Il fuggiasco

The Fugitive was a top show starring David Janssen as Dr. Richard Kimble. Kimble had been wrongly accused of the murder of his wife and he went on the run pursued by Lt. Gerard (played by Barry Morse). His only method of proving his innocence was to find the one-armed man who had killed his wife.

It was a very realistic drama show and David Janssen drew the audience into his predicament. Whatever pain he was feeling, the audience felt too. He was a man who viewers could empathize with. Each week he travelled from place to place meeting up with people, most of whom sympathized with his predicament. There was tension and drama throughout the entire series run. It was a very believable drama. It's a pity that nobody can produce shows like that any more.

One other thing; I believe this show inspired The Incredible Hulk live action series from the late 70's. In both cases, innocent men were on the run for crimes they didn't commit, both men were pursued (David Banner was pursued by a reporter) and both David Janssen as Kimble and the late Bill Bixby as David Banner drew the viewers into their predicament.

I was not alive yet when the show was in its original run. When I became a teenager, I happened to be flipping through the channels one late night and I stumbled across a rerun of "The Fugitive". I was hooked immediately.

I idea behind watching any TV program or movie is to provoke raw emotion from the viewer. Whenever I watch "The Fugitive", my heart actually beats faster. I always felt nervous, merry due to Kimble triumphing, scared, etc. No other program I have ever watched has given me such great feelings.

The show had an excellent premise (we all know it). The character development is the best of the best. Kimble, we saw his weaknesses, did not deserve the injustice that was brought to him. His strengths always kept him one step ahead of Gerard. Gerard, he was the epitome of a man possessed. Great characters and a great story.

Granted, the show has some continuity problems. But those things were overshadowed by an excellent product.

Most other drama on TV today is sappy and weak compared to this.

"The Fugitive" is what a real dram is supposed to be!!

According to both my ears and the book 'TV's Biggest Hits' by Jon Burlingame, much of the music we hear in the episodes of the original version of the TV series 'The Fugitive', first appeared on 'The Twilight Zone'. In fact the musical director of 'The Fugitive', once he heard that the show was coming to an end, went up to the late, great, Jerry Goldsmith, who has composed the original tracts when they were used on 'The Twilight Zone', and said 'What's this I hear: they're going to cancel 'our' show!'.

Still, it was an appropriate choice as Richard Kimble spent four years in his own, personal 'Twilight Zone'. If you look at most of the classic episodes of the earlier show, they involve a troubled hero finding himself in a world that doesn't seem to make any sense any more. He convinces himself if he can figure it out, or find a way out of it, things will be OK again. But he never seems to make it- just like so many of our dreams. Kimble's world is shattered by an argument with his wife and her subsequent murder. He's on the run in his own country, now suddenly hostile to him. He has to suppress his emotions and hide his identity while he pursues 'the way out': the one-armed man; and avoids pursuit by Lt. Gerard, the symbol of all his fears. Goldsmith's music was very well used.

I heartily agree with those that rank this as the best TV series ever. Leonard Goldenson was right: it's the best concept for a show ever. Also the best execution. David Janssen's performance is amazing. He's deprived of most of an actor's tools: he keeps his head down and says as little as possible in order to avoid recognition. Yet he conveys this character's feeling perfectly. The tremendous array of guest actors, playing characters in their own little psychological prisons adds great depth to the show. The directing was sharp, well-paced and uncluttered with too many obvious 'techniques'. The writing was consistently good. Pete Rugolo's wonderful main musical theme could be played allegro for excitement or largo for poignancy- and this was the most poignant show ever. It was about psychological alienation. The only other shows I can think of that reached this deep were 'The Twilight Zone' and, occasionally, 'Star Trek'.

This was one of the few classic TV shows of which a movie version was later made that was any good at all. Roy Huggins, the creator of the show, had some input into the Harrison Ford film. That film, compared to the TV show, is rich in money, production values and excitement. It has flashes of characterization that give the action more meaning than most modern day flicks. However the TV was rich in time, with four years of hour long episodes to tell all its various stories. In the end that made it far more moving. If only the film could have been the ending of the TV show, ('The Judgment' is not really all that good, despite its historical ratings).

My dream ending for the show is Kimble leaving the courthouse and suddenly finding himself surrounded by the women who fell in love with him in all his travels, and then running down the street to escape from them! Actually, I think it would have been nice if he found Vera Miles and the boy from 'Fear in Desert City' waiting for him. That would have been the most poetic ending of all. I wonder what Goldsmith might have written for that.

"The Fugitive" was without a doubt the ultimate example of how a dramatic series is suppose to be done and to this day sets the example for other dramatic shows that were to follow. It was simply put one of the greatest television shows of all time,and the greatest drama ever presented in the history of prime time-television. Somehow,this series has a uniqueness about it in its own way,but in the long run was the prototype of many other shows that were to follow it("The Immortal", "The Invaders","Run For Your Life","Run,Joe Run","The Incredible Hulk"). TV Guide once called this series,"the best TV drama of the 1960's". But it became so much more as the series was frankly a combination of drama,and crime events put together along with some breathtaking suspense and cliffhanging excitement as the standard formula for this show,and it did extremely well giving the series several Emmy nominations for its excellent writing and acting for its star of the show:David Janssen. In other words,the best dramatic series of all time. The opening credits give the introduction to the character...........

Dr. Richard Kimble,an innocent victim of blind justice..... Falsely accused for the murder of his wife when a train wreck frees him on route to the death house....FREED HIM...To hide in lonely desperation and to go from town to town toling at many jobs...... FREED HIM...To search for the one-armed man leave the scene of the crime and to go after him for the murder of his wife.... FREED HIM...To run before the relentless pursuit of the Police Lt. who is obsessed with his capture...

Of course the character of Richard Kimble was loosely inspired by Dr. Sam Sheppard who was convicted and sentenced to 10 years in prison for the 1954 murder of his wife,Marilyn,but was acquitted in a second trial in November of 1966 for a murder he did not commit. The major difference was that Richard Kimble spent four years chasing the real killer who was near the scene of the crime(a one-man armed man)while he was being framed for a murder that he didn't commit,whose wife was brutally murdered in her own home while she was alone,and he was blamed for the crimes....That is basically setting up an innocent man who had nothing to do with the crimes,but also was trying taking his life to hell in a handbasket for something he didn't do! That's wrong! That's blind justice gone astrayed! But the series "The Fugitive" was grand entertainment at its finest hour,and let me explained how......

I.)The Black and White Episodes:Seasons One Through Three:1963-1966

From its premiere episode in September of 1963,"The Fugitive",was grand suspenseful and intriguing entertainment at its finest and with the black and white episodes that came out,it works on many levels,and we are introduced to the character of Richard Kimble(David Janssen),and his adventures going from town to town as he stays one step ahead of the Police Lt. in charge of the manhunt for Kimble,Phillip Gerard(Barry Morse),and the search of the one-armed man who killed his wife,Fred Johnson(Bill Raisch). During the first three seasons of the show,it presented a good decent,and well developed main character and from there evokes emotion from the viewer by having something happening to him that he absolutely doesn't deserved,which evoke genuine emotion,plus he was a character whom viewers can empathize with. Whatever pain he was feeling,the audience felt it too. And each week there was always something happening as Kimble stumbles into each town or city for someone's help or help comes to him,and right away the trouble ensues and the suspicious party that recognizes Kimble's wanted poster from the police bulletin,are right there to call the authorities with by the way,Kimble easily escapes them with just a slip from the cops in the local town and from there drifts into a new venture where he must stay one step ahead of Gerard and to one step toward the lookout for the one-armed man. Kimble eluders his pursuers,gets away for another week while we see him walking backwards down the road,thumbling a ride with a sack over his shoulder. A car passes him,he turns around keeps walking while the legendary William Conrad's voice speaks in the background,"Richard Kimble:Fugitive. Still searching for the one-armed man". "The Fugitive" was an incredible exercise in formulatic writing when nowadays is used as a textbook on

"The Effect Screen writing Of Classic TV Shows",which as of this writing several college campuses and universities are using this format as a part of the TV writing and Journalism courses as a teaching tool for those who are interested in this venture. So college courses show this series as a backdrop on how to write,and produced standard TV shows and it works!(The Black and White episodes of this series) Back to the TV show,"The Fugitive",the show followed the standard Quinn Martin production formula of prologue,multiple,and epilogue--which is basically used in several QM produced shows to follow like,"The FBI","The Invaders","Dan August","Cannon","The Streets Of San Francisco","Barnaby Jones","The Runaways","Harry-O" and so forth.

Here is the summary formula for almost every show: 1. Prologue 2. Act One 3. Act Two 4. Act Three 5. Act Four 6. Epilogue

II.)The Color Episodes:Season Four:1966-1967. In the fall of 1966,"The Fugitive" made the transition from shades of gray(black and white)to color,and from there the show suffered in the ratings,but before the producers(Quinn Martin and Roy Huggins)let ABC bring down the axe of this show,they decided by not risking the series to be cancelled without having a finale. However,the format was basically the same with Kimble staying ahead of Gerard,but the last two episodes of the series were simply put the greatest upset in the history of television. The two-part finale of The Fugitive entitled,"The Judgment",aired on August 27,1967 and the last episode of the series on August 28,1967,after an astounding four seasons and 120 episodes. After four grueling years of chasing and being chased,Kimble finally catches up with the one-armed man,who admits to having been Helen's real killer. In the climax,Kimble chases Johnson on top of the building and from there Johnson is shot and killed by Lt. Gerard,who saves Kimble in the process and is acquitted of all charges. It went on to become one of the highest rated TV finales of all time,and still is in the top ten of the best TV finales ever made.

With each passing decade, we seem to descend further into lower and lower literary standards in prose, film, everything. Jumping back thirty or forty years, we see that even television could be deep at times. This and many other shows of the first twenty years or so of TV actually had believable premises, developed characters and strong supporting roles as foil to the lead (Barry Morse's lawman here). The good news is that cable will continue to unearth gems from the past such as "Fugitive" due to sheer need of programming.