of such films that were made in the 60's and I miss them. It's interesting that this has been described by some posters as a comedy. It really isn't, but it's such a "nice" movie it seems like one. There's nothing wrong with curling up on the couch and just enjoying something that's easy to take.

It's also a last look at Dolores Hart as an actress. She's very beautiful, even by movies star standards, has a very expressive face and has a strong intelligent presence. She might have accomplished great things in the cinema but I'll bet those qualities came in handy in her new profession, one which I'm sure meant a lot more to her.

While not as blatantly tacky and overdone as some of the other films of this type (which are actually good things for some people who seek out glossy, over-produced flicks like this!), it still has it's points of interest and moments of eye-rolling cheesiness. After Frankie Avalon croons the title song, flash-in-the-pan Tiffin comes jiggling on wearing an extremely sexy and snug flight attendant's uniform, spoiled only by the somewhat unflattering hat they all wear. It is utterly fascinating to see how stewardesses were perceived at this time. It's hard to say, at this point, how close to real life it was, but in this film they are treated as total sex objects with clothes that stress looks over functionality. Her hair is done in manner that makes one wonder if Catherine Zeta Jones and her stylists keep a loop of this film running in their salon. There is a definite occasional resemblance. Hart is quite a revelation. For someone who was about to become a nun in real life, she is surprisingly hard-edged and mouthy here. She may even swear once and she smokes incessantly. It's great to see a lesser beauty, but still a talented actress, like Nettleton get a featured role. She creates a sympathetic, if a bit overly difficult character. Poor Maxwell ("Miss Moneypenny" of 007 films) barely even got in a word edgewise. O'Brian is his usual suave and macho self as a voraciously skirt-chasing pilot. Cruelly, he keeps his shirt on at all times and never goes swimming. Malden does an okay job as a lonely businessman. German actor Boehm is a bit of an annoyance with his thin voice and heavy accent. There's a "love song" sung by a Parisian street chanteuse that will have many folks wretching and screaming for her to stop. All in all, a pretty, easy, soufflé of a film with just enough color and wit to hold interest up to a point. A mid-air trauma or an appearance by Joan Crawford.....something to punch it over the edge, may have been welcome, though. Nary a moment of it is believable, the same as it was for similar films like "Three Coins in a Fountain", "The Best of Everything" and "The Pleasure Seekers".

I stumbled upon this early '60s film on TCM while surfing late this evening. I agree with most of the previous posters' opinions, but I think one other element should be added: At the dawn of the passenger jet age, before hijackings that turned airports into minimum security prisons, and 9/11, which turned them into crowded LuftStalags, this was what air travel was like. Technologically and socially, one watches a film like this not simply to be entertained, but to be reminded of those last moments before JFK was killed, Vietnam, and the turning inside out of America. As for performances, Karl Malden waltzes effortlessly through this movie, threatening to steal every scene he's in--even from the gorgeous women. (Speaking of which, Pamela Tiffin is radioactive hot. )

I adore this 1963, bijou film so much. The opening song 'Come Fly With Me', sung by Frankie Avalon, takes us on the start of the energetic, whirlwind, globe-trotting highs-and-lows of three all-American gals looking for love.

Yes, the film is now dated, and one could say a little 'sugary', but it has some good comic moments and is actually quite a lot of fun. The film score isn't too bad either, and Lois Nettleton shines in her role as 'Bergie', with fun performances from Karl Malden, Carl Boehm and Dolores Hart, as snobby Donna Stewart.

I hope it comes out on DVD someday...if you see it on TV have a look - you just might enjoy it!

Although some might dismiss this film as typical early sixties fluff, it is a good lightweight comedy with nice scenes and easy on the eye. I find such films often relaxing when stressed from work or other matters. But what makes this particular film special to me is one of the very last scenes showing Dolores Hart sitting by herself with tears in her eyes and a faraway look in her eyes. Of course, in her role as stewardess Donna Stuart in the film she does this scene to mark her separation from Baron von Elzingen (played by Karl Boehm), but it has far greater significance as far as the actress' own future was concerned. This was the very last shot that Dolores Hart did on the silver screen; soon after 'Come Fly With Me' was completed, she left Hollywood for good and took Holy Orders to become a nun. That's exactly what she is today, 40 years later.