Doctor Who

Without doubt the best thing about DOCTOR WHO is its format. The premise of a space craft being able to visit any time period or any planet means the possibilities are limitless . However it`s a series often ridiculed and no television show is producer proof , a fact that shows up in the late 70s and 80s

Created in 1963 by Sydney Newman the first producer was Verity Lambert a woman who would later become a legend of broadcasting in the 70s up till today. Lambert`s talent shines through in the early episodes with William Hartnell as the Doctor. True it`s got a budget of sixpence and the sets are as big as a cupboard but the production has excellent writers and is treated with absolute respect most of all from the actors who always manage to suspend our disbelief with convincing acting , especially William Russell who plays Ian Chesterton . Ian plays the typical heroic figure to Hartnell`s atypical antihero, and it`s intresting to note the antagonistic approach towards the early tardis crew. Also interesting to note that each SF story was followed by a historical story . Strangely the SF ones have dated very badly

By the time Patrick Troughton took over as the Doctor , Dalekmania , antagonism between the changing tardis crew , and historical stories had disappeared and in it`s place we had more formuliac and scarier stories in their place. Unfortunately the BBC junked most of this eras mastertapes so we only have a brief taste of this era, but Troughton never gave a bad performance and his assistants were sexy

Jon Pertwee , colour , and an entirely Earthbound format was introduced in 1970 . I`m not alone in saying this was the best era and was when I first started watching the show aged about four years old though I had to watch it behind the couch. Every Saturday afternoon was the highlight of my life , all my friends watched it as the viewing figures climbed. Alas the Pertwee era hasn`t aged very well as I found out watching the repeats over 20 years later.

Tom Baker had an era of two halves when he took over from Pertwee. Coinciding with the change of actors we had a change of producers as Barry Letts gave way to Phillip Hinchcliffe who took DOCTOR WHO to even greater heights 14 million viewers would tune in as the show became more adult and terrifying , concerned mothers and viewers pressure groups would bombard the BBC with complaints about the horror on show which meant when Hinchcliffe was replaced with Graham Williams in 1977 and with it ended the programme`s most acclaimed period. It probably wasn`t William`s fault but DOCTOR WHO soon started becoming very silly , the monsters were laughable and Tom Baker seemed to be taking the p***.

In 1980 John Nathan Turner took over the producer reins and when Baker left the following year he cast Peter Davison as the Doctor. The early Davison episodes were certainly an improvement on the latter Baker era , KINDA for example features a guest appearance by Simon Rouse of THE BILL fame and gives the greatest performance in the show`s history , while THE CAVES OF ANDROZANI often wins fan polls as the greatest ever DOCTOR WHO story but the cracks were starting to show as Nathan Turner started introducing more and more old foes and when Colin Baker was ( Mis)cast as the Doctor in 1984 his whole first season featured old enemies and anorakish references to the past. This led to the BBC putting the show on hold for a year

The show returned in 1986 worse than ever and now cut to 14 episodes a year, Colin Baker was sacked and replaced by Sylvester McCoy who was an even bigger disaster than Baker and by the time the show was axed in 1989 it only had something like 3 million viewers. As a fan I`d describe it as a mercy killing.

So ended a once great television series . It has become a fondly remembered legend and there`s often rumours of a Hollywood remake , but as the American 1996 TVM showed megabuck budgets can`t enhance a poor script. DOCTOR WHO works best as a memory

It is now wonder this show has run for as long as it has. I'm reviewing the classic series only, although why it's split into two I've never fathomed out. Seven actors held the mantle of being the Doctor, credit to William Hartnell, for being the hook, for gripping the initial viewers, and credit to Patrick Troughton for doing the unthinkable and taking over the lead role.

I love how each generation of my friends had a 'Doctor,' and how passionate they felt towards theirs. I grew up with Sylvester as mine, and sadly by then the show was in a huge decline and subsequently ended up being axed.

Purple patch of the show for me Series 13, Tom and Lis on supreme form, fantastic production values, and writing to match, the whole Gothic horror format worked amazingly well. Such a shame that the quality went out of the show during the late eighties for the most part, but there are definite hidden gems in there, Remembrance of the Daleks being a prime example.

I'm sure we all know parts of the series inside out, so doing a general review is quite difficult, all I can say is that I've loved this show since I was young and continue to do so.

Highlights, Caves of Androzani, Genesis of the Daleks, Pyramids of Mars, to name but a few.

Legendary 10/10.

This series is just too huge to put into words. Classic Who has so many different styles and stories and protagonists. It's amazing concepts and different, iconic things.things that are just common knowledge in our culture today. Eight Doctors. Eight eras. There's just too much of it to put into words. Doctor Who is just part of British culture due to this fine, twenty six season long story of a time travelling alien.

Each Doctor's era is very different. They seem to have the same style as the Doctor. The Doctor ran the show, with the exception of the First Doctor (William Hartnell) to a degree, who let his companions take charge. Each Doctor had unique personalities, and the style and stories of Classic Who matched the Doctor they were assigned to.

The First Doctor was more of an adviser and let his companions take control, but he was still a crazy, lovable alien just like his other incarnations. The Second Doctor (Patrick Troughton) is my favourite, he's very childish but intelligent and was grown up when he needed to be. The Third Doctor (Jon Pertwee) was the earthbound Doctor started off as arrogant and annoyed, but gradually became more loving. The Fourth Doctor (Tom Baker) arguably made the show popular and is the most known Classic Doctor. He's also arguably the most childish and always had that huge smile.

The Fifth Doctor (Peter Davison) was the youngest Classic Doctor, but acted like the oldest at times. He's arguably the most unlucky Doctor as he just wants fun but death surrounds him. The Sixth Doctor (Colin Baker) is arguably (yes, again) the most disliked Doctor due to his arrogance and choice of clothing (not his fault). He was very childish and serious most of the time. The Seventh Doctor (Sylvester McCoy) was the clown to start off with, but gradually got much darker and more manipulative but always remained childish. The Eighth Doctor (Paul McGann) was probably the most human Doctor, and seemed to be one of the most childish but had a hidden sadness and rage, leading into New Who.

The TARDIS is the Doctor's iconic time and space travelling machine. It has became so iconic in British culture that if a child sees an old police box, he'll/she'll probably shout "TARDIS!" and point. The Master is the Doctor's nemesis, his Moriarty, who can also regenerate when injured as they are both the aliens called Time Lords from Gallifrey. Daleks are another iconic thing in Britain now, try and find somebody who doesn't know what one is.

Of course, these are only brief descriptions and don't go into each era, which usually matches the Doctor at the time. The series is so massive that I could describe it for hours. So impressive. A small concept became such an iconic show. Possibly more famous than Robin Hood, another British achievement.

I gave this series a 9 for a reason, though. I believe the pacing is too slow. It's hard to pay attention much of the time as things take so long to happen. This was normal at the time of 1960s Doctor Who, but not the extent this series. As fun and interesting as it is, it can bore me to a very large extent. If only each story was cut in half, bar some of the better paces stories.

So a huge cultural thing, but the series itself has a number of problems. The concepts are so genius, though, that these can be forgiven. I just find the series hard to watch a lot of the time. I'll review New Who (2005-) separately.

This is perhaps one of the finest sci-fi series ever made. The idea is simple; a timelord who travels through time and space in a TARDIS (in the shape of an old Police Box)with various companions to fight the forces of evil in the Universe.

The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.

Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.

After a wait of almost sixteen years and with only just over a week to go before the new series of "Doctor Who" begins, let's hope that some classics are on the way to warrant all the hype and, above all, that the show remains true to its original spirit and is as fun as it always was. With that in mind, I thought it might be an opportune time to reflect on some of the great stories of the past.

From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...

So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.

I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!

My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.

Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.

"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!

Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?

And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.