Al di là della vita

Why didn't someone tell me to bring 5 boxes of hankies for this one? I just watched (or rather re-watched after some 30 years) All The Way Home, (1963), based on the James Agee play "A Death In the Family". This story has seen other versions, but this one is by far the most outstanding.

Robert Preston was in his element as a loving husband and father of a young son, played endearingly by Michael Kearney. Jean Simmons gives yet another incredible performance as the wife, and Aline MacMahon shines as Aunt Hannah. She was an old woman in 1963, but still, how that woman could act. She was great in the 1930's, she was great in the 1960's. She's just great! It was also neat to see John Cullum the musical star in an early role in a non-musical. He was memorable as the brother who comes to tell the bad news, and not being able to face the wife, bursts into tears and hugs Aunt Hannah instead, and this is how the wife learns that her husband has died. An effective moment, not maudlin at all, but very natural. Do we always learn about the death of a relative in an ideal way? Not at all. I learned about the death of my mother after coming home from the grocery store, my arms filled with packages. It was like someone had kicked me in the stomach and the groceries suddenly felt like dead weight.

This film's actions take place in America during the World War One era, a time period shamelessly neglected by today's filmmakers. I guess they don't like its outright sentimentality, they'd rather foist gore and sex on us instead.

The film's credits are fantastic for the silent film fan, because the credits roll and are interspersed with shots of the young son and the father in the theater laughing at a Charlie Chaplin movie (sorry, Charlie fans, I didn't recognize which one it was but it had Charlie trying to get through a door in which a fat man's rear end was stuck). The "audience" is laughing like mad. It was eerily reminiscent of the last scene in the silent classic The Crowd (1928), only this film begins with such a scene. You hear a tinny piano in the background and it puts you immediately in the correct frame of mind to watch such a picture.

You are lulled into thinking you will be watching a simple tale of an early 20th century American family, but slowly you find yourself getting deeper and deeper into pathos and drama, a story filled with universal truths which are often hard for us to bear. A really wonderful film. It needs to be out on video or DVD.

I can't remember how I was fortunate enough to even see this movie. It might have been on Bravo. It is based on the Pulitzer prize winning novel "A Death In the Family" by James Agee. He also wrote the screenplay for this excellent movie. It is a small story about a southern family who love one another and what happens when there is a death in that family. Robert Preston is wonderful. His character has such depth and sincerity and the relationship between he and his small son is very moving. Jean Simmons is also very good as the pregnant wife in this small family. I hope this movie is available on DVD or VHS soon. I can't wait to purchase it. Highly recommended.

40 years have gone by since I saw "All The Way Home", the movie. When the World premier debut of this film occurred in Knoxville, TN at the Tennesse Theatre, I was fortunate to be included with my parents to meet Robert Preston at Knoxville's McGee Tyson Airport and travel with him to downtown Knoxville's Tennessee Theatre. Robert Preston played the part of Jay Follet, who in real life was Jim Agee, my father's uncle. I saw the Tad Mosel adaptation of Agee's "A Death in the Family", play "All the WAY Home" at the University of Tennessee' Clarence Brown Theatre last night and that made me long for a chance to see the Robert Preston version again.

I want to thank all those who have added these wonderful comments in the IMDb.

sincerely, john a

Set in the turn of the century, this is a wonderful period piece. Micheal Kearney as Rufus, the couples little boy is sweet and realistic. His father, Jay Follet played by Robert Preston is a top- notch, Oscar caliber performance. His interaction and love for his family is the most realistic that I have ever seen in a movie. Jean Simmons is great, too, her character is heartbreaking and moving. If you get a chance to see this, do it. I don't want to give away the story, but the tragedy she has to deal with will make you think about your loved ones and what it would be like if they were taken away suddenly. A real tear-jerker but a beautiful film.

When it came time to casting for All The Way Home, Tad Mosel's Broadway success based on James Agee's novel A Death In The Family, Robert Preston was considered and got the lead. Ironic because a year before Preston had to fight to get the lead in the film version of The Music Man which was his career role. He wasn't considered box office enough. But the huge success The Music Man was convinced Hollywood's elite he was indeed box office again. Preston and Jean Simmons got the leads in place of Arthur Hill and Colleen Dewhurst despite the fact that Dewhurst had won a Ton Award on Broadway. The play ran 333 performances on Broadway in the 1960-1961 season.

Agee's autobiographical work is set in Knoxville, Tennessee and concerns the reactions of the family nuclear and extended to the death of the father and breadwinner. The first half gives you a picture of the various family members and the second half deals with the sudden death of Preston playing the father. Ironically his father survives Preston in the play and in my family my grandmother survived mine and my mother survived my sister. So my family dynamic is similar to that of the Follets of Knoxville. Hence I could identify personally in a way with what was going on. Fate makes an additional point here by having Preston visit his father on a health related issue.

Shot in Agee's own Knoxville they got a good sense of what it was like in 1915 when the story is set. I get the feeling Knoxville hadn't changed that much in the interim years. One wonders what the area looks like now. The authenticity is stamped into the film.

Preston and Simmons are great in their roles. The highlight of the film is Simmons dealing with their young son played by Michael Kearney. This is one of the great performances given by a child actor because Kearney comes off as a real kid not some Hollywood kid. Simmons herself was brilliant throughout, but especially here.

All The Way Home missed a Tony, but got the Pulitzer Prize for drama for Tad Mosel as it had for James Agee in his original novel. The film is great and moving drama and highly recommended for family audiences dealing with what the Follet family deals with in the film.