VALUTAZIONE IMDb
5,9/10
1423
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA brother and sister find romance and good clean fun at the state fair in Dallas.A brother and sister find romance and good clean fun at the state fair in Dallas.A brother and sister find romance and good clean fun at the state fair in Dallas.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Tap Canutt
- Red Hoertert
- (as Edward 'Tap' Canutt)
Bebe Allen
- Usherette
- (non citato nei titoli originali)
Sheila Allen
- Hipplewaite's Girl
- (non citato nei titoli originali)
Leon Alton
- Nightclub Patron
- (non citato nei titoli originali)
Don Anderson
- Audience Member
- (non citato nei titoli originali)
Jerry Antes
- Dancer
- (non citato nei titoli originali)
Recensioni in evidenza
The third film version of 'State Fair' (and the second musical version) is only partly successful, although it is nowhere near as bad as reviews of the time would have you believe.
Margy Frake this time round is played by newcomer Pamela Tiffin, who is rather colourless (and has her voice dubbed as Jeanne Crain did 17 years earlier). Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.
Pat Boone, in one of his few film appearances, is really rather good as Wayne Frake, who is now a racing driver, and of course he does his own songs and rather well. As the show singer Emily, Ann-Margret is embarrassing and too trashy; I always find her a bit OTT, as she is here.
The Frake parents, Tom Ewell and Alice Faye are charming and both have songs created for this version which were not in the '45 film, including a charming duet when they are out on the midway.
The new songs, written by Rodgers alone as Hammerstein had died by the time the film was created, are a mixed bunch. 'Never Say No To A Man' is just plain odd, although is a nice number for Faye's voice. 'Sweet Hog of Mine' fits perfectly, although some of the others feel like padding. Now the Sate Fair has relocated to Texas, we have a new song to replace 'All I Owe Ioway', this time it is 'The Little Things In Texas I Love'.
Although watchable, the relationship between Jerry and Margy in particular does not have the easy romance we saw in previous versions; while Emily does not gain the audience sympathy her character should.
A misfire, then, but a fascinating companion piece to the earlier version and it is useful to see them released together on DVD.
Margy Frake this time round is played by newcomer Pamela Tiffin, who is rather colourless (and has her voice dubbed as Jeanne Crain did 17 years earlier). Her squire at the fair this time round is called Jerry and works for that new-fangled media, the 'tube' or TV. He's played by Bobby Darin who looks far too old to be chasing Tiffin - perhaps that is why a couple of references were added in this version about her age.
Pat Boone, in one of his few film appearances, is really rather good as Wayne Frake, who is now a racing driver, and of course he does his own songs and rather well. As the show singer Emily, Ann-Margret is embarrassing and too trashy; I always find her a bit OTT, as she is here.
The Frake parents, Tom Ewell and Alice Faye are charming and both have songs created for this version which were not in the '45 film, including a charming duet when they are out on the midway.
The new songs, written by Rodgers alone as Hammerstein had died by the time the film was created, are a mixed bunch. 'Never Say No To A Man' is just plain odd, although is a nice number for Faye's voice. 'Sweet Hog of Mine' fits perfectly, although some of the others feel like padding. Now the Sate Fair has relocated to Texas, we have a new song to replace 'All I Owe Ioway', this time it is 'The Little Things In Texas I Love'.
Although watchable, the relationship between Jerry and Margy in particular does not have the easy romance we saw in previous versions; while Emily does not gain the audience sympathy her character should.
A misfire, then, but a fascinating companion piece to the earlier version and it is useful to see them released together on DVD.
The third and probably the last remake of State Fair is this one which came out in 1962 and starred current pop stars Pat Boone, Bobby Darin, Ann-Margret, and Pamela Tiffin. The first three did their own singing, Anita Gordon's voice dubbed Tiffin. That continues a tradition from the second State Fair where Jeanne Crain's voice was also dubbed.
The Frake family changes states in this one though. The first two films had them in Iowa, but here they're Texans and they go to the State Fairgounds in Dallas. The change in states also necessitates a new song for the score with the parents played here by Tom Ewell and Alice Faye. The Little Things In Texas is done with grace and style by these two veteran performers. Alice who has aged gracefully into the mother role also has a solo where she gives her daughter Tiffin some sage advice about handling the new man in her life Bobby Darin. Never Say No To A Man, but definitely keep him guessing.
The main body of the score that Rodgers&Hammerstein wrote for the 1945 version is kept intact though. Again ironic that the Oscar winning song from the 1945 version is again dubbed. It Might As Well Be Spring comes out of the mouth of Tiffin as it did with Jeanne Crain. Maybe one day someone will sing it for real on screen.
My favorite song from the score is It's A Grand Night For Singing which is one of those numbers that just leaves you with a glow. It's sung by the entire cast, both generations who are just celebrating life and love at the State Fair. It's sung by the main players wherever they are at the moment in the case of Bobby Darin and Pamela Tiffin on the Ferris Wheel at the Fair, the same as Dana Andrews and Jeanne Crain did in the 1945 version.
Recently I learned that Andrews was a good singer, but kept that fact from 20th Century Fox lest he be cast in silly musicals. So all we get of him is a few lines with Crain and the chorus pretty much drowning him out. However with a real singer in Bobby Darin that necessitated writing one good number for him. Richard Rodgers who did both the music and lyrics as he did for No Strings on Broadway wrote for Darin a rather plaintive ballad This Isn't Heaven which Bobby sings well.
With musical tastes changing I doubt we'll see another remake of State Fair. Where are the voices to sing the songs? So I would say take the advice that opening number, it's a great state fair, don't miss it don't even be late.
The Frake family changes states in this one though. The first two films had them in Iowa, but here they're Texans and they go to the State Fairgounds in Dallas. The change in states also necessitates a new song for the score with the parents played here by Tom Ewell and Alice Faye. The Little Things In Texas is done with grace and style by these two veteran performers. Alice who has aged gracefully into the mother role also has a solo where she gives her daughter Tiffin some sage advice about handling the new man in her life Bobby Darin. Never Say No To A Man, but definitely keep him guessing.
The main body of the score that Rodgers&Hammerstein wrote for the 1945 version is kept intact though. Again ironic that the Oscar winning song from the 1945 version is again dubbed. It Might As Well Be Spring comes out of the mouth of Tiffin as it did with Jeanne Crain. Maybe one day someone will sing it for real on screen.
My favorite song from the score is It's A Grand Night For Singing which is one of those numbers that just leaves you with a glow. It's sung by the entire cast, both generations who are just celebrating life and love at the State Fair. It's sung by the main players wherever they are at the moment in the case of Bobby Darin and Pamela Tiffin on the Ferris Wheel at the Fair, the same as Dana Andrews and Jeanne Crain did in the 1945 version.
Recently I learned that Andrews was a good singer, but kept that fact from 20th Century Fox lest he be cast in silly musicals. So all we get of him is a few lines with Crain and the chorus pretty much drowning him out. However with a real singer in Bobby Darin that necessitated writing one good number for him. Richard Rodgers who did both the music and lyrics as he did for No Strings on Broadway wrote for Darin a rather plaintive ballad This Isn't Heaven which Bobby sings well.
With musical tastes changing I doubt we'll see another remake of State Fair. Where are the voices to sing the songs? So I would say take the advice that opening number, it's a great state fair, don't miss it don't even be late.
I liked it, although it is not up to par with it's 1945's predecessor. The 1945 film was absolutely charming, and this one does fall short in some areas. The romances do not seem quite as fulfilling as in the earlier version, yet the musical numbers are something to gawk at.
Ann-Margret is stunning at the beginning of her career and practically steals the show. Pamela Tiffin is charming and surprisingly manages a southern accent very well, while the hopelessly miscast Pat Boone is giving it his all to be a Texas farm boy and it just doesn't seem to work out. However Bobby Darin is darling as a self - centered reporter who falls for Tiffin without realizing it. The remake uses all of the songs from the original musical, minus "I Owe Iowa" which was replaced with "The Little Things in Texas" due to the change in setting. Its new songs are very good, and while Margret's jazzy remake of "Isn't it Kinda Fun?" raised a few eyebrows, the musical direction is very well done and fully satisfying.
Really the only drawback to this production is in comparison with its two earlier versions. The love stories in the 1945 version were more complete, the acting a little more sincere, and the story more innocent. This 1962 version obviously had a much bigger budget to work with and it comes across in the musical numbers. It is a worthwhile production and a good movie.
Ann-Margret is stunning at the beginning of her career and practically steals the show. Pamela Tiffin is charming and surprisingly manages a southern accent very well, while the hopelessly miscast Pat Boone is giving it his all to be a Texas farm boy and it just doesn't seem to work out. However Bobby Darin is darling as a self - centered reporter who falls for Tiffin without realizing it. The remake uses all of the songs from the original musical, minus "I Owe Iowa" which was replaced with "The Little Things in Texas" due to the change in setting. Its new songs are very good, and while Margret's jazzy remake of "Isn't it Kinda Fun?" raised a few eyebrows, the musical direction is very well done and fully satisfying.
Really the only drawback to this production is in comparison with its two earlier versions. The love stories in the 1945 version were more complete, the acting a little more sincere, and the story more innocent. This 1962 version obviously had a much bigger budget to work with and it comes across in the musical numbers. It is a worthwhile production and a good movie.
This was the "updated" version of the original State Fair. The locality of this remake is Texas, not Iowa, as the original version was, which may make it seem "bigger" but not really "better". Alice Faye (who was in the original) is great, and Bobby Darin stole the show as the smooth talking big town guy, while Ann Margaret sparkled as she sang and danced during her production numbers, "Isn't It Kinda Nice". The music is wonderfully done, as always, and I truly wanted to enjoy this film more than I did. Boone was musically at the top of his form in this film and makes a valiant try in the dramatic parts of his role of Wayne, but the dramatic parts were just not as believable as his singing. The musical scenes were very good, and made the movie fun! It's a whimsical look back at a time which probably never was this clean cut. However, I do remember the importance of State Fairs, with its 4-H and farm demonstration, carnivals, family atmosphere, and introduction of young people in domestic and farming activities. To win FIRST in anything at the State Fair is BIG stuff. This part of the film rings very true. The plot is thin, because the music was the important part of the film. A DVD is currently available of both versions of "State Fair" (1942 and 1962 version). Anyone interested in comparing the two should view this DVD. Still "State Fair", whichever version you view does have songs which make it a "grand night for singing". Joyce
7jppu
For 45 years or so, this remake of State Fair has been unfairly judged going back to the original reviews. In spite of that, it was a hit then and it should be a hit today. It's a great family film, the kind they don't make anymore, plus morals - something we don't have in movies today!! Jose Ferrer really outdid himself as a director. He keeps his young actors in line and the cute little plot moving along. It's got beautiful photography and wonderful choreography from Nick Castle.
For even longer than 45 years, the world has been pretty critical of Pat Boone which has been undeserved. Well, he shines in this one! Those acting lessons from Sandy Meisner really paid off in his scenes with Ann-Margret. He's simply terrific and "in the moment". Not only does he have a great set of pipes, he looks wonderful without his shirt, he does acrobatics and that duet with Ann "Willing and Able" is just about the sexiest... no, the hottest number to come out of a musical from that era. West Side Story didn't have a number like that! Wow-wee! Pat should have been a big movie star based on what I saw in this movie as well as a the great recording artist he was at that time.
Ann looks awesome is shorts and her big number, "Isn't it kind of fun" is really well done.
All in all, the movie has really aged well and people should check it out with their families and decide for themselves. Don't listen to those grumpy people who don't like this movie (or Pat).
For even longer than 45 years, the world has been pretty critical of Pat Boone which has been undeserved. Well, he shines in this one! Those acting lessons from Sandy Meisner really paid off in his scenes with Ann-Margret. He's simply terrific and "in the moment". Not only does he have a great set of pipes, he looks wonderful without his shirt, he does acrobatics and that duet with Ann "Willing and Able" is just about the sexiest... no, the hottest number to come out of a musical from that era. West Side Story didn't have a number like that! Wow-wee! Pat should have been a big movie star based on what I saw in this movie as well as a the great recording artist he was at that time.
Ann looks awesome is shorts and her big number, "Isn't it kind of fun" is really well done.
All in all, the movie has really aged well and people should check it out with their families and decide for themselves. Don't listen to those grumpy people who don't like this movie (or Pat).
Lo sapevi?
- QuizAnn-Margret, who had always been a brunette, as witnessed from her screen test for "State Fair" (1962), was required by director Jose Ferrer to have her hair dyed Titian red for this film, the color she would adopt as her signature shade from that point on.
- BlooperThe Frake family arrives at the fair in early morning, and skip breakfast to go right to the fairgrounds. Margy heads for the Midway, where the clock tower shows the time as 4:27 in the afternoon.
- Citazioni
Margy Frake: What had gotten into me, anyway? The things I used to like, I don't like anymore. I want a lot of things I've never had before.
- ConnessioniFeatured in Rodgers & Hammerstein: The Sound of Movies (1996)
- Colonne sonoreOverture (Main Title and 'Our State Fair')
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Performed by Pat Boone, Tom Ewell, Alice Faye, and Chorus
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Dettagli
Botteghino
- Budget
- 4.500.000 USD (previsto)
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 2.35 : 1
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