Storia cinese

This movie is a typical example of American 1950-1960's anti-communist propaganda. Regardless of one's political persuasion, the portrayal of the Communist soldiers (and in particular the Communist colonel Ho San) is ridiculously exaggerated, just like the priests, who seem to be pure saints. A very black-and-white story, shot in colour. It can be interesting to watch as a historical document from a time of ideological hostility at the height of the Cold War, but as a movie it has few appealing qualities.

One thing which truly disturbed me was how the Chinese people were portrayed. The only Chinese characters who act like adults are the Communist leaders. The rest of them mostly act like enthusiastic but stupid children (despite them being adults), which reeks of racism. Just look at the thieving cook, he acts like a total imbecil. Not to mention Siu Lan, who seems to have the mental qualities of a 10-year old. If you're interested in Cold War propaganda history, or have similar academic reasons for watching this movie, then by all means do. Few movies are so outspoken as this one in terms of purpose. But if you're looking for some nice cineastic entertainment, don't waste your time.

This film, set in Mao's China during the Communist Revolution proved to be an almost infuriating film to view. It was the final film of Leo McCary's fantastic (and eclectic) directing career ("Duck Soup," "The Bells of St. Mary's). The story centers around a young priest, Father O'Bannion (William Holden) sent to relieve an aging priest in a Chinese mission. He meets a wide-eyed, idealistic young Chinese girl (France Nuyen) along the way. When he arrives at the mission, all hell seems to break loose. Without divulging too much plot...our young priest encounters many battles: fending off the affection of the young girl; remaining true to his faith, and abstaining from self-defense and violence (even under extreme duress); and pleasing his aging sage, the older preist (Clifton Webb). Why did this movie bother me? Well, in a nutshell: the young girl professes her love for Father O'Bannion...and he realizes he must send her off, despite his *true* feelings. Later, a character rapes the young girl while Father O'Bannion can only look on in desperation (after being tied up). After the inital horror, the good Father suscribes to the ideal that the resulting son needs a father. No matter who it is. When the rapist returns to see is his son, O'Bannion more or less encourages the young woman to form a family. This after our new "dad" has watched communists kill his parents in cold blood for the simple act of worshipping Christ. I suppose this movie is "pure to the period." But it's a tough movie to view in this day and age. A rapist is never properly punished. A man supresses his true feelings of love for a woman, who then must live with her attacker "just so the child can have a father." The finale is as wacky as forgiving rape for "family's sake." The charming Nuyen and Holden give solid performances, but the message sent, and the film itself, left me frustrated and somber.

Good feeling and moving film with awesome acting, rousing score and heartbreaking scenes. Adventure drama and a bit of history with the communist rebellion led by Mao spreading across China. Accompanied by a young native girl (France Nuyen), Father O'Banion (William Holden) travels to China to replace the tenacious Father Bovard (Clifton Webb) a priest who has become too old to take on the mission while following the strife-torn China in the 40s. As a result the pressure from the communists will complicate things. During the Chinese Civil War of 1949, the Communist leader (Robert Lee) constantly harasses the two priests of the remote Catholic mission outpost. They are pursued by Communist forces along the way. How Violators of Human Decency Work Their Terror Countdown!." Chances are, you'll laugh and cheer with maybe here and there a tear¨. Leo McCarey who gave you "Going My Way" and "The Bells of St. Mary's" now brings you his crowning achievement...Funmaking, filmmaking Leo McCarey, who has been delighting the hearts of countless millions, with a succession of merry movies...does it again! It's McCarey! It's Wonderful!

A sensitive and agreeable flm set in China during the Japanese invasion, concerning love, religion, escapades and sacrifice . Dealing with an enjoyable yarn about two priests in China sticking out for their beliefs against the onslaught of communism. China is the evil empire here though it was in fact filmed in England and Wales. The film's sets were the already used in¨The Inn of the Sixth Happiness¨. As 'Variety' noted, more occurs in the final 15 minutes than in the whole of the rest of picture. This is the last of the more than 100 films that make up Leo McCarey's long filmography and who began his career in silent films and accumulated a total of 3 Oscars. On this occasion, however, the director ended up so fed up with the shoot that he left it, 5 days before finishing it, passing the responsibility to his assistant David W. Orton. Curiously, it was also the last film of one of the protagonists, the legendary Clifton Webb, known for 'Laura' and for playing 'Lynn Beldevere' several times, who this time appears without his characteristic moustache.

There are attractive events, adventures, perilous situations , and fun situations throughout the film. Main and support cast are pretty good. William Holden is top-drawer as the obstinate priest O'Banion and outstanding France Nuyen as the sweet and young girl who relentlessly pursues Holden with whom she is deeply in love while providing comic relief. In addition, Clifton Webb is especially excellent as the already tired priest who after a life dedicated to missions has decided to retire and go to his beloved England.

The famed producer, director and author who teased your heart and made it cry for joy, with"The Bells of St. Mary's" "Going My Way" (which won him two Academy Awards) and "The Awful Truth" (which won him another), now takes you away from the everyday with his crowning achievement, "Satan never sleeps¨. Being unevenly but professionally directed by Leo McCarey. He was considered one of the most handsome directors in Hollywood, and some said as good looking as Cary Grant, whom he directed in four films. He is the first director to win three major categories at the Academy Awards : Best Picture, Best Director and Best Writing, Original Story, for this Going my way (1944). He directed five Academy Award Best Picture nominees: Ruggles of Red Gap (1935), The awful truth (1937), An affair to remember (1939), his big hit: Going my way (1944) and Bells of St Mary's (1945). Rating Satan never sleeps (1962) 6/10 . Well worth seeing . Essential and indispensable watching for William Holden fans.

Passably entertaining, but often unconvincing, silly, and down-right hokey, Leo McCarey's film of Pearl S. Buck's original screenplay "China Story," "Satan Never Sleeps" takes place during the Communist takeover of China in the late 1940's. Possibly seeking to replicate his success with the Oscar-winning "Going My Way," McCarey tackles the story of a younger priest sent to relieve an aging priest at a remote Chinese mission. However, the charming conflict between Bing Crosby and Barry Fitzgerald is beyond the reach of William Holden and Clifton Webb. Although Webb, in his final screen role, is quite good as crusty Father Bovard, Holden as Father O'Banion is uneven, and neither actor benefits from France Nuyen's annoying presence. The French-Vietnamese Nuyen's Siu Lan, a young Chinese girl with an obsession for Holden, mugs and grins like a schoolgirl in a childish performance that undercuts the film's moral core. Not only does Siu Lan moon over a man obviously twice her age, but she ignores his priestly vows and even suggests he switch religions to attain her goal. The lack of candor between O'Banion and Bovard with regard to Siu Lan's intentions is puzzling, given that the elder priest would have been O'Banion's confessor, and the entire situation could have been cleared at the outset.

The script by Claude Binyon and McCarey himself simplifies Communism and the Chinese Civil War; rather than explore issues and motivations in historical context, the film uses blatant propaganda to paint a good-versus-evil, black-and-white portrait of the period. The propagandist approach was likely Buck's, because she had been refused entry to China during this period. Helming his last film, McCarey directs with a heavy hand and cannot decide between light comedy, tragedy, and political drama; the film abruptly weaves between various moods and succeeds at none. Although poor rear projection and obvious painted backdrops mark the image, Oswald Morris's impressive cinematography captures the Welsh locations that convincingly stand in for rural China.

Marred by a simplistic political backdrop, an unconvincing dynamic between the two priests, and a performance by France Nuyen that grates like fingernails on a blackboard, "Satan Never Sleeps" is not worthy to be the swan song of two cinematic talents: Leo McCarey and Clifton Webb. Both are better remembered for their classics from the 1930's and 1940's. While Holden survived the film to give some remarkable performances in the following decades, Nuyen was relegated to minor roles, principally in television series. Unfortunately, this film is not a high point on any participant's resume.

While typical of the films of the 1950's in its style and perhaps anti communist profiling, it never the less gives us an insight into the total brutality that the communist showed towards the catholic church and for that matter any religion that wasn't ordained by chairman mao. One could almost imagine the actions of this film even today as the communist in china continue to maintain their stance of brutality against the catholic faith. this could be because so far the Holy See remains the one and only government to recogine the sovereign rights of Taiwan. As for the relationship between the woman and the priest I aggree that this is rather simplified and does leave one wondering exactly how old she would have been and if perhaps she suffered from some form of mild social retardation.