Bitter Harvest

This movie turned up on a local television station in the midnight to dawn slot and I watched it purely by chance. I had never heard of this British movie nor were any of the actors/actresses familiar to me. Despite this the opening scene, musical theme and the scene after it made me want to stick around until the end and learn the full story.

The movie is about Jenny, who predictably is poor and leads a dull ordinary life. Influenced by the models she sees in television and magazine ads, she dreams of a life full of glamour, excitement, beautiful clothes etc. A naive Jenny, in an unexpected and unplanned manner finds herself in London. She has no money and no clothes except for the clothes she's wearing. Her dream does eventually become a reality, but she becomes a victim. Was it all worth it?

The movie begins in the present, flashes back to the not so distant past and back to the present for the final scenes. Jenny's life is shown up to a certain point. After that you are left to fill in the gaps of what might have happened to her, but the clues make it obvious.

Parts of the story were predictable and you could see the story unfold from a mile away. This however did not ruin my enjoyment of the film. Part of the enjoyment was the ending. I expected a more predictable ending, but instead I was surprised and a little stunned.

The theme of the movie seems to be poor, happy and in love versus rich and miserable. The final scene to me suggests that Jenny would have been better off if she had stayed with the man who loved her even though they were living in poverty.

An entertaining dramatic film with a good but depressing storyline. It was worth staying up for.

This road-to-ruin melodrama is surprisingly watchable if you don't expect too much. The storyline is totally predictable, the characters little more than cliches, the colour lurid and I thought I detected some heavy-handed editing as 3rd-billed Alan Badell has only a few lines in a couple of scenes while uncredited Thora Hird (fresh from her triumph in "A Kind of Loving") has much more screentime as a grasping landlady.

this film brings back memories because the first part of the film was made in the village i lived in, and my friend and i was extras on the bus taking the main character out of the valley. I got the princely sum of one pound. The bus belonged to my friends uncle and we had to do the scene about twenty times to get it right we also had a fire engine spraying water for it to look like rain. Iwould love to see this film but don't know where to purchase it from. Is the one Patsey Kensitt making the same film i seem to have seen a film with the same title with her starring in it, I was surprised to see that Terence Alexander was not the main star as i only remembered him and Janet Munro at the time.

A morality tale for the early sixties by the ever-enterprising Allied Filmmakers anticipating the journey taken by that year's headliner Christine Keeler and Julie Christie in 'Darling'.

This glossy Eastmancolor adaptation of the book by Patrick Hamilton is usually overlooked, but it provides a chance to savour the youthful beauty of the late lamented Janet Munro, who sadly like the heroine of this fable never lived to experience the fate she so feared of losing her youthful lustre as Miss Keeler certainly did.

Miss Munro might have found have found lasting happiness had she not unwisely favoured louche bounder Alan Badel over nice young John Stride, last seen courting good girl Anne Cunningham.

The stunning Eastmancolor photography of Ernest Steward, Acker Bilk's swanky Jackie Gleason like score, (particularly the lush main theme) and location shooting in London, do much to distinguish this cautionary tale of a young woman treading down the well worn primrose path.

Janet Munro convinces as a the naive Welsh rustic, ("Jennie Jones") after La Dolce Vita, to which end she tosses decency aside, and heads to the big city, in her pursuit of a theatrical career. That her career is only to be that of "kept woman" is the discovery leading to the titular harvest.

Performances are all very apt, (particulary Francis Matthews, who nails the characterization of a louche libertine)and Director Peter Graham Scott certainly keeps our interest.

But just when one is most absorbed, most ready to watch Jennie's world unravel, the film ends, and one comes away feeling slightly cheated, with the sense that this MIGHT have been a great film, with a running time of 30 more minutes.

Still, it invites and deserves consideration alongside "Darling," and "Taste of Honey," as films that were also exploring unsavoury misfits in swinging 60's Great Britain.