Il tesoro del lago d'argento

I can only hope that the original Karl May Shatterhand/Winnetou stories were a lot more entertaining that this cinematic adaptation! To be sure, the scenery is very nice (particularly near the end at Silver Lake), and the widescreen photography really captures the feeling of the open west. (Unfortunately, the only print circulating on this side of the Atlantic is in pan-and-scan.) The large gun-battle against the ranch fortress isn't bad as well.

If only the screenplay had been much better than it was! For starters, it has a curiously childish tone for much of its running time, similar to the kiddie westerns made by B movie outfits in Hollywood in the '30s and '40s. It goes on abnormally on (almost 105 minutes long), partly because of a slow pace - see how that stagecoach at the beginning of the movie rides on... and on... and on... and on... and on! Also, the story takes a number of diversions that bring the story to a halt, like when the heroes are captured. Not to mention some really laughable turns in the script, like how the heroes decide to take a women with them into hostile territory to look for the treasure. Still, it's fun seeing Herbert Lom in western garb, and this may be one of the only chances you see the INDIANS instead of the calvary riding to the rescue!

First off, I usually avoid commenting on the thoughts of other contributors to the IMDb, but since when does anyone evaluate a Western strictly on the basis of it's historical accuracy? Sounds about as logical as noting that Wile E. Coyote was working with materials purchased out of the ACME catalog that were not available in 1967 when a given cartoon was made. Like, whatever: Cowboys wear six-guns, ride horses, have mountains in the background of their locations, and don't look twice at supporting characters who are wearing baseball caps ... even though baseball had not yet been invented whenever TREASURE OF SILVER LAKE is supposed to be set.

Back to matters at hand, this was the first of a string of German made "Schnitzel Westerns" based on the books of Karl May, sort of a Teutonic version of Zane Gray who probably never got out to Dodge City either -- proof positive that anyone can write convincing fiction on any subject they choose so long as they are properly inspired & enthusiastic about it. As one other contributor notes this film is actually more progressive than American made productions of the time in it's respectful (if somewhat childish) portrayal of Native American culture. The Germans may not have gotten the war paint right but they were in awe of the Indians and don't just regard them as pop-up targets to be shot at -- though the idea of having the good guys shoot only their horses as a way to show that they were "friends" is questionable & unfortunate due to the wire tripped horse falls used to simulate it. But that's 1962 for you, and to impose modern day standards on the film is to condemn it to obscurity, which is sadly what has happened. It was wrong to trip the horsies in 1962 but even more wrong to condemn the film for being what it is, and it deserves to be seen.

Now with that said this is one of the most endearingly stupid Westerns I have ever encountered, infectiously likable from beginning to end. Euro Manbeef hero actor Lex Barker plays "Old Shatterhand", Mr. May's version of Daniel Boone and Davey Crockett combined into one character. He wears a buckskin suit, fights Injun style and at the beginning of the film is wearing a beard for the sole purpose of shaving it off to look more "civilized". Popular film villain Herbert Lom is on-hand to play the scheming, scowling, always cheezed-off villain, who wants to find a treasure of Injun gold and keep it all to himself. Villains are always more believable when they keep their motivations close to the wallet.

We also get the fetching 007 Bond Babe to be Karin Dor as the fresh-faced white woman who gets tied up to various posts no less than three times during the course of the movie and is not once felt-up by any of the bad guys. This was a more noble time in the west before Peckinpah when cowboys did each other the courtesy of fighting fair, washing regularly and wearing color coordinated costumes. There are mass horseback charges, duels to the death, a stockaded settlement to be defended, honor to be upheld, friends to be saved from doom, wise-spoken blue eyed Indian braves and doting womenfolk who dutifully stand by their men through thick & thin.

The movie has a cast of hundreds, it's Yugoslavian location work is impressively authentic if yet refreshingly unfamiliar, and the good old poetic justice ending for the greedy villains straight out of TREASURE OF THE SIERRA MADRE get the heroes out of having to actually kill anyone. It's sweeping theme music is quite enjoyable, the camera-work arty without being bogged down by distracting flourishes, and only some unnecessary comic relief in the form of a wayward butterfly collector come between the film and a masterpiece status. It is enjoyable if somewhat socially naive, wholesome and visually compelling entertainment that the whole family can enjoy together. A testimony to modern day man's unquenchable desire to play cowboys & Indians, with even the Indians coming off as the good guys. It's stupid for sure, but aside from some wire-tripped tumbling horsies (and I pray that none were hurt), what about this movie isn't there to like?

7/10

The first of the very popular Karl May films of the sixties in Germany is at the same time really embarrassing and touching with its simple good vs. evil plot. A German Western, shot at location in oops, Yugoslavia, is surely strange, but if Italian Western movies have their charme why not German?

Winnetou and Old Shatterhand as played by Bierce and Barker have shaped our image of the way heroes have to look and behave. Götz George, arguably the best living German actor, plays one of his early roles and you can see that he is taking it not really seriously.

I recently tried to watch it when it was on TV on prime time. There is a treasure somewhere in the "silver lake" and evil guys trying to steel the plan. Nothing really spectacular. But good supporting cast. It is really only endurable on a Sunday afternoon when you are relaxed and can enjoy the haunting film score. It helps to have read the books which are very popular in Germany. A perfect example of how the mood of a book can be recaptured with a movie. In fact one of my teachers said that the Karl May films were the only examples of films that come close to the literature that they are based on. And that only because the books are not worth much. It is not true really. There are other examples like...hm, Name of the Rose?

As a fan of western movies, I was astonished by this one. There was at least 300 or more extras in this film. There were bad guys, good guys, a whole lot of Indians, a secret tunnel, a cave with treasure, a beautiful girl, etc. The scenery was terrific. Apparently it was shot in southern or eastern Europe. All in all, a terrific film. I gave it a 10.

Treasure of Silver Lake is one of the most entertaining films I've ever seen. Establishing the template for every euro-western that followed, it features non-stop action, beautiful scenery (unfortunately compromised by the pan and scan version recently aired on Encore Westerns), and an amusing and watchable cast. Like most euro-westerns the film is more sympathetic to Native Americans than a typical Hollywood movie, but the Indians aren't really the focal point of the story--though they do ride around a great deal and emit fearsome war whoops. The Good Guys, led by sometime Tarzan Lex Barker, have a treasure map that will lead them to, erm, some treasure. The Bad Guys, led by a re-dubbed Herbert Lom (and who seem to have an unlimited supply of men, horses, and ammo), want that map! Much gunplay ensues. Lom gets to whip some of his men into shape (literally), there's a trapper with a frightwig (literally), and another trapper who speaks in rhyme! Highest recommendation, as long as you know what you're getting: a fun movie with lots of action.