Tre oriundi contro Ercole

The Three Stooges Meet Hercules (1962) was another theatrical film that the aging "Three Stooges" did for their new generation of fans. Having to tone down the physicality of their slapstick humor, the Stooges had to use a lot more verbal exchanges than they have did in the past. The three lovable geezers work in a pharmacy. Theie boss is a swell guy but he's also a spineless creep. A freak accident causes all of them to travel back to Ancient Greece and create all kinds of havoc. Several questions are raised (aren't there always). How did they wind up traveling backwards in time? Who will greet them in Ancient Greece. Where do they wind up at? How can they communicate to the natives if they speak ancient Greek? To find out the answers to these earth shaking questions then you'll have to watch THE THREE STOOGES MEET HERCULES!!!

Recommended for die-hard geriatric Three Stooges fans.

I was a big fan of the three stooges back then and this was the first feature movie I saw, and it was at a drive in. I think I was in my pyjamas when I at the drive in. The most memorable part of the movie was when the three stooge were in a jail cell and cut through a bar to escape. The bar was attached to a small table on the above floor where Hercules was eating grapes or something. In their attempt to escape the jail cell the three stooges push the bar up and hence push the plate of grapes into Hercules face which infuriates him. There begins a game push and tug with the table and the jail bar. I don't know why I remember this through all these years but I do. I was young at the time and impressionable. Now all these people I watched are now dead.

This is one of the best of all the later '60s feature films to star the enduring comedy trio. It succeeds admirably because Moe, Larry and Curly Joe are kept up front of the proceedings and it doesn't hurt at all (except perhaps for them when they get smacked around) that the comedy is consistent and faithful to what we expect from seeing all those old Stooge shorts. Despite their advancing ages, the "boys" hit all their marks perfectly and never do we get the impression that we're dealing with men well into their sixties. The Stooges are pharmacy workers who get a hold of a time traveling device (it doesn't matter how or why) and find themselves in ancient times where they face a lot more than just Hercules. For such a film, the production looked more expensive than it probably was, and I had to smile at the winks to BEN-HUR. *** out of ****

Most comedy is subjective. Whether one enjoys the comedy of the Stooges, like the Marx Brothers, WC Fields, Martin & Lewis, A&C, etc., is up to the individual. BTW, the Ritz Brothers were seldom funny, and the Dead End Kids really wore thin.

This individual loves them. I did when I was a kid - and still do now that I'm pushing 50. I'm primarily referring to their 20-minute shorts (1932-1959).

Personally, I feel that this is far and away their best feature. Most of their features are rather long in the tooth and geared towards kids.

This one makes me laugh. I hope you enjoy it as much as I.

All the Stooges films set in past historical eras intentionally spoof historical genres with anachronisms (ancient Egyptians comment on baseball, a Civil War general makes a reference to a radio show, Medieval knights worry whether Lady Godiva might offend the censors, etc.). But anachronisms are tossed about so gleefully here, you begin to realize that this is what the film is really all about - how movies set in the past pull the wool over the eyes of their innocently romantic audiences with a few spangles, a bit of flash, the inevitable tear-jerk scene, and a good dose of beefcake/cheesecake. In fact, the recipe for this film could make for pretty heavy satire if the Stooges weren't so clearly making a light-hearted (and light-headed) romp of it all.

Those who complain that the boys are looking pretty old in the film pretty much miss the point. An aging clown looks bad when he tries to play it young; but by working one's whiskers into the act, the clown regenerates himself as a new personality. These are not the old Stooges who bounced their way through the madcap shorts of the '30s; but they are a heck of a lot more fun than the Stooges of the '50s, trying to pretend that age had never happened. True, in their later features, they were very dependent on their scripts, which frequently let them down. But here the script is really not bad at all, and the Stooges are having a grand time, and we should, too. Just set your critical mind at rest and enjoy the show.