The Outer Limits

I was a fan of this show from the premier episode of "The Galaxy Being" which I saw when I was ten years old. I just recently was given the DVD set of both seasons. It's great to be able to see THE UNCUT episodes the way they were originally broadcast. It's true that the special effects of the early 60's are rather crude compared to what can be done with CGI today, however, the original Outer Limits made up for it by two things which often are missing in todays science fiction movies and series:excellent story lines with equally excellent acting. Another thing which always stood out for me was the music score which accompanied each episode. I was surprised when my teenage daughter watched some of the episodes with me and like them. One episode which resonated with her was "Don't Open Til Doomsday" It was weird having her discuss the episode with me and express the same feelings that I had 42 years ago when I saw it for the first time. I have to say that when the technology allowed for more realistic and fantastic special effects it seemed to take the heart out of good story telling. Even though I watched The new Outer Limits on Showtime and enjoyed it I feel that it still was inferior to the original series.

I was eight when this show first appeared on TV. I can give no greater example of the potential power of television than by saying that when the control voice came on to take over the TV set, I would run out of the room. I couldn't watch a single first run episode of this show. Yet when it was over, I would relentlessly pump my brothers for information on what happened in each episode. And sitting in my room listening to the sounds in the living room and Dominic Frontiere's brilliant and unmatched score would transport me despite myself into realms of imagination and fear that I quite simply had never conceived of before. When I finally was old enough, and brave enough, to watch this show (and yes, I've seen every episode and now have the dozen best episodes on VHS), I discovered that what the camera had captured was, by and large, every bit as wondrous as what I had imagined. This show changed my life. How can any movie or TV show do more than that? Best 10 episodes: "The Architects of Fear", "Nightmare", "Demon with a Glass Hand", "O.B.I.T.", "Corpus Earthling", "The Sixth Finger", "It Crawled Out of the Woodwork", "The Borderland", "The Galaxy Being", and "The Inheritors". And don't miss the great performances by Robert Culp, Robert Duvall, David McCallum, James Shigeta, Jill Haworth, Martin Landau, Jeff Corey, Salome Jens, Martin Sheen, Henry Silva, Ed Asner, Nina Foch, George Macready, Sally Kellerman, Arline Martel, Warren Oates, Michael Ansara, Ivan Dixon, Leonard Nimoy, and Steve Ihnat - among others. The so-called Outer Limits anthology series running now doesn't have a clue of what "The Outer Limits" is all about. I wish the producers would be honest and just not use the title "Outer Limits". Then I could forgive them their mediocrity. And for those who say the original is outdated, I say you're only missing out on what this show really means. And don't be so sure that what we understand about the universe now - IN OUR SOULS - is better than what we understood in 1963. Thank you, Internet Movie Database. I've finally found the forum to get this off my chest.

From reading the comments many people love this series,and I am another "Outer Limits " fan.The 60's show is far superior to its 90's namesake and the cliched special effects driven SF programs being made today."The Outer Limits" had none of the technological wizardry available to t.v.now, nor even the recources Irwin Allen's productions at Twentieth Century Fox and"Star Trek" at Desilu/Paramount could draw upon in the 1960's.The series was made by Leslie Steven's "Daystar" productions(a small independent),in black and white and on very tight budgets using the Hollywood soundstages of KTTV(and later Paramount Sunset), with some external scenes shot at the MGM backlot at Culver city.The special effects and makeup vary in quality ,some are very good indeed bearing in mind the limitations in budget (examples-the "Sixth finger", "Nightmare","The chameleon", "A feasability study","The galaxy being" "The Bellero shield" and "The keeper of the purple twilight"--what a title!). The show comes from a period when an unusual amount of high quality writing was evident on American t.v.drama (despite what the F.CC. were saying about t.v. being a "vast wasteland").In my view the first season produced by Joseph Stefano is generally superior to the second when Ben Brady of "Perry Mason" took over.Stefano, who had in 1960 scripted "Psycho" for Hitchcock, wrote quite a number of episodes and extensively re-wrote many of the scripts provided by others during the first season. Not just the writing, but the cinematography (often by Conrad Hall),direction and music gives the show a brooding, moody "otherworldly" quality.Gerd Oswald, a minor film director, was used extensively on the show and his episodes are often the most striking. Even the best series will have it's quota of poorer episodes.In my opinion, among "The Outer Limits" worst are "The Probe"(the final episode,with a notably pathetic monster), "The duplicate man"(an interesting idea poorly executed,with another rotten monster), "Behold Eck", "Cold hands, warm heart", "Tourist attraction","The mutant" and "Specimen unknown"(fiendish extra terrestrial plants which sure aint Triffids!--oddly the highest rated episode of the series).Among my favorite shows are "The sixth finger", "A feasability study" ,"Nightmare", "The chameleon"( with Robert Duvall), "Fun and games"(with a great performance by Nick Adams),and "The Inheritors"( a two parter with Duvall again, and featuring a terrific speech at the end, beautifully delivered by Steve Ihnat). A special mention for four outstanding episodes.In "Obit","The Outer Limits" , back in 1963,was warning about that unpleasant instinct in people which leads them to want to spy into the personal lives of others,and which t.v. has sunk to pandering to today with the likes of "Big brother" and "Survivor"."The forms of things unknown",is a stunning piece, an object lesson in what can be achieved by talented people with a limited budget.The car recklessly driven down the road, Andre's poisoning in the lake, and Tone's weird clock machine are all images that you don't easily forget."The man who was never born", a sci -fi variant on "Beauty and the beast", is full of poetic writing and dreamlike scenes.Martin Landau is superb as the soulful mutant from the future, and the poignant final shot where the camera pulls back from a bereft Shirley Knight who is left in a tiny box of light with the dark all around, is the kind of ingenious moment which starkly sets "The Outer Limits" apart from most t.v. productions."The Guests" is a show I often return to.Within the framework of a Sci-Fi horror tale, we find an elegy on the passage of time, love and loss, beautifully filmed with an outstanding musical score. The performances, from Gloria Grahame( cast in type), Luana Anders( cast rather against type),Geoffrey Horne(among others), the direction by Paul Stanley and script by Donald S. Sanford reward re-viewing with further insights and appreciations.A landmark series.

I don't care what anyone says, this is THE series that changed television and ushered in Sci-Fi and human frailty with excellent, excellent scripts.

Okay, I'll admit, I was three, four and five years old respectively when this series had its first run. And again I will write the words parents don't want to hear or read about: "I remember". Not all, but most. Many of them I caught on re-runs in syndication when I was in my 20's and said, "Oh yeah, this is the one."

But let me tell you about the ones I remember. I remember -- "The Architects of Fear", "The Sixth Finger", "Keeper of the Purple Twilight", "The Zanti Misfits", "Fun and Games", "Demon With a Glass Hand", "The Man Who was Never Born", "It Came from the Woodwork", "Children of Spider County", "I, Robot", "The Invisibles" and the wonderful, wonderful two parter, "The Inheritors".

Those would be the "classics", but there are so many more. What do I remember about those? The Monsters and/or special effects. I didn't quite grasp how well written these were until much, much later. Make no mistake, they are very well written and thought provoking, alot of lessons to be learned/things to ponder even in 2003.

A few notes from me though -- when ABC executive Ben Brady took over, (I guess around 1965?) some of the stories went more "soap opera" than the ones before it. They were still excellent stories but now with Ben Brady leading the helm, you knew his breakthrough night time series "Peyton Place" was rolling around in his mind. Again, this is something I noticed, way later upon syndication views.

I've always had a secret wish, and that was to take a few of these classic Outer Limits series and develop a feature film out of each them. Some are so well written and hit right to the center of your brain to make you take a moment and wonder, seriously, about your world around you and those who are in charge of it.

I am in love with this series. It is classic television, classic Sci-Fi, classic story writing and even though these folks had a nickel and a dime for a special effects budget, they did very, very, well for its time.

Along with the writers, the creators of this 60's series, The Outer Limits, I also have to add that the music was to die for. It added so much to each installment. That and the main Cinematographer, the late, great, Conrad Hall. Wanta see the beginning of excellent work in cinnematography on a less than shoestring budget? Watch these. A must for all film students. You'll be so overwhelmed and wonder how could they do this for the money they had in the 60's no less.

A must for everyone's library. I own every single one of the issues on VHS and started collecting on DVD. A genius of a series. A wonderful collaboration of Producers, Directors, Writers, Network, Actors, Actresses everyone to make a series that will be immortal. This series is beyond excellent.

This was a serious and thoughtful series much like "The Twilight Zone"(which aired at the same time) but one which isn't as well remembered or aired, which is a shame, but modern audiences may consider this show talky and slow, as it certainly is different than such anthology series today, which are all about shock value and quick editing.

This series wanted to make its audience think about the potential folly of human nature('The Architects Of Fear') or possible first contact with aliens gone awry('The Mice') and so on. Some episodes were whimsical ('Behold, Eck!) but would still create much imaginative speculative fiction about a two dimensional creature. Of course, you would still have episodes about a sand shark on mars('The Invisible Enemy') to provide the kids with typical monster thrills.

Interesting series that is on DVD, with a memorable disembodied voice introducing the premise and pretending to take control away from the viewer for an hour, which may be the only way you can see it, since unlike "The Twilight Zone", this doesn't get any marathons!