Che fine ha fatto Baby Jane?

In 1917 "Baby Jane" Hudson is an adored vaudevillian child star, while her sister Blanche Hudson lives in Jane's shadow. By 1935, both sisters are movie actors, but their fortunes have reversed: Blanche is a successful film actress, while Jane is forgotten and languishes in little-seen B-movies. One night, an inebriated Jane mocks Blanche at a party, provoking Blanche into running away in tears. That night, Blanche is paralyzed from the waist down in a mysterious car accident that is unofficially blamed on Jane, who is found three days later in a drunken stupor.

In 1962 Jane has descended into alcoholism and mental illness, and treats Blanche with cruelty.

What happens is a waking nightmare but the ending is more shocking than Bette Davis appearance.

Now this film is fun to watch. You need to see this. This was an instant classic upon its release. In 2017 the film returned to public conscienceless because of the Ryan Murphy Mini Series "Feud". That mini series is all about "Betty & Joan". It details the making of this film and all the events that surrounded it.

I've always being a fan of What Ever Happened To Baby Jane. I saw it for the first time as a teenager and Bette and Joan became my obsession. I tried to see everything they had done and did I? All About Eve, The Little Foxes, Now Voyager as well as Mildred Pierce, Humoresque. I warmed up quicker to Bette. Her horrible women were priceless and she was fearless. Joan Crawford kept me at a distance, I think the cosmetics got in the way. But now, watching Baby Jane in 2017 - thanks to the amazing Ryan Murphy series "Feud" - I saw a very different Crawford and her performance has grown in scope and depth. I know I shall see this film again. Fascinating to realize there is still so much to discover.

Whatever Happened to Baby Jane? might seem dated, but it is still an extremely riveting watch. I literally could not look away, as soon as the movie started, I couldn't stop until it had finished. Not a lot of movies can do that to me. The acting is extremely good, Bette Davis and Joan Crawford are just so good as the main focus of the movie. The chilling score is suits the movie and the camera-work reminds me a lot of Hitchcock.

The story focuses on two sisters, Blanche Hudson (Joan Crawford) who was crippled in an accident awhile ago and "Baby" Jane Hudson (Bette Davis). Jane used to be a big child star, she even had a doll brand after her. Now, though, she is no longer recognised while her sister has recently become very famous. They live in an old mansion, with Blanche confined to her room upstairs while Jane gets madder and more cruel by the day.

Bette Davis gives the star performance here, some may call it over-acting but it is far from. She really makes Jane as mad, cruel and sad as possible. Joan Crawford is equally good in a very different role. She is much more timid then Jane and quite scared. The supporting cast are all good as well, especially Victor Buono as Victor Flagg, an odd pianist that befriends Jane. The black and white really are used to full effect, they make the mansion look extra creepy. Robert Aldrich's direction is fine.

To today's modern audience, this may seem boring as it does not have any action. Most of the movie is dialogue, but I do urge those who haven't seen it to do so, as it is a truly excellent movie.

A solid 5/5!

I have seen this movie at least two dozen times, and I will see it at least that many times again. It's such a Bette Davis feast. Of course, she was nominated for an Oscar. And she should have won it! There was a lot of 'history' between Miss Davis and Miss Crawford going way back to the 1940s, when Crawford was let go from M-G-M and went to work at WB where Bette Davis was Queen of the lot. The stories behind the making of the film are as interesting as the movie, with Miss Crawford demanding the set be kept at a breezy 55 (but preservative) degrees causing all kinds of problems with Miss Davis's bronchitis. One only wonders how much 'acting' was involved as Miss Davis tortures Miss Crawford emotionally and, later, physically. Miss Crawford suffers grandly and has her mandatory telephone scene, big eyes tremulous with fear. She is great, but it is a Bette Davis tour-de-force and she wipes every other actor off the screen. Full 10 of 10 for this one, and recommended to everyone who wants to see what the great actresses of the 1930s and 1940s could and would still do, albeit in minor-A productions, as the requests for their services dwindled, but wanted to keep on working.

I don't think I walked into this one with the right set of expectations. I expected a low-fi, creepy bit of occult-tinted fun from an age before horror films were bloated, over-done sacks of crap, and what I got was much different. I wouldn't really say this is a straight horror movie like Psycho or The Birds, as it unfolds itself like a riveting drama of two sisters instead. The acting is phenomenal, though, at least from our two lead characters, and the way they play off each other is just fantastic. This one takes a while to get going, but once it does, you are in for a high-octane, creepy thrill ride. Recommended to fans of older horror/suspense type movies.