Gli amanti devono imparare

This sudsy, corn-filled romance would have been affectionately known as a 'woman's picture' back in 1962 when it was made. Today we would call it a 'chick-flic'. After giving up the western, (and he made a handful of very good ones), Delmer Daves turned to churning out some very glossy love stories, usually taken from best-selling novels of variable quality and, more often than not, starring the hottest property of the day, Troy Donahue. Donahue was blonde and beautiful and he could even act after a fashion in that kind of stiff American manner that belonged to an altogether different age; perhaps that is why his career was so short-lived.

Here he's an American artist living in Rome and the girl that falls for him was newcomer Suzanne Pleshette who has left American in search of adventure while clinging to her virtue. If for nothing else we should be eternally grateful for any film that gives us Pleshette who was smart, sexy and beautiful beyond her years but whose career never went anywhere either. There is also an older man in the mix as well, a charming Italian played by ... yes, you guessed it, Rossano Brazzi, (were all middle-aged Italian men like Brazzi?), and a bitch played by Angie Dickinson. (Pleshette acts her off the screen). But the real star of the movie is Italy, photographed in all its Technicolor, travelogue glory pushing the story very much into the background. The Italian tourist board should still be paying Daves royalties.

A wonderful romantic movie that in my view is highly underrated. While this is by no means a great film, it is hard to find much better if you're in the mood for pure romantic escapism. Pleshette, Dickinson, and of course Donahue are a feast for the eyes. The sets are gorgeous, particularly Angie Dickinson's place. To wear those clothes they wore and have a chic little dinner in an apartment like that we can only fantasize about in this day and age. The scenery of Italy takes back seat to nothing in this film but for my money the greatest scene is at the romantic little restaurant when the singer sings "Al di La". Folks, buy it or rent it because you will never see this type of movie on the big screen anymore.

Yes, I agree that Suzanne Pleshette and Troy Donahue are not exactly Katherine Hepburn and Lawrence Olivier in this film, but their "chemistry," a beautiful Italian setting, glorious fashion and the overall romantic "intrigue" more than make up for that. In the early 1960's, Troy Donahue was the ultimate in "eye candy" for us teenage girls (and older women, too, I'm sure). I have thought for years that I was surely the only 13-year old girl who sat in a darkened theater so TOTALLY "transported" for several hours by the romance in this film, but apparently I was not. I listen to an "oldies" radio station in the Dallas/Ft. Worth area and I cannot believe how MANY times other listeners request that the incredibly romantic "Al Di La" from the dimly-lit-romantic-restaurant-scene be played. Hooray for a day when sex was something seriously contemplated and not something graphically displayed like today!

Warner Brothers in the early 60s had a new roster of stars that they were promoting heavily to become the heirs of the stars of the golden era: Troy Donahue, Connie Stevens, Gardner McKay, Chad Everett, Suzanne Pleshette, etc. They were what people in media today would call "P&G" (i.e., they could be spokespersons for Procter & Gamble: white, wholesome, "All American" types). They were sexy but did not advertise their sexuality. ROME ADVENTURE is a typical vehicle for Warners of this period. Basically, this is a silly movie. BUT it's also quite enjoyable. Set in the Kennedy 60s before the world turned so ugly for us baby-boomers, the film embodies the zeitgeist of the time. That time has long past and maybe that's why this movie is so appealing despite its naiveté. The Birth Control pill had not yet come on the market, so premarital sex was a big gamble for young people. The choice was basically celibacy or matrimony. The price for unchastity could be heavy emotionally, in addition to the obvious risks. And thus was the plot of so many films of that period driven. People still went to church back then. In one scene Suzanne Pleshette says that she goes to church as often as she can and asks Troy Donahue, "Don't you pray? I pray a lot." I don't think a film made today could have a scene like that without being ridiculed.

Tellingly, Ms. Pleshette was the only one of Warner's early 60s young stars to have a long and respectable career. In this movie she plays a vivacious young schoolteacher who resigns her position at a prudish all-female institution and heads for Rome in search of adventure. Her mother worries about her: "So many things can happen!" Prudence: "How terrible if they don't!" (I'm paraphrasing.) She takes a ship over and in route meets Rossano Brazzi, an amorous rich Italian architect, who realizes that she's too young for him, so he introduces her to his student and protégé, Troy Donahue. It's love for these two, despite the bland performance of Donahue. Also in the cast are Angie Dickinson in a very hackneyed role, Constance Ford (in a rare sympathetic role), and Hampton Francher (impressive as a nerdy student). The romantic heart of the film is a trip the two "lovers" take together to Tuscany and Lombardy (while trying to keep their relationship secret from others). The gorgeous Italian scenery and the excellent cinematography combined with Max Steiner's Nino-Rota-influenced score make it quite the blissful holiday.

Yes, it's dated and a lot of the dialogue is ridiculous. Clichés abound. The plot creaks. But it's fun. I'd love to see it again.

Prudence Bell (Suzanne Pleshette) travels to Italy to discover adventure and finds Don Porter (Troy Donahue) and love. As they explore the areas around Rome, viewers are treated to some idyllic scenery. Their relationship has its ups and downs, especially when Don's former flame, played by Angie Dickinson, reenters his life.

Through it all, the song "Al di la" is featured, and the film's grade deserves two bumps just for that. It may be the perfect accompaniment to a love story set in Italy. Even Al Hirt, who appears as a surprisingly engaging trumpeter in the film, plays a jazz rendition.

This itinerant love story with a peripatetic plot loses focus on occasion, but it always come back to Prudence, where it belongs. Pleshette's beautiful quirkiness feels grounded in true love. No surprise, then, that Pleshette and Donahue would marry later.

An uncreative ending deserves the loss of one grade point. But it is difficult to be very disappointed in a film that features so much beauty.